For the past year and a half, the staff of the Rock Hall’s Library and Archives has been working to digitally preserve and catalog thousands of hours of footage of performances, interviews, education programs, oral histories and Rock and Roll Hall of Fame induction ceremonies that have taken place over the past few decades. Making this footage and other resources available to researchers and music fans for the first time is one of the things that already makes our jobs exciting, but one recent donation really captured my interest.
It was the original VHS cassette containing the very last interview with Rock and Roll Hall of Fame Inductee Roy Orbison ever recorded. The interview was done at the Front Row Theater in Highland Heights, Ohio, after Orbison’s final show on December 4, 1988, and this was the tape that was there in the room while the interview took place. It was recently donated by Tony Weber, who conducted the interview for his public access television show that ran from 1987 to 1989. Some low-quality dubs of the footage (likely captured from the television broadcast) can be seen on YouTube, but this is the original tape, so it is ...
An exclusive behind-the-scenes look at the making of the Rock and Roll Hall of Fame and Museum's new exhibit highlighting 50 years of the Rolling Stones. The exhibit, Rolling Stones: 50 Years of Satisfaction, opens to the public on May 24, 2013, and will span three floors, more than 4,000 square feet and feature hundreds of items -- instruments, clothes, handwritten correspondence, art, photographs and more -- from the Rolling Stones' amazing history as the "World's Greatest Rock and Roll Band."
Watch the video below for a sneak peek at the Rock and Roll Hall of Fame and Museum's new Rolling Stones exhibit.
The six founding members of War – the late Papa Dee Allen and Charles Miller, survivors Harold Brown, B.B. Dickerson, Lonnie Jordan and Howard Scott – were gigging around L.A. for nearly a decade before hooking up with Eric Burdon (ex-Animals) and Danish harmonica player Lee Oskar in 1969. Burdon and producer Jerry Goldstein named them War, and they backed it up with a steamy Afro-Latin R&B groove that rocked their debut hit “Spill The Wine.” Less than two years later, Burdon dropped out and War went their own way in 1971. A long string of Top 10 pop/R&B crossover hits established War’s status through the Seventies, always with a social message grounded by their distinctively breezy Southern California vibe. In this interview with War founding member Lonnie Jordan, he shares his first memories of playing, how War first connected with Eric Burdon and jamming with Jimi Hendrix during what would be his last public performance.
Rock and Roll Hall of Fame: How did you first become interested in playing music?
Lonnie Jordan: As a kid, I used to watch old black-and-white movies. Now keep in mind I'll be 65 this year, so when ...
Interview with award-winning filmmaker Oliver Stone, who visited the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, and sat down with the Rock and Roll Hall of Fame after his visit to share his impressions of the Museum, learning more about the roots of rock and roll, the history of rock and roll and the films featured in the exhibits; as well as hearing Motown for the first time in Vietnam; a time when rock and roll was "trashed," the importance of preserving pop culture, how "music is supposed to transcend" and more. Click here to plan your visit to the Rock and Roll Hall of Fame and Museum this summer!
I began my internship at the Rock and Roll Hall of Fame and Museum’s Library and Archives expecting to be busy with basic preservation tasks and minor conservation duties, such as creating enclosures for documents and rehousing materials. What I ended up doing instead was much more exciting, and it provided me with a much richer internship experience than I ever imagined.
I began by preparing the conservation lab, creating a conservation policy and expanding on the Library and Archives’ existing conservation manual. With everything in place, it was time to work on the collection most in need of treatment: the Les Paul Papers. The papers were in rough shape at the time of acquisition, as many of the documents and files were moldy and covered in rust from old staples and paper clips. The items with the most obvious mold damage were bagged and placed in quarantine until they could be cleaned, but mold seemed to be everywhere I looked in the collection.
Cleaning mold is not a simple task and requires special care and technique. Wearing personal protective equipment, including gloves, goggles, mask and apron, I carefully cleaned each item in the collection with conservation grade sponges ...