The Rock and Roll Hall of Fame and Museum's Right Here, Right Now exhibit celebrates today’s most popular music artists. Right Here, Right Now takes a look at the evolution of rock and roll and its impact on the next generation of artists by taking visitors on an intimate journey into the stories of chart-topping acts as told through their personal items and clothing from iconic performances. The exhibit features thought-provoking text panels and interactive displays where visitors can see and hear how these contemporary artists have made an impact during the new millennium.
We made a trip to the 2014 Bunbury Music Festival in Cincinnati to talk with Fall Out Boy's Patrick Stump and Pete Wentz about having artifacts from the Young Blood Chronicles video series on display, their influences, the Alternative Press Awards and what's next for the Chicago band.
On filming the Young Blood Chronicles:
Pete Wentz- "Putting together the whole Young Blood Chronicles was pretty insane. The way that it sounds like a good idea to do, or simple idea to do, like an 11 video narrative story; but it was much more complex than we thought, and took about nine months ...
The Rock and Roll Hall of Fame and Museum and Case Western Reserve University will honor rock and roll pioneers the Everly Brothers during the 19th Annual Music Masters® series this October. Don and Phil Everly were inducted into the Rock and Roll Hall of Fame as a part of the first class of inductees in 1986. Two-time Grammy Award winner Rodney Crowell will serve as musical director for the tribute concert, which will take place on Saturday, October 25 at 7:30 p.m. at PlayhouseSquare’s State Theatre. Tribute concert artists will be announced in the coming months.
“I’m honored and proud as I know Phil would be for the recognition being given to the Everly Brothers,” said Don Everly. “I’d like to thank the Rock and Roll Hall of Fame and fans for keeping the Everly Brothers alive and accept with great appreciation this special celebration. I wish Phil were here to share this honor with me. It has cost many tears and taken many miles and several decades to arrive at this point.”
Phil Everly passed away in January of this year, shortly before his 75th birthday. His family shared their thoughts on the ...
"Bye Bye Love" galvanized not one but three creative teams. Don and Phil Everly were floundering prior to this first hit single. "Bye Bye Love" was also the biggest hit to date for husband-and- wife songwriters Boudleaux and Felice Bryant. Last but not least, the pairing of the Bryants with the Everlys yielded a string of rock and roll pearls. The record's enormous success-Top Five on Billboard's country, pop, and R&B charts-followed a series of hurdles. Cadence, the Everlys' label, had rejected them once before but was giving the brothers a second chance. The Bryants' tune had been rejected by numerous artists before the Everlys got hold of it. Perhaps Don Everly's own guitar introduction made a difference; the brothers' close vocal harmonies were certainly new to a non-country audience. Not even a cover version by Webb Pierce-at that time the kiss of death for a country song's original recording-could slow the Everlys' million sales, as "Bye Bye Love" leapt across musical borderlines. The brothers went from tent shows to The Ed Sullivan Show; the era's top vocal duo was off and running.
The Everlys' third hit was their first ballad single. If their ...
Pink Floyd wouldn't have been a good bet to survive the 1960s, let alone the century. Original defining songwriter Syd Barrett was a sidelined acid casualty by 1968, when guitarist David Gilmour arrived. The group played to a cult audience until capturing the zeitgeist with 1973's The Dark Side of the Moon, an album about alienation and paranoia that sold millions and charted for over a decade. "Money," the album's surprise hit, opens with ringing cash registers the most famous example of Pink Floyd's fondness for sound effects. Indeed, the rhythms of commerce establish the rigid beat for a song that is paradoxically one of the more soulful in the band's repertoire, with a saxophone wailing above jazzy keyboard and wahwah guitar. A rave-up guitar solo leads into a rocky jam that winds back into a final verse and fades amid chattering voices. With its musical change-ups and tricky production, "Money" became a career-defining single. Money itself was the issue in the 1980s after co-founder Roger Waters departed: he fought his ex-band mates over the rights to the lucrative name "Pink Floyd."
