Last night, 2009 Rock and Roll Hall of Fame Inductees Metallica kicked off a week-long residency on The Late Late Show With Craig Ferguson with "Hit the Lights" – a fitting opening volley as it was also the opening track of the group's furious 1983 debut album Kill 'Em All.
For more than three decades, Metallica has been the standard by which metal's vitality and virtuosity are measured. Led by vocalist and guitarist James Hetfield, drummer Lars Ulrich, bassist Cliff Burton and lead guitarist Kirk Hammett, the group's debut established the thrash metal sound in America.
Ride the Lightning, Master of Puppets and …And Justice For All
The Metallica albums that immediately followed Kill 'Em All – Ride the Lightning (1984) and Master of Puppets (1986) – showed increasing levels of ambition, intensity and technicality. On the strength of those recordings, the band enjoyed a surge in popularity, but tragedy struck during a headlining tour of Europe. Traveling on an icy road in Sweden, Metallica's tour bus lost control, crashing and instantly killing bassist Burton in September 1986. Fans of Cliff Burton will recognize the 1978 Rickenbacker 4001 bass guitar that is part of the Rock Hall's heavy ...
To preview 2012 Rock and Roll Hall of Fame Inductee Glyn Johns' interview at the Rock Hall Library and Archives on Saturday, November 15 at 4 pm, we have an excerpt from Johns' new book, SOUND MAN: A Life Recording Hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, the Faces... (On sale November 13, 2014, Blue Rider Press).
The previous year, 1970, the Stones had started recording at Mick Jagger’s house out in the country, near Newbury. By this time, the Stones Truck was fully operational and we used the huge entrance hall of the Victorian pile that was Stargroves to record several tracks that were eventually used on Sticky Fingers. I had mentioned to Pete Townshend in conversation that these sessions had gone really well, so he suggested that we go there to start recording Who’s Next.
We began on the first day with “Won’t Get Fooled Again.” Not a bad way to start. With Pete’s permission, I edited the synthesizer track from his original demo, as it was a little too long, and played it in to the band in the studio. They performed live to it with ...
Rock and Roll Hall of Fame Inductees Tom Dowd, Berry Gordy Jr., Les Paul, Sam Phillips and Phil Spector represent a 1950s and 1960s "recordist canon," pioneers of maverick recording methodologies responsible for shaping the sound of classic rock and roll. Their work not only forms the underpinning of rock music’s sonic characteristics, but also represents an oft-imitated body of audible stylistic, genre and aesthetic recording principles. Some of their radical, experimental and at times rebellious production techniques – Paul’s "Sound on Sound," Spector’s "Wall of Sound"and Phillips’ "Slap Echo" for example, have informed a continuum of established rock production standards.
However, the 1990s also marked a significant turning point in pop and rock sound recording. At a time when computer-based digital audio workstations (an electronic tool for recording, editing and producing audio files) were fast becoming the norm, many sound recordists of the era either rejected this new direction outright or blended technological and processual precursors into unconventional and individualized working practice. Such reinventions of technological and processual modes of production mirror those of the 1950s and 1960s ‘"recordist canon."
Here are 5 songs that helped define the sounds of the 1990s, and the producers who ...
The biggest hit of Simon and Garfunkel's career turned into their swan song. The much-loved and critically acclaimed duo personified poetic, collegiate folk rock. Throughout the 1960s, however, Paul Simon's songs increasingly discarded formal language for more colloquial lyrics. Similarly, his music expanded from the folkie roots implicit in his guitar finger picking. "Bridge Over Troubled Water" reflected these trends, besides being a typically well-manicured production. Similar qualities characterized Simon's subsequent solo career.
"'Bridge Over Troubled Water' is something of a mystery to me," notes Simon in the Rock Hall's latest exhibit, Paul Simon: Words & Music. "Because nothing prompted me to write it. I was listening to a lot of gospel quartets, particularly the Swan Silvertones and the Everly Brothers album Songs Our Daddy Taught Us. I was stunned and I thought, 'that’s a lot better than I usually write.'"
