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60s :: Blog

The Unsung Versions of Jimi Hendrix's “Star-Spangled Banner”

Tuesday, March 24: 4:10 p.m.
Posted by Mark Clague

The sheer emotional impact of Jimi Hendrix’s Woodstock rendition of “The Star-Spangled Banner” sparked my fascination. His squealing guitar effects depicting the incoming descent of bombs that were soon “bursting in air,” grabbed me, especially as intensified on film when Hendrix “lip synched” the resulting cries and screams. His performance makes the abstract so very human. For me Hendrix’s Woodstock anthem of August 18, 1969, remains atop the list of the most powerful performances of Francis Scott Key’s song ever created

Jimi Hendrix "The Star Spangled Banner" rare performances live

Beyond Woodstock: The Other Hendrix "Star-Spangled Banner" Performances 

The Woodstock anthem gets even more interesting when compared with the other 40 or so surviving recordings of Hendrix performing the song. They reveal Hendrix’s artistic as well as political evolution and define the critical and patriotic extremes of his expression to place Woodstock firmly in the middle as a combination of both. Here's a look at five incredible Hendrix versions of "The Star Spangled Banner.' Want more Hendrix? Catch Mark Clague going deep on all-things Hendrix at the Rock Hall's Library and Archives on Wednesday, March 25, 2015!

 

1. August 16, 1968—Merriweather Post Pavilion (Maryland)

Hendrix first references the anthem melody a year ...


continue Categories: Inductee, Exhibit, Rock's Greatest Guitar Players, Event, Jimi Hendrix, Hall of Fame

Los Angeles in the 60s: Beefeaters, Byrds, Buffalos and Folk-rock Supergroups

Thursday, August 14: 3 p.m.
Posted by Rock Hall

the Beefeaters and the Byrds folk rock in Los Angeles the sounds of the 60s

Fifty years ago, in 1964, a group of musicians – Roger McGuinn, David Crosby and Gene Clark – came together in Los Angeles, California, calling themselves the Beefeaters. By December of 1964, the Beefeaters had recruited Chris Hillman on bass guitar and Michael Clarke on drums, and changed their name to the Byrds. Far more than a name change, the group charted a new course in rock and roll history, pioneering the folk rock sounds that would become so emblematic of an era and influential generations later.

Folk rock didn't necessarily begin with the Byrds' "Mr Tambourine Man" – four months before they recorded it, the Animals were topping the pop charts with "The House of the Rising Sun" – but its combination of song and performance epitomized the genre, with the happy effect of giving Bob Dylan (as songwriter, at least) a Number One hit. The only Byrd playing on it, though, was electric 12-string guitarist McGuinn.  Producer Terry Melcher, doubtful of the new band's abilities, hired session musicians to back up the vocals of McGuinn, Crosby and Clark. Perhaps Melcher had heard the group's originally private 1964 recording of the tune, which sounds like an arrangement for a music ...


continue Categories: Inside the Rock and Roll Hall of Fame, Exhibit, History of Rock and Roll, Bob Dylan, Rock's Greatest Guitar Players, Inductee, Hall of Fame, Songs That Shaped Rock and Roll
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