Today, January 21, 2013, we welcome visitors to the annual Dr. Martin Luther King, Jr. Festival at the Rock and Roll Hall of Fame and Museum, an event that celebrates the life and legacy of Dr. King. There are performances, speakers and admission to the Museum is free.
The Dr. Martin Luther King, Jr. Holiday observance is a time for people to reflect on the accomplishments of the African-American people, including the art form known today as rock and roll. If not for the struggles and sacrifices that Dr. King and his contemporaries made, the voices and musical talents of many African-American artists may not have come to be respected and recognized at the level they are today.
Naturally, the Rock Hall salutes those visionary musicians who were the genesis of rock and roll – not just on Martin Luther King Day, but every day. King's pioneering spirit is echoed in the music that is the foundation of rock and roll, the foundation of all the Rock Hall celebrates.
The Rock Hall's "Roots of Rock" exhibit highlights the importance of recognizing rock's origins – those true pioneers – including gospel, blues, jazz and R&B, soul, country and folk music ...
“It was a group of talented musicians that made up – three guys that expressed, power…creating a sound that everybody in this room can relate to and certainly set the stage for our outfit.” – Billy Gibbons of ZZ Top inducting Cream into the Rock and Roll Hall of Fame
Formed in July 1966 and widely regarded as being the first successful supergroup, Cream was a British rock outfit made up of guitarist/vocalist Eric Clapton, bassist/vocalist Jack Bruce and drummer Ginger Baker. By the time the trio came together, they were far from rock and roll neophytes, as each member of the group had found success in other acts during the 1960s. Jack Bruce and Ginger Baker were members of Blues Incorporated until the band broke up in 1963, while Clapton was a member of the Yardbirds from 1963 to 1965. The same year Clapton exited the Yardbirds, Bruce joined John Mayall and the Bluesbreakers (which also featured Clapton on guitar). By 1966, Bruce was a member of Manfred Mann and continued to collaborate with Clapton as a member of Powerhouse, which included Hall of Fame inductee Steve Winwood.
In their short 28-month run, Cream became a commercial success ...
Although guitarist, vocalist and songwriter Devon Allman shares a surname that will ring familiar to rock and roll fans, Devon has cultivated a sound all his own. He's mindful of his family's storied musical legacy and the contributions of other venerable rock pioneers, but also has an ear for what's next. The son of Allman Brothers Band founding member, vocalist and key player Gregg Allman, and nephew of virtuoso guitarist Duane Allman, Devon records and performs in blues-rock outfits Honeytribe and Royal Southern Brotherhood. Earlier this year, Devon wrapped recording sessions for his solo debut, Turquoise, scheduled for release in February 2013, and is currently on tour in the United States. Recently, Devon visited the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, and took time to share his thoughts on being an Allman, his influences both old and new (and familial), making music on his own terms, highlights of the Museum's collection and ...
The work of visual artist, singer-songwriter, guitarist and Oklahoma-native JD McPherson channels his eclectic interests and creative gusto in a singular musical collage that takes a reverence for the past and wraps it in a decidedly forward-thinking motif. The art teacher turned rocker writes songs that reference 40s R&B and the sounds of 50s American rock and roll, pulling from the aesthetic of such record labels as Specialty, Vee-Jay and Del-Fi. Having played in a punk outfit and embracing a penchant for hip-hop, McPherson's retro melange bridges the divide among ostensibly disparate artists, from Ruth Brown to the Wu-Tang Clan, Elvis Presley to the Smiths, Jackie Wilson to Stiff Little Fingers. In 2010, McPherson released his solo debut, Signs & Signifiers, produced by Jimmy Sutton. Originally released on indie imprint Hi-Style Records, the album was re-released to a wider audience on Rounder Records in 2012. "Although I grew up wanting to be a visual artist, I'll tell you what ...
Born in Staten Island, David Johansen logged some of his earliest stage experiences while singing in rock and roll dance bands during his high school years, yet his first exposure to the music of Chuck Berry – the Rock Hall's 2012 American Music Masters honoree – came at an early age. "My older brother had a lot of great records, so I guess I was about six when I first heard him," recalled Johansen by email days before the Chuck Berry tribute concert where he'll be performing. "It sounded to me the way things were supposed to be: fun and swinging."
Johansen moved to the East Village after graduating high school, performing with Charles Ludlum's Ridiculous Theater as a spear carrier before joining the fledgling New York Dolls. The Dolls cut two iconic rock and roll records, New York Dolls and Too Much, Too Soon, before disbanding in the mid-seventies. Johansen went on to record six highly acclaimed albums and ...
Guitarist Joe Bonamassa is a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. A child prodigy, Bonamassa caught B.B. King’s ear at the age of 10. After hearing him play for the first time, King said: “This kid's potential is unbelievable. He hasn't even begun to scratch the surface. He's one of a kind.” By age 12, Bonamassa was opening shows for the blues icon and went on to tour with artists such as Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker and Gregg Allman. Bonamassa’s recording career began in the early ’90s with Bloodline, a hard-charging blues-rock group also featuring Robby Krieger’s son, Waylon, and Miles Davis’ son Erin. His 2000 solo debut, A New Day Yesterday, was produced by 2012 Rock and Roll Hall of Fame Inductee Tom Dowd.
He was named Billboard’s Number One Blues Artist in 2010 based on the charting success of Black Rock ...
Between movies such as 1977's Smokey and the Bandit and 1981's The Cannonball Run – both starring Burt Reynolds – I've long dreamt of hitting the open road with adventure at every turn. When the first film debuted in the late 70s, I was driving a 1967 Ram Air Oldsmobile 442. Of course, with that kind of equipment at my disposal, visions of cross country exploits were inevitable. Alas, it wasn't to be. Jobs, money, a switch to a Toyota Celica and a fear of going to jail derailed those fantasies for good. Or so I thought.
Lo and behold, I now have a chance to live out that dream… sort of. Come Sunday, September 23, I am embarking on the 2012 Fireball Run: Northern Exposure, along with three other teammates. The only difference between this adventure and those on-screen antics I was so captivated by is that we can't speed. The Fireball is more like a game ...
Ever since Perry Farrell moved his Lollapalooza festival to Chicago, I have managed to attend it every year. In fact, it’s become something of an annual ritual for my older son, Arthur, and me. Like me, Arthur is consumed by music. I have been taking him to concerts since he was a young boy, and I took him to see many established artists, including U2 and Bruce Springsteen. Then as he got more into music, he introduced me to younger up-and-coming artists, and we would go to local clubs together. Arthur now has his own electronic dance music group called Busted Bass, and they have been playing clubs around Cleveland.
Unlike a lot of other festivals, Lollapalooza features a wide mix of music. This year’s lineup included everyone from 2006 Rock and Roll Hall of Fame inductees Black Sabbath to Ohio’s hugely popular Black Keys, from such hot electronic dance music artists as Bassnector and Kaskade to the ...