After shaking the nation with his performance of “The Star-Spangled Banner” at Woodstock in 1969, rock legend and Rock and Roll Hall of Fame Inductee, Jimi Hendrix, will now be honored by the United States Postal Service (USPS). Hendrix is joining Lydia Mendoza, Johnny Cash and Ray Charles in the USPS' music icon stamp series on Thursday, March 13, 2014.
The debut of the stamp will be at the South by Southwest (SXSW) conference at Butler Park in Austin, Texas, featuring a special all-star unveiling concert. This Jimi Hendrix celebration will include performances by Hall of Fame Inductees Slash and Robby Krieger of the Doors, as well as the MC5’s Wayne Kramer and Paul McCartney’s longtime guitarist Rusty Anderson, Dave and Phil Alvin of the Blasters and others.
In what's shaping up to be a big year for Hendrix fans, the stamp announcement comes alongside new Jimi Hendrix presence at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. The Museum recently acquired a handful of new Jimi Hendrix artifacts to add to its already abundant Jimi Hendrix exhibit, including various outfits, shirts and his purple “applejack” style suede cap. One of the outfits ...
In 1988, a young Sean Ono Lennon – John Lennon and Yoko Ono’s only son – took to the podium as the Beatles accepted their Rock and Roll Hall of Fame honors. Obviously nervous and encouraged by Ringo Starr to say a few words, Sean explained: “I’m pretty young to know about this still, but I still love the Beatles, and I’m pretty proud to be up here today for doing nothing.” Twenty-six years later, Sean Ono Lennon, a talented musician and composer, was again paying tribute to the legacy of the music his father and the Beatles created. This time, prompted by the 50th anniversary of the Beatles appearance on Ed Sullivan.
In honor of the Beatles anniverary, artists from all genres have been performing together on The Late Show With David Letterman. Last night, the Flaming Lips and Sean Lennon covered the Beatles' psychedelic rock classic “Lucy in the Sky with Diamonds.” Lead singer, Wayne Coyne, stood tall on a road case with shimmering ribbons dangling from his arms and a tangled tentacle arrangement of LED lights adorning his mic stand. Lennon donned the same hat his dad wore in the cover art of the 1970s compilation ...
It was star-studded night at the 56th annual Grammy Awards. With artists – new and old – coming together, and a handful of Rock and Roll Hall of Fame Inductees taking to the stage. The night included rememberances of Hall of Fame Inductees Lou Reed and Phil Everly, as well as 2014 Rock and Roll Hall of Fame Inductee Dave Grohl taking honors for best rock song for “Cut Me Some Slack,” a collaboration from his Sound City soundtrack that features Paul McCartney, former Nirvana bandmate and fellow 2014 Inductee Krist Novoselic and Pat Smear. From Paul McCartney and Ringo Starr to Madonna to Stevie Wonder, there were numerous Inductees getting into the live act at the Grammy Awards.
Dozens of couples, representing all demographics: gay, straight, interracial, young and old said “I do” during Macklemore & Ryan Lewis’ performance of “Same Love” featuring Mary Lambert and Rock Hall Inductee and seven-time Grammy Award–winner Madonna. Lewis, the group’s producer, told The New York Times, the wedding “will be in our minds the ultimate statement of equality, that all the couples are entitled to the same exact thing.”
In January 1961, Motown signed the Supremes, an all-female group who emerged from the poverty of Detroit’s Brewster housing project to become among Motown’s most consistent hitmakers and the most popular female group of the 60s.
Representing the Motown sound at its most stylized, the Supremes were the 1960s’ biggest group after the Beatles. They scored 10 Number One hits, including five in a row, right in the midst of the British Invasion. Diana Ross’ vocals achieved their greatest affect in this period because producers/songwriters Holland-Dozier-Holland supplied her with novel concepts that capitalized on her penchant for melodrama. “Stop! In the Name of Love” could be the most dramatic of them all. HDH recordings used gospel elements more proudly and directly than any other Motown productions – the ever-present Motown tambourine is a gospel trademark, for example. But HDH never limited themselves.
“Stop! In the Name of Love” benefits from James Jamerson’s earthquake bassline, the track's baritone sax riff and ringing vibes undercurrent, and an organ part adding tension to Ross' chilling moment: “Stop!” Stylistically, Ross had little more relationship to gospel than Frank Sinatra does, but HDH didn't put her in church, they simply ...
“'I Walk the Line' was a hit in November of 1956, that’s about a year before I was born, so it really is a part of the world that I know. But that’s the way it seems with great songs and great artists. Their impact on people is such that you can’t imagine what the world would be like or sound like without them.”
That was Lyle Lovett describing the first Johnny Cash song he ever heard, when he inducted Cash at the 1992 Rock and Roll Hall of Fame induction ceremony (watch video of Lyle Lovett inducting Johnny Cash into the Rock and Roll Hall of Fame).
“I Walk the Line” hit Number One on the country Billboard charts and crossed over into the pop Top 20. Nearly six decades after "I Walk the Line" – and more than a decade after his passing in 2003 at age 71 – new, never-before-heard material from The Man in Black is scheduled for release in Spring 2014.
Pictured (l-r): 1943 Martin acoustic guitar played by Johnny Cash during his Sun Records recording sessions from 1955 to 1958; c.1955 suit worn by Johnny Cash during his time with Sun Records ...
You're probably wondering what we are trying to do. It's hard to say: sort of a magazine and sort of a newspaper. The name of it is Rolling Stone, which comes from an old saying: "A Rolling Stone gathers no moss." Muddy Waters used the name for a song he wrote; The Rolling Stones took their name from Muddy's song, and "Like A Rolling Stone" was the title of Bob Dylan's first rock and roll record.
We have begun a new publication reflecting what we see are the changes in rock and roll and the changes related to rock and roll. Because the trade papers have become so inaccurate and irrelevant, and because the fan magazines are an anachronism, fashioned in the mold of myth and nonsense, we hope that we have something here for the artists and the industry, and every person who "believes in the magic that can set you free."
Rolling Stone is not just about music, but also about the things and attitudes that the music embraces. We've been working quite hard on it and we hope you can dig it. To describe it any further would be difficult without sounding ...