blues :: Blog
The Rock Hall Presents An Interview with Devon Allman
Although guitarist, vocalist and songwriter Devon Allman shares a surname that will ring familiar to rock and roll fans, Devon has cultivated a sound all his own. He's mindful of his family's storied musical legacy and the contributions of other venerable rock pioneers, but also has an ear for what's next. The son of Allman Brothers Band founding member, vocalist and key player Gregg Allman, and nephew of virtuoso guitarist Duane Allman, Devon records and performs in blues-rock outfits Honeytribe and Royal Southern Brotherhood. Earlier this year, Devon wrapped recording sessions for his solo debut, Turquoise, scheduled for release in February 2013, and is currently on tour in the United States. Recently, Devon visited the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, and took time to share his thoughts on being an Allman, his influences both old and new (and familial), making music on his own terms, highlights of the Museum's collection and seeing the instruments played by Gregg and Duane Allman.
Rock Hall: What was your first memory of rock and roll music and what about it resonated with you?
Devon Allman: Driving to the south Texas beaches, age 5 ...
Interview with Singer-Songwriter JD McPherson
The work of visual artist, singer-songwriter, guitarist and Oklahoma-native JD McPherson channels his eclectic interests and creative gusto in a singular musical collage that takes a reverence for the past and wraps it in a decidedly forward-thinking motif. The art teacher turned rocker writes songs that reference 40s R&B and the sounds of 50s American rock and roll, pulling from the aesthetic of such record labels as Specialty, Vee-Jay and Del-Fi. Having played in a punk outfit and embracing a penchant for hip-hop, McPherson's retro melange bridges the divide among ostensibly disparate artists, from Ruth Brown to the Wu-Tang Clan, Elvis Presley to the Smiths, Jackie Wilson to Stiff Little Fingers. In 2010, McPherson released his solo debut, Signs & Signifiers, produced by Jimmy Sutton. Originally released on indie imprint Hi-Style Records, the album was re-released to a wider audience on Rounder Records in 2012. "Although I grew up wanting to be a visual artist, I'll tell you what: the most satisfaction I've ever had as an artist is right now," says McPherson. "Because as much as I love artists like Joseph Beuys, I love David Bowie and Little Richard more."
In this interview, JD McPherson ...
Interview with Musician David Johansen
Born in Staten Island, David Johansen logged some of his earliest stage experiences while singing in rock and roll dance bands during his high school years, yet his first exposure to the music of Chuck Berry – the Rock Hall's 2012 American Music Masters honoree – came at an early age. "My older brother had a lot of great records, so I guess I was about six when I first heard him," recalled Johansen by email days before the Chuck Berry tribute concert where he'll be performing. "It sounded to me the way things were supposed to be: fun and swinging."
Johansen moved to the East Village after graduating high school, performing with Charles Ludlum's Ridiculous Theater as a spear carrier before joining the fledgling New York Dolls. The Dolls cut two iconic rock and roll records, New York Dolls and Too Much, Too Soon, before disbanding in the mid-seventies. Johansen went on to record six highly acclaimed albums and toured incessantly for the next 10 years. It was during this period, Johansen began singing jump blues, calypso and “Pre-Hayes code rock and roll” under the name Buster Poindexter, in a small saloon in his Gramercy Park neighborhood ...
Interview with Guitarist Joe Bonamassa
Guitarist Joe Bonamassa is a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. A child prodigy, Bonamassa caught B.B. King’s ear at the age of 10. After hearing him play for the first time, King said: “This kid's potential is unbelievable. He hasn't even begun to scratch the surface. He's one of a kind.” By age 12, Bonamassa was opening shows for the blues icon and went on to tour with artists such as Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker and Gregg Allman. Bonamassa’s recording career began in the early ’90s with Bloodline, a hard-charging blues-rock group also featuring Robby Krieger’s son, Waylon, and Miles Davis’ son Erin. His 2000 solo debut, A New Day Yesterday, was produced by 2012 Rock and Roll Hall of Fame Inductee Tom Dowd.
He was named Billboard’s Number One Blues Artist in 2010 based on the charting success of Black Rock, the Number Two Billboard Blues Album of 2010, and 2009’s Ballad of John Henry, which was Number Nine. In June 2010, he played the main stage at Eric Clapton’s Crossroads Guitar Festival in Chicago and in ...
