Few bands short of the Beatles inspired more kids to play the guitar and drums than KISS. With their signature makeup, explosive stage show and anthems like “Rock And Roll All Nite” and “Detroit Rock City,” they are the very personification of rock stars. Original members Peter Criss, Ace Frehley, Paul Stanley and Gene Simmons came together in New York in 1972. While their first two records did not generate many sales, they quickly gained a national following for their bombastic, pyro-filled stage show. Their 1975 live album Alive! captured that energy and reached Number Nine on the charts, quickly making them one of the most popular bands of the 1970s – scoring countless hit singles, sold-out tours and appearing everywhere from comic books to lunch boxes to their very own TV movie. In 1977, KISS received a People’s Choice Award for the song “Beth.” Ace Frehley and Peter Criss left the band in the early 1980s to pursue solo careers, while KISS regrouped with a different lineup of musicians. Another major change was the group’s decision to take off their makeup for 1983’s Lick It Up. They continued to be a popular live draw, but in 1996 ...
Peter Gabriel’s influence is so widespread we may take it for granted. When the rest of rock was simplifying in the new wave days, the former Genesis frontman blended synthesizers and a signature gated drum sound with an emotional honesty learned from soul music to create a sensibility that would influence artists from U2 to Arcade Fire to Depeche Mode. With extraordinary ambition, Gabriel transitioned from cult artist to multimedia pop star to global rock icon. His WOMAD festival has been a 33-year laboratory for musical cross-pollination. His brilliant stage shows inspired U2’s and Flaming Lips’ and expanded the visual vocabulary of music videos with clips such as “Sledgehammer,” “Shock The Monkey” and “Big Time.” In addition, he wrote songs like “Don’t Give Up,” “Red Rain” and “In Your Eyes” that put heart and soul on the radio at a time when those values were in short supply. Four decades on as a solo artist, Gabriel continues to push the boundaries of popular music and challenge audiences across the globe.
Here are 5 essential Peter Gabriel songs:
"Solsbury Hill" (1977)
"Solsbury Hill" captured the emotions of Peter Garbiel's departure from Genesis. As tension built during Genesis ...
It only takes one song to start a rock revolution. That trigger, in late 1991, was “Smells Like Teen Spirit,” an exhilarating blast of punk-rock confrontation by Nirvana, a scruffy trio from Seattle. “Teen Spirit,” its moshpit-party video and Nirvana’s kinetic live shows propelled their second album, Nevermind, to Number One and turned singer-guitarist-songwriter Kurt Cobain into the voice and conscience of an alternative-rock nation sick of hair metal and the conservative grip of the Reagan-Bush ‘80s. Founded by Cobain and bassist Krist Novoselic in the logging town of Aberdeen, Washington, Nirvana were underground stars when they made 1989’s Bleach with drummer Chad Channing. Moving from the indie Sub Pop label to Geffen, the band – with drummer Dave Grohl – packed Cobain’s corrosive riffs, emotionally acute writing and twin passions for the Beatles and post-punk bands like the Melvins and the Pixies into Nevermind. A multi-platinum seller, it included the hits “Come As You Are” and “Lithium” and opened the mainstream gates for Green Day, Pearl Jam and Smashing Pumpkins. In 1993, Nirvana released the caustic masterpiece, In Utero, and gave a historic performance on MTV’s Unplugged. But in April 1994, Cobain – suffering from drug addiction and ...
Linda Ronstadt dominated popular music in the 1970s with a voice of tremendous range and power. She was one of the most important voices in the creation of country rock, in part because she understood how to sing traditional country songs like “Silver Threads And Golden Needles.” She regularly crossed over to the country charts in the ’70s, a rarity for rock singers. Working with producer Peter Asher, Ronstadt crafted a repertoire of songs that roamed throughout rock history that she interpreted with beautiful, precise phrasing. Ronstadt was especially good at singing early rock and roll; she had a long string of hits that revived interest in rock’s pioneers: Roy Orbison’s “Blue Bayou,” the Everly Brothers' “When Will I Be Loved” and Buddy Holly’s “That’ll Be The Day” among them. She was equally comfortable with Motown music and the beginning of new wave. Her finest work was the run of four consecutive platinum albums in the mid 70s: Heart Like A Wheel (1974), Prisoner In Disguise (1975), Hasten Down The Wind (1976) and Simple Dreams (1977). In the 1980s, she expanded her musical vocabulary by recording songs from the classic American songbook (What’s New, Lush ...
