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A Salute to the Father of Modern Gospel: Andraé Crouch

Sunday, April 12: 9:16 a.m.

“The soulful classics that Pastor Crouch created over the years have uplifted the hearts and minds of several generations and his timeless influence continues to be felt in not only gospel but a variety of music genres.” -President Barack Obama

Picture of gospel legend Andraé Crouch

When Pastor Andraé Crouch passed away in January 2015, the outpouring was remarkable. Artists, elected officials, community leaders and legions of fans flocked to pay tribute to the man known as the “father of modern gospel music.” The response was a testament to the impact of his music over the last 40 years. He created a body of work that drew on contemporary musical styles and sophisticated production to inspire his audience and spread the word of God.

WATCH LIVE: Rock My Soul: A Gospel Music Celebration Honoring Andraé Crouch at 7:30pm ET on April 12, 2015!

Andraé Crouch and his twin sister Sandra were born in the Compton neighborhood of Los Angeles in 1942. Their parents, Benjamin and Catherine, were very active in the Church of God in Christ. In 1951, they moved to the San Fernando Valley, where Benjamin Crouch established Christ Memorial Church. Andraé began to play keyboards at age 11, which he attributed to his ...


continue Categories: Inductee, Exhibit, History of Rock and Roll, Event

The Unsung Versions of Jimi Hendrix's “Star-Spangled Banner”

Tuesday, March 24: 4:10 p.m.
Posted by Mark Clague

The sheer emotional impact of Jimi Hendrix’s Woodstock rendition of “The Star-Spangled Banner” sparked my fascination. His squealing guitar effects depicting the incoming descent of bombs that were soon “bursting in air,” grabbed me, especially as intensified on film when Hendrix “lip synched” the resulting cries and screams. His performance makes the abstract so very human. For me Hendrix’s Woodstock anthem of August 18, 1969, remains atop the list of the most powerful performances of Francis Scott Key’s song ever created

Jimi Hendrix "The Star Spangled Banner" rare performances live

Beyond Woodstock: The Other Hendrix "Star-Spangled Banner" Performances 

The Woodstock anthem gets even more interesting when compared with the other 40 or so surviving recordings of Hendrix performing the song. They reveal Hendrix’s artistic as well as political evolution and define the critical and patriotic extremes of his expression to place Woodstock firmly in the middle as a combination of both. Here's a look at five incredible Hendrix versions of "The Star Spangled Banner.' Want more Hendrix? Catch Mark Clague going deep on all-things Hendrix at the Rock Hall's Library and Archives on Wednesday, March 25, 2015!

 

1. August 16, 1968—Merriweather Post Pavilion (Maryland)

Hendrix first references the anthem melody a year ...


continue Categories: Inductee, Exhibit, Rock's Greatest Guitar Players, Event, Jimi Hendrix, Hall of Fame

5 Must-See Items in the Rock Hall's New Paul Simon Exhibit

Tuesday, December 23: 11:15 a.m.
Posted by Rock Hall

After countless hours researching, interviewing Rock and Roll Hall of Fame Inductee Paul Simon and collecting for Paul Simon: Words and Music, Rock and Roll Hall of Fame and Museum lead curator Craig Inciardi shares some of his favorite things in the new Paul Simon feature exhibit, which opened October 30, 2014.

What was Paul Simon's first guitar? Stadium acoustic guitar played by Paul Simon

1. Paul Simon's First Acoustic Guitar
All musicians get their start somewhere. On his 13th birthday, Paul Simon received his first guitar as a gift from his father Louis Simon, who was a musician. His father taught him a few chords and Simon quickly realized that many of the popular songs from the 1950s – the ones he was listening to – used the same chords and patterns. He and childhood friend Art Garfunkel began to write songs using those voicings. The first song they wrote using the Stadium brand acoustic guitar was called “The Girl for Me.” 

