concert :: Blog
Rare Performances: Chuck Berry Live in 1994
At the 1994 Rock and Roll Hall of Fame induction ceremony, Chuck Berry paid tribute to his Chess Records label mate and frequent collaborator Willie Dixon with a moving induction speech and stirring performance of “Roll Over Beethoven.” Dixon contributed his robust and propulsive bass playing to numerous Berry hits, including “Maybellene” and “Roll Over Beethoven.” Berry’s performance that evening reflects the sheer joy that he brings to every performance. Berry’s generosity as a performer is also evident, as he leaves plenty of room for members of Paul Shaffer’s Induction Ceremony house band the opportunity to shine, along with Bob Weir of the Grateful Dead, Grateful Dead keyboardist Bruce Hornsby and Blues Traveler’s John Popper. The Rock and Roll Hall Fame and Museum is delighted to honor Chuck Berry as this year’s American Music Masters honoree.
WATCH: Chuck Berry performs "Roll Over Beethoven" live
Rare Performances: the Velvet Underground Live in 1996
“No, I didn't attend his funeral. I dedicated a song to him from the stage of the Rock & Roll Hall of Fame – I wanted his name to be heard on TV and to the crowds watching the show. I wanted to play "Sweet Jane" for him one last time.” – Lou Reed, quoted in The Austin Chronicle, 2000
On September 2, 1995, Lou Reed performed “Sweet Jane” onstage at Cleveland Municipal Stadium, in front of a crowd of more than 63,000 and millions more around the world watching the concert broadcast on HBO. The occasion was the Concert for the Hall of Fame, celebrating the opening of the Rock and Roll Hall of Fame and Museum. Reed’s fellow guitarist and Velvet Underground bandmate, Sterling Morrison, had passed away from non-Hodgkin's lymphoma just three days before. Reed’s performance, dedicated to Morrison, gently reminded the world of Velvet Underground’s impact, and Morrison’s unique contributions to the band ...
Concert Radar: Bootsy Collins
This weekend, on Friday, April 6, don't miss a uniquely funky opportunity as 1997 Hall of Fame Inductee Bootsy Collins plays an intimate show at one of Cleveland's great music venues, the Beachland Ballroom. This is the first of many musical performances during the Rock Hall's 11 days of events surrounding this year's Rock and Roll Hall of Fame Inductions Ceremony on Saturday, April 14.
The charismatic Collins – easily identified by his singular fashion sense: star-shaped glasses, colorful suits and top hats, and glittery "space bass" – was inducted into the Rock and Roll Hall of Fame as a member of Parliament-Funkadelic, alongside his mentor George Clinton (who'll headline the Free Concert for Cleveland with Kid Cudi and Kids These Days at the Q.)
Over the years, the bassist, singer, songwriter and Cincinnati, Ohio, native has released more than a dozen albums, including 2011's Tha Funk Capital Of The World, a deeply grooving history of funk ...
Meshell Ndegeocello Live at the Rock Hall
Since her debut album in 1993, songwriter, vocalist and multi-instrumentalist Meshell Ndegeocello has been creating music on her own terms, simultaneously challenging and engaging listeners by deftly drawing from an eclectic songbook and delivering powerful reflections on race, love, sex, betrayal, power and religion. Her nine albums illustrate a creative versatility and singular aesthetic that has embraced everything from rock to hip hop, R&B to new wave, funk to punk, reggae to jazz. Her work has been met with critical accolades and fan acclaim, and her proficiency on the bass has brought her signature warm, fat, melodic groove not only to her own performances, but also to those of the Rolling Stones, Madonna, Alanis Morrisette, James Blood Ulmer, the Blind Boys of Alabama, Tony Allen, John Medeski, Billy Preston and Chaka Khan. Ndegeocello best characterizes her particular brand of playing: "Genres are for commercial purposes and music is a continuum like everything else. My style is explorative, searching, personal, and ...
