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Banned, "Dirty Water" and Punk: Interview with the Standells

Thursday, May 15: 4:30 p.m.
Posted by Rock Hall
The Standells' "Dirty Water" banned in Boston.

With songs like "Sometimes Good Guys Don't Wear White," "Why Pick on Me" and "Riot on the Sunset Strip," the Standells brand of cranked-up garage rock in the 60s earned them a reputation as among the godfathers of punk rock. The fact their music has been covered by the likes of Aerosmith, Minor Threat, Bruce Springsteen and U2 – not too mention a litany of punk acts emerging in 1977 – illustrates that their knack for punchy hooks has engendered them to musicians and fans alike.

With an instantly recognizable-and easy to play-guitar intro, "Dirty Water" became a garage band staple in 1966. Onetime Four Preps member Ed Cobb wrote the song, but the Los Angeles–based Standells version recorded in a  garage studio in southern California turned it into a growling classic. Once squeaky-clean, the Standells went proto-punk in a bid to glom onto the bad-boy image of British groups like the Rolling Stones and the Animals. Drummer/vocalist Dick Dodd (a former Mickey Mouse Club Mouseketeer) sneered his way through this tale of unrequited lust and of vitriol aimed at Boston. That city retaliated by banning "Dirty Water," which didn't hurt sales. The canny Standells went on to ...


continue Categories: History of Punk, History of Rock and Roll, Songs That Shaped Rock and Roll, Rolling Stones, Exclusive Interviews

Songs That Shaped Rock and Roll: "Whole Lotta Love"

Wednesday, May 7: 4 p.m.
Posted by Rock Hall
"Led Zeppelin II" gets re-release with new versions of "Whole Lotta Love" and more.

This week, it was announced that Hall of Fame Inductees Led Zeppelin would be reissuing their first three albums with a series of box sets featuring previously unheard mixes, live versions and one unreleased track. In advance of Led Zeppelin II's re-release, the group shared a radio edit of a rough mix of the classic cut "Whole Lotta Love" that sounds quite different than the famous radio-staple studio version, most notably Jimmy Page's guitar parts and Robert Plant's vocals. It's a mix as intriguing to listeners as the song's controversial – sometimes litigious – history.

Experience the world's greatest music festivals past, present and future at the Rock Hall in Cleveland!

Plant remembers the first time he noted similarities between a Zep-credited composition and an obscure but not that obscure blues. JPage's response was "shut up and keep walking."  Led Zeppelin almost got away with "Whole Lotta Love." The crunching riff and relentless thud that opens Led Zeppelin II could be attributed to few other bands in 1969. But as the lyrics unfolded, certain listeners got a dose of deja vu. "Whole Lotta Love" distinctly recalled the Small Faces' number "You Need Loving." Had the ...


continue Categories: Inductee, History of Rock and Roll, History of the Blues, Rock's Greatest Guitar Players, Hall of Fame, Songs That Shaped Rock and Roll

2014 Hall of Fame Inductions: 5 Essential Peter Gabriel Songs

Wednesday, April 9: 8 a.m.
Posted by Rock Hall

Peter Gabriel’s influence is so widespread we may take it for granted. When the rest of rock was simplifying in the new wave days, the former Genesis frontman blended synthesizers and a signature gated drum sound with an emotional honesty learned from soul music to create a sensibility that would influence artists from U2 to Arcade Fire to Depeche Mode. With extraordinary ambition, Gabriel transitioned from cult artist to multimedia pop star to global rock icon. His WOMAD festival has been a 33-year laboratory for musical cross-pollination. His brilliant stage shows inspired U2’s and Flaming Lips’ and expanded the visual vocabulary of music videos with clips such as “Sledgehammer,” “Shock The Monkey” and “Big Time.” In addition, he wrote songs like “Don’t Give Up,” “Red Rain” and “In Your Eyes” that put heart and soul on the radio at a time when those values were in short supply. Four decades on as a solo artist, Gabriel continues to push the boundaries of popular music and challenge audiences across the globe.

Here are 5 essential Peter Gabriel songs:

"Solsbury Hill" (1977)

"Solsbury Hill" captured the emotions of Peter Garbiel's departure from Genesis. As tension built during Genesis ...


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2014 Hall of Fame Inductions: 5 Essential Nirvana Songs

Wednesday, April 9: 8 a.m.
Posted by Rock Hall

It only takes one song to start a rock revolution. That trigger, in late 1991, was “Smells Like Teen Spirit,” an exhilarating blast of punk-rock confrontation by Nirvana, a scruffy trio from Seattle. “Teen Spirit,” its moshpit-party video and Nirvana’s kinetic live shows propelled their second album, Nevermind, to Number One and turned singer-guitarist-songwriter Kurt Cobain into the voice and conscience of an alternative-rock nation sick of hair metal and the conservative grip of the Reagan-Bush ‘80s. Founded by Cobain and bassist Krist Novoselic in the logging town of Aberdeen, Washington, Nirvana were underground stars when they made 1989’s Bleach with drummer Chad Channing. Moving from the indie Sub Pop label to Geffen, the band – with drummer Dave Grohl – packed Cobain’s corrosive riffs, emotionally acute writing and twin passions for the Beatles and post-punk bands like the Melvins and the Pixies into Nevermind. A multi-platinum seller, it included the hits “Come As You Are” and “Lithium” and opened the mainstream gates for Green Day, Pearl Jam and Smashing Pumpkins. In 1993, Nirvana released the caustic masterpiece, In Utero, and gave a historic performance on MTV’s Unplugged. But in April 1994, Cobain – suffering from drug addiction and ...