2. Letter from Paul Simon to Art Garfunkel
Paul Simon wrote this letter dated August 13, 1957, when he was attending summer camp in Bellport, New York.  Art Garfunkel was at different summer camp in New Jersey, and it was a pivotal moment in their young lives. They had been singing ...


continue Categories: Inside the Rock and Roll Hall of Fame, Exhibit, History of Rock and Roll, Rock's Greatest Guitar Players, Inductee, Hall of Fame, Exclusive Interviews, Paul Simon

Bobby Keys' Blistering "Can't You Hear Me Knocking?" Solo Live in Cleveland

Thursday, December 4: 1:11 p.m.
Posted by Rock Hall

Bobby Keys Music Masters "Can't You Hear Me Knocking?" Rolling Stones saxaphone solo live

On October 26, 2013, a once-in-a-lifetime collection of musicians gathered in Cleveland, Ohio, for the Rock Hall's Music Masters tribute to the Rolling Stones. That evening's concert at the Playhouse Square State Theater was anchored by a group of top flight musicians who have performed with the Rolling Stones over their 50-year career and contributed to shaping the band’s extraordinary sound.

Grammy Award-winning drummer Steve Jordan led the house band as musical director, assembling a group of critically-acclaimed musicians, including 2012 Rock and Roll Hall of Fame Inductee Ian McLagan.

McLagan had played on the Rolling Stones' Some Girls album and toured with the group in 1978, 1981 and 1982.

Among the incredible performers sharing the stage with McLagan that night was the incomparable Bobby Keys, the legendary sax player for Elvis Presley, Joe Cocker, B.B. King and others, including the Rolling Stones. Keys had been recording and touring with the Rolling Stones since 1970, appearing on Let It Bleed, Sticky Fingers, Exile On Main Street, Goats Head Soup, Emotional Rescue and several live albums.

WATCH: In the clip below, Bobby Keys delivers a fiery solo during a jam on the Rolling Stones' Sticky Fingers cut ...


continue Categories: Inductee, History of Rock and Roll, Event, Elvis Presley, Rolling Stones, Hall of Fame, American Music Masters, Rare Performances

From the Big Pink to the Waldorf Astoria: A Brief History of "The Weight"

Tuesday, November 25: 1:52 p.m.
Posted by Rock Hall

The Band's "The Weight" live at the Last Waltz and Bob Dylan

The Band, more than any other group, put rock and roll back in touch with its roots. With their ageless songs and solid grasp of musical idioms, the Band reached across the decades, making connections for a generation that was, as an era of violent cultural schisms wound down, in desperate search of them. They projected a sense of community in the turbulent late 60s and early 70s – a time when the fabric of community in the United States was fraying. Guitarist Robbie Robertson drew from history in his evocative, cinematic story–songs, and the vocal triumvirate of bassist Rick Danko, drummer Levon Helm and keyboardist Richard Manuel joined in rustic harmony and traded lines in rich, conversational exchanges. Multi-instrumentalist Garth Hudson provided musical coloration in period styles that evoked everything from rural carnivals of the early 20th century to rock and roll revues of the 50s.

In an era of divisive politics, the Band produced music that crossed generational and historical borders. They did so with an ensemble brilliance borne of many years spent playing on the road.

Everything great about the Band can be found on "The Weight," the central piece of their 1968 debut, Music From Big ...


continue Categories: Inside the Rock and Roll Hall of Fame, Exhibit, History of Rock and Roll, History of the Blues, Bob Dylan, Rock's Greatest Guitar Players, Inductee, Hall of Fame, Songs That Shaped Rock and Roll

Rock and Roll Hall of Fame and Museum Announces the Initial Tribute Concert Lineup and Additional Events for the 19th Annual Music Masters® Series Honoring the Everly Brothers

Wednesday, September 3: 6 a.m.
Posted by Rock Hall

everly-brothers

The Rock and Roll Hall of Fame and Museum and Case Western Reserve University are pleased to announce the lineup of artists honoring the Everly Brothers at the 19th annual Music Masters® tribute concert on Saturday, October 25, 2014 at 7:30 p.m. at PlayhouseSquare’s State Theatre. Don Everly will appear to accept the Annual Music Masters honor.

