Photo from the Philadelphia Inquirer collection at the Rock & Roll Hall of Fame's Library & Archives
“I don’t believe you. You’re a liar.”
“Play f*cking loud.”
This was the simple yet striking dialogue between a fan and Bob Dylan 50 years ago (May 17, 1966) at the Manchester Free Trade Hall, and in my opinion this is the single greatest moment captured on tape at a rock concert.
The voice of the betrayed fan is a like a shot in the dark, accusing Dylan of turning his back his protest-song-singing past, which in retrospect barely lasted four years. However, it was a transition that the folk community that accepted and propelled Dylan was unwilling to recognize.
When I was a new Dylan fan in the mid-1990s, this concert was the bootleg to acquire. At that time there was still a debate over where the show actually took place – in Manchester or at the Royal Albert Hall in London. I ended up buying a compilation of tracks from the May 1966 tour of England, and I didn’t hear the full concert until it was released by Columbia as the 4th volume of Dylan’s Bootleg Series ...
The January 29, 1976 Rolling Stone headline read "Indonesian Nightmare Strikes Deep Purple." Journalist Peter Crescenti wrote in the opening paragraph: "Tragedy and mayhem struck the Deep Purple tour December 4th in Jakarta, Indonesia, when one of the group's road crew, Patsy Collins, a well-loved celebrity of the British rock scene and guitarist Tommy Bolin's bodyguard, was killed in a six-story fall down a service elevator shaft at the band's hotel."
It's a story steeped in Rock Hall lore and a Deep Purple story that's horrific and fascinating. The news report caught my eye as I was pulling items for the 2016 Rock & Roll Hall of Fame Inductee exhibit, rare items from the Rock Hall's Library & Archives that tell the story of this year's inductees. But as I poured over Crescenti's original drafts (complete with edit notes) for the article that later ran in Rolling Stone, the story increasingly piqued my curiosity.
Was Collins' death was part of a set-up that included scamming the band out of the concert proceeds? Who were the eyewitnesses, and how much did they actually see? What happened to Collins' body, especially considering the fact that the ...
A fan has left a rose at the entrance of 2400 Fulton Street in San Francisco, where Jefferson Airplane once lived, in acknowledgment of Paul Kantner's death. / photo by Richie Unterberger
I felt like a part of my San Francisco died when I heard the news of Paul Kantner’s passing. For fans like myself who so profoundly identify with certain music and musicians, it feels like we are losing part of ourselves each time one of our heroes passes away.
I discovered Rock and Roll Hall of Fame Inductees Jefferson Airplane when I was a senior in high school and a classmate shared a boxset of their music – Jefferson Airplane Loves You. As a teenager, it was perhaps my first taste of psychedelia and the counterculture. I went on to study the history of the Summer of Love as an American Studies major in college. When I was 22, my parents took me to San Francisco, and I actually wore flowers in my hair.
Several years later I found myself with a job at UC Berkeley, and I made regular pilgrimages across the bay to see Richie Unterberger give presentations on rare rock films at the Haight-Ashbury branch ...
Pictured: Jane Scott with David Bowie in the late 70s during one of his Isolar tour stops. Did you see him perform on the Isolar or Isolar II tours?
I’m an archivist at the Rock Hall’s Library and Archives. I'm also a diehard music fan and collector. Bob Dylan is my all-time favorite – I've seen him in concert 60 times – but David Bowie was the first artist that I collected on vinyl. I believe that Bowie is one of those artists whose work should be owned in its original format, if only because of the cover art and sense that you're holding a piece of history. Unfortunately, I never saw Bowie in concert and didn't dive into his entire catalog as so many fans did, and yet, now that he is gone, I realize just how much he was a presence in my life. And this week, it just so happened that my job created a collision of Bowie, Cleveland, and women in rock journalism.
My days involve a fair amount of detective work, such as forming connections between documents to describe a moment in rock history. One collection that will provide endless opportunities ...
For as long as there's been an entertainment industry, an “insider’s scoop” has been a reliable way to gain media attention. Over the years, however, many of those rare glimpses, unique perspectives and behind-the-scenes stories have been lost – or perhaps they were never shared. As we discover almost daily at the Rock and Roll Hall of Fame and Museum's Library and Archives, many such stories are hidden within the boxes of an archives, waiting to be discovered by researchers. Art Collins has one such story.
Collins began his career at the age of 22 in the Atlantic Records promotion department, and two years later, in 1977, he joined Rolling Stones Records as the Stones’ tour manager. For the Rolling Stones’ 1978 U.S. tour, Collins traveled with the band from show to show, and he took notes about each stop on a yellow legal pad. These notes were later condensed into a report for the in-house Atlantic Records bulletin. Both versions can be found in Collins’ files, but, for a researcher, the handwritten draft tends to be the more valuable of the two, because it may contain extra information that does not make it into the final ...