continue Categories: Inductee, History of Rock and Roll, Rock's Greatest Guitar Players, Jimi Hendrix, The Beatles, Hall of Fame, Songs That Shaped Rock and Roll

Glen Matlock (Sex Pistols) and Sylvain Sylvain (New York Dolls) talk History of Punk

Saturday, March 22: 11:43 a.m.
Posted by Rock Hall

On a stop at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, during their Punk Goes Acoustic tour, Glen Matlock (Sex Pistols) and Sylvain Sylvain (New York Dolls) talk the history of the Sex Pistols, recording the punk rock classic anthem "Anarchy in the UK," "being the first" punk band and more.

Explore the history of punk rock at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio!

 


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Songs That Shaped Rock and Roll: "Fire and Rain"

Wednesday, March 12: 4 p.m.
Posted by Rock Hall
James Taylor's "Fire and Rain" is one of the Songs that Shaped Rock and Roll

James Taylor's 1970 hit single, and the album that spawned it, Sweet Baby James, helped launch the singer/songwriter boom of the early 70s. "Fire And Rain" reflected the movement's best qualities: limpid acoustic guitars, soulful double bass and Carole King's rippling piano are the backdrop for a sorrowful lament for a "lost" friend. More folk than rock, the song nevertheless boasts a deceptively tough edge, thanks to Russ Kunkel's popping drums and Taylor's in-your-face misery. The singer/songwriter era was often criticized as a self-indulgent, whiny time, but the best efforts, such as "Fire And Rain," could be as compelling as the blues.  Though just 22 when he achieved fame, Taylor already had many reasons to sing the blues.

Watch James Taylor perform "Love the One You're With" with David Crosby, Graham Nash and Stephen Stills live at the 25th Anniversary Concerts!

The offspring of an affluent family with roots in both Boston and North Carolina, he'd been in and out of mental institutions and struggled with hard drugs. His first serious foray into music came with friend Danny Kortchmar in the group Flying Machine, mentioned in "Fire And Rain." His self-titled ...


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Nirvana Live at 1992 Reading Festival

Tuesday, March 11: 7 a.m.
Posted by Rock Hall

Rumors swirled around the 1992 Reading Festival that Kurt Cobain’s reported ill-health would force Nirvana to bail on their headlining gig. Cobain, clad in a hospital gown and ridiculous wig, was pushed onto the stage in a wheelchair and faked a dramatic swoon before leading the band through a blistering, brilliant set. Reading 1992 sealed Nirvana’s legacy as the most important new band of the decade.

The Rock and Roll Hall of Fame and Museum will open its latest featured exhibit, Common Ground: The Music Festival Experience on Friday, April 25, 2014. The exhibition will be an engaging look at the music festival as more than just an outdoor concert, but as a community experience. Whether it‘s forging human bonds, building a sense of community, providing broad exposure for musical artists or as one of the most important economic engines of the music industry, the story of the music festival is inextricably linked with music’s powerful cultural impact around the globe. Visit Common Ground: The Music Festival Experience to immerse yourself in this story.

Get more of the story at the Rock Hall's Library and Archives!


continue Categories: Inside the Rock and Roll Hall of Fame, History of Punk, History of Rock and Roll, Rock's Greatest Guitar Players, The Greatest Festivals in Rock and Roll History, Inductee, Hall of Fame, Exhibit, Rare Performances

In the Museum: The Who's Roger Daltrey

Saturday, March 1: 10 a.m.
Posted by Rock Hall
The Who's Roger Daltrey celebrates his 70th birthday on March 1, 2014

Born on March 1, 1944, Roger Daltrey injected the Who's songs with expressive muscularity and passion. Daltrey made a natural rock and roll frontman, theatrically swinging the microphone and proving the ideal, angst-projecting foil to Who songwriter/guitarist Pete Townshend's "windmill" strumming and instrument destroying antics and drummer Keith Moon's  explosive – sometimes literally – playing. With rock-steady bass virtuoso John Entwistle, the four evolved from purveyors of Mod-era "maximum R&B" to visionary, literary creators of concept album narratives and singular rock opera productions. Simply put: the Who created some of rock and roll's most enduring and powerful anthems. 

In mid-1965, Daltrey and the Who were unflagging devotees of R&B, though their reverence ultimately started to stifle creativity. Hoping to shake things up on the compositional front, manager Kit Lambert demanded a new anthem to go with the image they didn't have yet. Pete Townshend responded with a primitive home demo of "My Generation." Arranged as a talking blues number, it didn't sound much like his generation. With a terse order to make it beefier, Townshend returned with a version deemed chunky enough to warrant a group whack at a demo session, which Lambert ...


continue Categories: Inside the Rock and Roll Hall of Fame, History of Punk, History of Rock and Roll, Rock's Greatest Guitar Players, Inductee, Exhibit, Today in Rock, Songs That Shaped Rock and Roll
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