The musical odyssey of Cat Stevens is well documented, from teenage London art school songsmith (“The First Cut Is The Deepest,” the Tremeloes’ “Here Comes My Baby”) to introspective cornerstone of the 1970s singer-songwriter movement. Who can measure the courage it took him in the late 70s, after seven years of multi-platinum success in the U.S. (and over a decade in the UK) to convert to Islam, amidst the wave of turmoil and confusion that was engulfing the world? He left his touring and recording life behind and named himself Yusuf Islam. Inevitably, many longtime fans abandoned him, and he found certain international borders closed and worse yet, controversies on his doorstep despite his humanist background. It was 17 difficult years between his final LP as Cat Stevens (1978’s Back To Earth), and the first CD as Yusuf and more than a decade until his first pop album in nearly 30 years (An Other Cup in 2006). “When I accepted Islam,” he told Rolling Stone, “a lot of people couldn’t understand. To my fans it seemed that my entering Islam was the direct cause of me leaving the music business, so many people were upset. However, I ...
Update!: the world premiere of the 2014 Rock and Roll Hall of Fame Induction Ceremony will air on HBO on Saturday, May 31 at 8pm ET/PT!
This year the Rock and Roll Hall of Fame will have a wide array of special guests to pay tribute to this year’s inductees: Peter Gabriel, Daryl Hall and John Oates, KISS, Nirvana, Linda Ronstadt, Cat Stevens, the E Street Band, Brian Epstein and Andrew Loog Oldham.
Special guests this year include: Chris Martin, Glenn Frey, Michael Stipe, Questlove, Stevie Nicks, Bonnie Raitt, Bruce Springsteen, Peter Asher, Carrie Underwood, Emmylou Harris, Tom Morello and Sheryl Crow.
· Peter Gabriel – Peter is performing; Chris Martin is inducting him
· Hall and Oates – Hall and Oates are performing; Questlove is inducting them
· KISS - Inducted by Tom Morello
· Nirvana – Michael Stipe inducting Nirvana
· Linda Ronstadt – Inducted by Glenn Frey; Musical tribute from: Bonnie Raitt, Stevie Nicks, Carrie Underwood, Emmylou Harris, Sheryl Crow
· Cat Stevens – Performing; Inductee TBD
· E Street Band – Inducted by Bruce Springsteen; E Street Band performing
The 2014 Rock and Roll Hall of Fame Inductions will be held at Barclays Center in Brooklyn, New York on Thursday, April 10 and premiere on HBO on Saturday ...
In honor of the 69th birthday of Rock and Roll Hall of Fame Inductee Eric Clapton, the Rock Hall’s Library and Archives is pleased to feature Clapton’s beautiful new limited edition book Six-String Stories: The Crossroads Guitars in its main reading room.
“One by one these guitars were the chapters of my life,” says Clapton about the book. Personally signed by Clapton himself, the 376-page volume documents his entire career through the tools of his trade: his guitars. Six-String Stories is told through Clapton's own words, with background information for each instrument and archival photography spanning five decades.
“As an avid rock or blues fan I would look at all the pictures in this book,” says Clapton. Nearly 300 pieces from Clapton's collection, sold across three Crossroads auctions, are brought together here for the very first time. Six-String Stories presents a “family tree,” making connections between Clapton's instruments and amps, and placing them in the chronology of his career.
“These guitars have been really good tools,” says Clapton. “They're not just museum pieces. They all have a soul, and they all come alive.” Every piece has been photographed, showing the beauty of the design ...
As glam rock hit its platformed stride in early 1972, Mott The Hoople was fading fast.
Born in mid-1969 as the brainchild of Island Records' mad genius Guy Stevens, the band was now deep in debt after four albums. Despite local notoriety helped by a riot-causing performance at London's Albert Hall (resulting in a "permanent" ban on rock and roll at the venerable venue), they had stiffed stateside and had just been dropped by their American label.
As Mott half-heartedly entered the studio that February to record demos for their next venture, a package awaited; in it, a tape and a note reading: "A song for you to hear. Hope you'll ring me and tell me what you think. David Bowie." The tape featured a demo of "Suffragette City," the song that would soon climax Bowie's "Ziggy Stardust" breakthrough. After Mott turned down the tune, they set out on a miserable tour of Switzerland and officially broke up on March 26, 1972 (a series of events that would be later chronicled on "The Ballad of Mott the Hoople (26th March 1972, Zürich)" off of 1973's Mott).
Back in London, bassist Pete "Overend" Watts called Bowie ...