Although Ed Sullivan vowed never again to have the Rolling Stones on his show after their first appearance in 1964 – the same year the impressionable group of twenty somethings first landed on American shores, making a pilgrimage of sorts to Chess Records in Chicago – the popular TV host knew a ratings boom when he saw and heard it. Putting aside his resentment for the "unkempt" appearance of the Stones and the raucous audiences they attracted, Sullivan would welcome the Stones on his program five more times in the Sixties, where they'd perform 17 of their biggest hits. Among the Stones' more memorable appearences was during the January 15, 1967 episode, when the group agreed to play their suggestive new single, though with one small caveat: neither Jagger nor anybody else in the group could utter the song's title and chorus, "Let's Spend the Night Together." Instead, the lyric would be performed as "Let's spend some time together."
Released as a single in January 1967, the Rolling Stones' "Let's Spend the Night Together" was a hit on both sides of the Atlantic, but The Ed Sullivan Show censors were not the only American media to take ...
Today the Rolling Stones announced their 2013 tour schedule (see below). Between that Rolling Stones news and the work the Curatorial, Exhibitions and Collections staff have been doing to get ready for Rolling Stones: 50 Years of Satisfaction, a feature exhibit at the Rock and Roll Hall of Fame and Museum opening May 24, I've been immersed in the "world's greatest rock and roll band" for several months. Among other things, the Rock and Roll Hall of Fame exhibit will highlight the Rolling Stones touring during the last half century, years of concerts that have made them one of the best – if not the best – live rock and roll acts in history.
I was lucky to grow up in Detroit, Michigan, at a time when music was everywhere and radio was vibrant and meaningful. That city produced so many extraordinary musicians – Hank Ballard, Jackie Wilson, the MC5, the Stooges, Bob Seger, the entire Motown roster – it’s nearly impossible to comprehend. Detroit gave rise to some of the genre's best. It was there I became captivated by the Rolling Stones.
Born on March 4, 1944, Cleveland-native Bobby Womack grew into a soul and gospel legend whose contributions as a songwriter, singer and guitarist have kept him and his music relevant for decades.
The son of a steelworker, Womack and his siblings got their start as a gospel group. On tour with the Soul Stirrers, the Womack brothers – Bobby, Cecil, Curtis, Harris and Friendly Jr. – were introduced to the Stirrer's lead singer, Sam Cooke. With a move from gospel to secular soul, Cooke asked the Womack brothers to join him in California, and 16-year-old Bobby Womack made the trip.
Billed as the Valentinos, Bobby and his brothers cut two R&B classics: “Looking for a Love” (later covered by the J. Geils Band) and “It’s All Over Now.” The Rolling Stones’ cover of the latter song beat the Valentinos’ own version onto the charts, giving the Stones their second Top 40 hit in the States and first Number One hit ...
Born on March 1, 1944, Roger Daltrey injected the Who's songs with expressive muscularity and passion. Daltrey made a natural rock and roll frontman, theatrically swinging the microphone and proving the ideal, angst-projecting foil to Who songwriter/guitarist Pete Townshend's "windmill" strumming and instrument destroying antics and drummer Keith Moon's explosive – sometimes literally – playing. With rock-steady bass virtuoso John Entwistle, the four evolved from purveyors of Mod-era "maximum R&B" to visionary, literary creators of concept album narratives and singular rock opera productions. Simply put: the Who created some of rock and roll's most enduring and powerful anthems.
In mid-1965, Daltrey and the Who were unflagging devotees of R&B, though their reverence ultimately started to stifle creativity. Hoping to shake things up on the compositional front, manager Kit Lambert demanded a new anthem to go with the image they didn't have yet. Pete Townshend responded with a primitive home demo of "My Generation." Arranged as ...
On Friday, February 22, 2013, Hall of Fame Inductee Bobby Womack will perform live at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Joined on stage by his full band, including horn section and backup singers, Cleveland native Womack promises a setlist brimming with fiery classics from his storied recording career, as well as cuts from his 2012 release, The Bravest Man in the Universe.
In advance of Womack's concert and interview in the Museum's Foster Theater, the Rock Hall looks at six brilliant Womack songs covering the period of 1964 to 2012.
The Valentinos – “It’s All Over Now”
Bobby Womack sings lead on this 1964 song he wrote with Shirley Womack, and recorded with his brothers Friendly, Jr., Curtis, Harry and Cecil. Within a month of its release, the Rolling Stones had their first Number One hit in the UK with a cover of this song. Womack continued to make the song his ...
In 1974, Elvis Presley returned to his adopted hometown and the city that gave him his start: Memphis, Tennessee. More than two decades after his first recordings at Sam Phillips' Memphis Recording Service, Presley performed five sold-out shows, the fifth and last of which was recorded and released as Elvis Recorded Live on Stage in Memphis by RCA. In this video, curatorial director Howard Kramer shares the stories behind some of the artifacts in the Rock and Roll Hall of Fame and Museum's Elvis Presley exhibit in Cleveland, Ohio, including the "King of Spades" jumpsuit Presley wore and the handwritten setlist he penned for that memorable performance.
To learn more, visit the Rock and Roll Hall of Fame and Museum on Tuesday, January 8, 2013 – what would've been Elvis Presley's 78th birthday – when curatorial director Howard Kramer will lead a special "Gallery Talk," sharing stories behind some of the rare Presley artifacts on exhibit at the Museum. Click here for more info!
The Grateful Dead's "Wall of Sound" was among the band's greatest gifts to fans and a remarkable technical achievement. Powered by McIntosh amps, the Dead's "Wall of Sound" quite literally helped set the stage for some of the group's most triumphant live performances. In this clip, Rock and Roll Hall of Fame and Museum curatorial director Howard Kramer tells the story of its creation. Grateful Dead: the Long, Strange Trip is on display at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, through 2012. Speakers and amplifiers from the Grateful Dead's "Wall of Sound" are among the objects featured in the exhibit.
Ever since Perry Farrell moved his Lollapalooza festival to Chicago, I have managed to attend it every year. In fact, it’s become something of an annual ritual for my older son, Arthur, and me. Like me, Arthur is consumed by music. I have been taking him to concerts since he was a young boy, and I took him to see many established artists, including U2 and Bruce Springsteen. Then as he got more into music, he introduced me to younger up-and-coming artists, and we would go to local clubs together. Arthur now has his own electronic dance music group called Busted Bass, and they have been playing clubs around Cleveland.
Unlike a lot of other festivals, Lollapalooza features a wide mix of music. This year’s lineup included everyone from 2006 Rock and Roll Hall of Fame inductees Black Sabbath to Ohio’s hugely popular Black Keys, from such hot electronic dance music artists as Bassnector and Kaskade to the ...