Road Trip Soundtrack: The Rock Hall's Essential Driving Songs
Between movies such as 1977's Smokey and the Bandit and 1981's The Cannonball Run – both starring Burt Reynolds – I've long dreamt of hitting the open road with adventure at every turn. When the first film debuted in the late 70s, I was driving a 1967 Ram Air Oldsmobile 442. Of course, with that kind of equipment at my disposal, visions of cross country exploits were inevitable. Alas, it wasn't to be. Jobs, money, a switch to a Toyota Celica and a fear of going to jail derailed those fantasies for good. Or so I thought.
Lo and behold, I now have a chance to live out that dream… sort of. Come Sunday, September 23, I am embarking on the 2012 Fireball Run: Northern Exposure, along with three other teammates. The only difference between this adventure and those on-screen antics I was so captivated by is that we can't speed. The Fireball is more like a game of Trivial Pursuit for eight hours each day, for a week, in a moving automobile traveling a circuitous route from Independence, Ohio, to Bangor, Maine. It's not an exact facsimile, but I'll take it.
Which leads ...
Highlights From Lollapalooza 2012
Ever since Perry Farrell moved his Lollapalooza festival to Chicago, I have managed to attend it every year. In fact, it’s become something of an annual ritual for my older son, Arthur, and me. Like me, Arthur is consumed by music. I have been taking him to concerts since he was a young boy, and I took him to see many established artists, including U2 and Bruce Springsteen. Then as he got more into music, he introduced me to younger up-and-coming artists, and we would go to local clubs together. Arthur now has his own electronic dance music group called Busted Bass, and they have been playing clubs around Cleveland.
Unlike a lot of other festivals, Lollapalooza features a wide mix of music. This year’s lineup included everyone from 2006 Rock and Roll Hall of Fame inductees Black Sabbath to Ohio’s hugely popular Black Keys, from such hot electronic dance music artists as Bassnector and Kaskade to the hot British soul singer Michael Kiwanuka, from the folksy young band Dawes to the soulful young band Alabama Shakes.
One of my favorite artists at this year’s festival was the singer-guitarist Gary Clark Jr. The Austin, Texas ...
Spotlight Exhibit: Bonnie Raitt's Jacket and Fender Stratocaster
From her self-titled debut album in 1971, Bonnie Raitt has established herself as a virtuoso blues musician who sings blues with gritty passion and plays slide guitar with authority, as if the genre’s fundamentals had been etched in her soul. With mentors that included Sippie Wallace, Mississippi Fred McDowell and Son House, Raitt has demonstrated a studied reverence for old-school country-blues tempered with a contemporary outlook and willingness to experiment. She recorded eight albums for Warner Bros. Records from 1971 to 1986, progressively moving from straight blues into more pop-oriented areas without losing sight of her roots. Raitt's move to Capitol Records was followed by her 1989 breakthrough Nick of Time, which netted four Grammy Awards in 1990 and prompted her to note: “It means so much for the kind of music that we do. It means that those of us who do rhythm & blues are going to get a chance again.”
In this clip, Rock and Roll Hall of Fame and Museum VP of exhibitions and curatorial Jim Henke shares the story behind the development and impact of Bonnie Raitt's signature Fender Stratocaster and the jacket she was wearing on one of the most rewarding ...
Songs That Shaped Rock and Roll: "Summertime Blues"
A lot of rock and roll, and especially Sun-label rockabilly, has liquor on its breath. Eddie Cochran – born in Minnesota, a California transplant at age 12 and a teenager until almost the end of the 1950s – never got ruder than a soda-pop belch, musically speaking. His recordings convey youthful good times without the dark undertow of his southern contemporaries. "Summertime Blues" was a B-side, but not for long. Written by Cochran and manager Jerry Capeheart, it's a concise masterpiece: a protest song without rancor, pointedly funny and propulsive. Cochran's teenage frustration will never be out of date. Ten years after being the biggest hit of a tragically short career, "Summertime Blues" survived a lysergic distortion by Blue Cheer to enter the Top 20 all over again. Two years after that, in 1970, the Who was almost as successful with their version, a longtime concert favorite. Eddie Cochran released only one album during his lifetime, which was abruptly cut short when the taxi in which he was a passenger crashed en route to a London airport at the end of a British tour. Also injured in the accident were rocker Gene Vincent and Cochran’s fiancée, songwriter ...