With a dramatic piano introduction and majestic melody, "Bridge Over Troubled Water" is a moving, spiritual song that like the Beatles' "Let It Be" evokes gospel themes without the overt trappings of that genre. Some theorize that its massive success piqued Simon, who not only wrote the tune but also was intimately involved in its ...
Who was Mrs. Roosevelt and what's her relation to Mrs. Robinson? Where did Joe DiMaggio go? Where does Paul Simon come up with his lyrics?
"So goodbye to Mrs. Roosevelt, all along the road down to glory hallelujah," Simon recites from an old handwritten lyric manuscript (pictured) featured in the Rock and Roll Hall of Fame and Museum's new exhibit, Paul Simon: Words and Music. "I don't think of what I do as writing poetry, but the language may have imagery in it."
Watch Hall of Fame Inductee Paul Simon talk about how "Mrs. Roosevelt" became the famous "Mrs. Robinson," the real background to the "Where have you gone Joe DiMaggio" lyric and more:
Opening on October 30, 2014, the Rock and Roll Hall of Fame and Museum in Cleveland's new exhibit Paul Simon: Words & Music will feature exclusive candid commentary gathered from hours of filmed interview footage that walks the audience through the personal story of Simon’s life and his creative process. This opening marks the Museum’s first-ever exhibit anchored by first-person narration by the artist. In addition to the autobiographical films, there will be videos of select performance highlights from Simon’s ...
What do Chet Atkins, Jimmy Page and John Paul Jones of Led Zeppelin, Graham Nash, the Hollies, Linda Ronstadt, Paul McCartney, Norah Jones and Billie Joe Armstrong of Green Day have in common? As the above infographic illustrates, each has a connection to the 2014 Rock and Roll Hall of Fame Music Masters honorees the Everly Brothers.
Click the image above for a free illustrated history of the Everly Brothers infographic download!
"It's impossible to imagine popular music without the Everly Brothers," said 2012 Rock and Roll Hall of Fame Inductee Donovan in a recorded tribute to the brotherly duo to be honored at the Rock Hall's annual Music Masters event on Saturday, October 25, 2014. "I am influenced tremendously by Don and Phil [Everly], and their incredible recordings."
Although Donovan will not be in Cleveland for the week of events surrounding this year's Music Masters, the Saturday tribute concert will include performances by Hall of Fame Inductee Graham Nash, Rodney Crowell, Vince Gill, JD Souther, Emmylou Harris, Albert Lee, Keb' Mo', Shelby Lynne, Secret Sisters, Alison Krauss, Bonnie "Prince" Billy and Dawn McCarthy, Allison Moorer and more. Get details on the week of Music Masters events celebrating 1986 Rock and Roll Hall of Fame Inductees the Everly Brothers, including tickets for the tribute concert!
Watch Donovan sing a stripped-down acoustic version of the Everly Brothers' "So Sad (To Watch Good Love Go Bad)."
(pictured: Donovan visiting the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, in 2012, the year of his induction.)
The Godfather of Soul, James Brown, revered Little Willie John, having opened shows for John early on and later recorded an entire album of his tunes, the 1968 tribute Thinking About Little Willie John and a Few Nice Things. Brown was just but one of many artists of the day who were influenced by John's gospel-charged R&B sound. The likes of Hall of Fame Inductees Sam Cooke, Jackie Wilson and Al Green all noted a musical debt to the man behind "Fever," and hits including "Sleep," "Talk To Me, Talk To Me" and "Leave My Kitten Alone" – the latter an early Beatles fave.
Spending his formative years raised in Detroit, Michigan, Little Willie John's stature belied his powerful voice. Signed to Syd Nathan's Cincinnati-based King Records in 1955, John cut the haunting, sultry "Fever" in 1956 at the tender age of 18. His smooth style presaged soul music. His delivery was passionate and dramatic, which paired with his melding of styles proved the perfect foil to such evocative lyricism.
Sadly, this polished, passionate artist suffered a sad fate: convicted of manslaughter in a post-gig fracas and sentenced to prison in 1966, he died under disputed circumstances ...