Tribute concert performers scheduled to appear include:

Two-time Rock and Roll Hall of Fame inductee Graham Nash 

Peter Asher 

Vince Gill 

Emmylou Harris

Shelby Lynne

The Secret Sisters

Additional guests will be announced soon.  

Two-time Grammy Award winner Rodney Crowell will serve as musical director for the tribute concert. The house band will feature Grammy Award winning guitarist Albert Lee, who served as musical director for the Everly Brothers’ 1983 reunion concert.

Tickets to the October 25th tribute concert range from $30 - $100 and are available to Rock Hall members beginning at 10 a.m. on Wednesday, September 10 at www.playhousesquare.org. Tickets for the General Public will be available beginning at 11 a.m. on Friday, September 12 at the PlayhouseSquare box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of VIP ...


continue Categories: American Music Masters, Inductee, Event

Songs That Shaped Rock and Roll: "Dance to the Music" and "Thank You Falettinme Be Mice Elf Agin"

Thursday, June 19: 3:35 p.m.
Posted by Rock Hall
Sly and the Family Stone's "Dance to the Music" is a Song That Shaped Rock and Roll.

Preaching a gospel of tolerance set against a heady genre-blending groove, Rock and Roll Hall of Fame Inductees Sly and the Family Stone were the integrated multi-gender Pied Pipers of the Woodstock generation. The group's message – and inimitable synthesizing of rock, soul, R&B, funk and psychedelia into a danceable music – helped bring diverse audiences together, with their greatest triumph coming at the Woodstock Festival in 1969. During their unforgettable nighttime set, leader Sly Stone initiated a fevered call-and-response with the audience of 400,000–plus during an electrifying version of “I Want to Take You Higher.” Voters around the world ranked that moment as one of the greatest festival moments of all time, and it is included in the Rock Hall's feature exhibit, Common Ground: The Music Festival Experience.

The group connected with the rising counterculture by means of songs that addressed issues of personal pride and liberation in the context of driving, insistent and sunny-tempered music that fused rock and soul, creating a template for 70s funk. As proof that they were reaching a rainbow coalition among the young, Sly and the Family Stone dominated the late 60s charts with such essential singles as “Dance to ...


continue Categories: Inductee, Exhibit, History of Rock and Roll, Event, The Greatest Festivals in Rock and Roll History, Hall of Fame

Bruce Springsteen's "Born in the U.S.A." 30th Anniversary

Wednesday, June 11: 7 a.m.
Posted by Rock Hall
Bruce Springsteen's "Born in the U.S.A." turns 30

Released in June 1984, Born in the U.S.A. remains among the best-selling albums in rock and roll history, with seven Top 10 hits that sent 1999 Rock and Roll Hall of Fame Inductee Bruce Springsteen's rock stardom into the stratosphere. Its narrative tone had much in common with 1982's stark, somber and critically lauded Nebraska, with many of the songs that comprised Born in the U.S.A. beginning life in the same sessions that produced that album. The root influences of blues, American folk songs and the new cinematic style of directors such as Martin Scorsese and Terrence Malick brought a darker and more introspective view to the characters. “I’m on Fire,” for example, was a song of desire, compulsion and personal struggle that became a Top 10 hit in 1985, despite its intense subject matter.

However, Born in the U.S.A. also traded in more nostalgic storytelling and tongue-in-cheek humor on tracks like "Glory Days" and "Dancing in the Dark" – all of which proved especially resonant with audiences around the country. Thanks in no small part to 2014 Rock and Roll Hall of Fame Inductees the E Street Band, the arrangements were ...


continue Categories: History of Rock and Roll, Hall of Fame, Inductee, Exhibit, Today in Rock
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