Today In Rock: Detroit Declares "Aretha Franklin Day"
By February 1968, Aretha Franklin had established herself as among the world's premier recording artists, her genre-spanning recordings achieving commercial and critical acclaim, and appealing to mixed-race audiences around the world. The previous year had seen the release of I Never Loved A Man the Way I Love You, her triumphant Atlantic Records debut produced by Jerry Wexler and recorded with an ace backing band at Rick Hall's Fame Studio in Muscle Shoals, Alabama. The landmark soul recording included Franklin's righteous re-working of Otis Redding's "Respect," which rose to Number One on the Billboard Hot 100, and the inspired candor and groove of the album's title track. That same year, Wexler and engineer Tom Dowd worked with Franklin on her sophomore effort for Atlantic, Aretha Arrives, which included the hit single "Baby I Love You," peaking at Number Four on the Billboard Hot 100. Less than a year later, in January 1968, Lady Soul arrived, featuring ...
Today In Rock: Alan Freed is Born
On December 15, 1921, Albert James Freed – the man who famously christened a radical new form of music as "rock 'n' roll" - was born near Johnston, Pennsylvania. Moving to Salem, Ohio, with his family at age 12, Alan (as he was better known) Freed spent his formative years in the Buckeye State, eventually attending Ohio State, where the campus radio station piqued a fascination with radio that would stay with him through all his days. He was inducted into the Rock and Roll Hall of Fame in 1986.
By the early 1950s, Freed had settled in to a new DJ position in Cleveland, playing R&B records during a segment sponsored by friend and local record shop owner Leo Mintz, whose inner city store, Record Rendezvous, was selling many records by burgeoning R&B artists. "I grew up in Cleveland, Ohio, in 1950, '51, '52," said noted DJ and rock and roll historian Norm N. Nite during the first Hall of Fame Inductions in 1986. "I listened to Alan Freed playing those records on the Moondog show. I knew at that particular time that it was something special that was going on." It was during this time that Freed first ...
Otis Redding's Last Day in Cleveland
December 9, 1967 was a busy day for Otis Redding. The first stop on his winter tour was Cleveland, Ohio, where he was scheduled to appear on the locally produced, nationally syndicated (in 98 markets around the country) television show Upbeat, as well as perform two concerts at legendary nightclub Leo’s Casino. The singer was eager to get back on the road after a three-month break recovering from surgery for throat polyps. He had just recorded what was to become the biggest and most enduring hit of his career, “(Sittin’ On) The Dock of the Bay.” Redding started that Saturday at the WEWS studios at 30th and Euclid Avenue for Upbeat rehearsals. Upbeat host Don Webster recalled on the website clevelandseniors.com that typically the show would be rehearsed from about 9 am until noon, working on the technical aspects like blocking and lighting. After that, the production team and talent would break for lunch and come back at 1 pm to do the taping. It would take two to three hours to tape the one-hour show. That show was broadcast at 5 pm, the same day of the taping. Webster never did a lot of pre-interviewing, feeling that ...
Concert Radar: J.D. Souther
This weekend, Nighttown in Cleveland Heights hosts J.D. Souther for a special two-night engagement, as the much-lauded musician performs at 8:30 pm on Friday, December 9 and Saturday, December 10.
Although born in Detroit on November 2, 1945, J.D. Souther spent his formative years in Amarillo, Texas. That upbringing likely contributed to the development of a country-rock appreciation that made him a major influence on big ticket bands of the 1970s, including Rock and Roll Hall of Fame inductee the Eagles (he collaborated with friend and former Longbranch Pennywhistle bandmate Glen Frey on tracks including "Best of My Love" and "Heartache Tonight") and Linda Ronstadt (producing and performing on 1973's Don't Cry Now, and penning "Prisoner in Disguise" and "Faithless Love"). As a session musician, vocalist and guitarist Souther has appeared on recordings by Don Henley and James Taylor, among others.
At the urging of then head of Asylum Records, David Geffen, Souther joined Chris Hillman (of the Byrds and the Flying Burrito Brothers) and Richie Furay (of Buffalo Springfield and Poco) to form a country-rock supergroup of sorts with the Souther-Hillman-Furay Band. The group released a pair of solo albums and charted with "Fallin ...