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Preaching a gospel of tolerance set against a heady genre-blending groove, Rock and Roll Hall of Fame Inductees Sly and the Family Stone were the integrated multi-gender Pied Pipers of the Woodstock generation. The group's message – and inimitable synthesizing of rock, soul, R&B, funk and psychedelia into a danceable music – helped bring diverse audiences together, with their greatest triumph coming at the Woodstock Festival in 1969. During their unforgettable nighttime set, leader Sly Stone initiated a fevered call-and-response with the audience of 400,000–plus during an electrifying version of “I Want to Take You Higher.” Voters around the world ranked that moment as one of the greatest festival moments of all time, and it is included in the Rock Hall's feature exhibit, Common Ground: The Music Festival Experience.
The group connected with the rising counterculture by means of songs that addressed issues of personal pride and liberation in the context of driving, insistent and sunny-tempered music that fused rock and soul, creating a template for 70s funk. As proof that they were reaching a rainbow coalition among the young, Sly and the Family Stone dominated the late 60s charts with such essential singles as “Dance to ...
It was a weekend of sing-alongs, raves, rappers and rockers. More than 80,000 music fans made a pilgrimage to Manchester, Tennessee for the 13th annual Bonnaroo Music & Arts Festival. A diverse lineup boasted EDM artists like Zedd and Skrillex next to classic soulsters like Lionel Richie and Bobby Womack, proving that music festivals allow acts to perform for both new and old audiences. Here are five of the top music moments (in no particular order) from the 2014 Bonnarro Music & Arts Festival.
1. Elder statesmen of Rock Meet the New School: Skrillex & Friends SuperJam
Sonny Moore AKA Skrillex pulled out all the stops for his SuperJam. A few of the highlights included Janelle Monea taking the stage to perform Michael Jackson's "Wanna Be Startin' Somethin'" and the 1965 James Brown classic "I Feel Good," and later Cage the Elephant's Matt Shultz fronting the Doors' "Break On Through (To The Otherside)" alongside the iconic group's guitarist and songwriter Robby Krieger.
2. Jack White Covers Zeppelin, Electrifying Stage with Mix of New and Old
Just four days after the release of White's second solo studio album Lazaretto, the Nashville resident ...
This summer as rock and roll fans gather at musical festivals around the globe, the Rock Hall is celebrating the the greatest music festivals in history, the biggest and baddest music festivals of today and the fans who make Common Ground: The Music Festival Experience.
From June 12-15, the Bonnaroo Music and Arts Festival takes over Manchester, Tennessee, with a host of performances from some of the biggest names in music. Among the headlining acts and performers at Bonnaroo this year are a number of artists who also feature in the Rock and Roll Hall of Fame and Museum, in Cleveland, Ohio, including four Rock and Roll Hall of Fame Inductees.
Percussionist Mickey Hart was inducted into the Rock and Roll Hall of Fame in 1994 with his bandmates in the Grateful Dead. When Hart visited the Rock and Roll Hall of Fame and Museum in 2012, he shared stories about the first time he ever saw the Grateful Dead live and the San Francisco scene in the 60s. Pictured below is his illuminated signature in the Rock and Roll Hall of Fame in Cleveland, Ohio.
Bobby Womack was born in Cleveland, where he and his ...
Released in June 1984, Born in the U.S.A. remains among the best-selling albums in rock and roll history, with seven Top 10 hits that sent 1999 Rock and Roll Hall of Fame Inductee Bruce Springsteen's rock stardom into the stratosphere. Its narrative tone had much in common with 1982's stark, somber and critically lauded Nebraska, with many of the songs that comprised Born in the U.S.A. beginning life in the same sessions that produced that album. The root influences of blues, American folk songs and the new cinematic style of directors such as Martin Scorsese and Terrence Malick brought a darker and more introspective view to the characters. “I’m on Fire,” for example, was a song of desire, compulsion and personal struggle that became a Top 10 hit in 1985, despite its intense subject matter.
However, Born in the U.S.A. also traded in more nostalgic storytelling and tongue-in-cheek humor on tracks like "Glory Days" and "Dancing in the Dark" – all of which proved especially resonant with audiences around the country. Thanks in no small part to 2014 Rock and Roll Hall of Fame Inductees the E Street Band, the arrangements were ...