The Band, more than any other group, put rock and roll back in touch with its roots. With their ageless songs and solid grasp of musical idioms, the Band reached across the decades, making connections for a generation that was, as an era of violent cultural schisms wound down, in desperate search of them. They projected a sense of community in the turbulent late 60s and early 70s – a time when the fabric of community in the United States was fraying. Guitarist Robbie Robertson drew from history in his evocative, cinematic story–songs, and the vocal triumvirate of bassist Rick Danko, drummer Levon Helm and keyboardist Richard Manuel joined in rustic harmony and traded lines in rich, conversational exchanges. Multi-instrumentalist Garth Hudson provided musical coloration in period styles that evoked everything from rural carnivals of the early 20th century to rock and roll revues of the 50s.
In an era of divisive politics, the Band produced music that crossed generational and historical borders. They did so with an ensemble brilliance borne of many years spent playing on the road.
Everything great about the Band can be found on "The Weight," the central piece of their 1968 debut, Music From Big ...
The Rock and Roll Hall of Fame and Museum and Case Western Reserve University are pleased to announce the lineup of artists honoring the Everly Brothers at the 19th annual Music Masters® tribute concert on Saturday, October 25, 2014 at 7:30 p.m. at PlayhouseSquare’s State Theatre. Don Everly will appear to accept the Annual Music Masters honor.
Tribute concert performers scheduled to appear include:
• Two-time Rock and Roll Hall of Fame inductee Graham Nash
• Peter Asher
• Vince Gill
• Emmylou Harris
• Shelby Lynne
• The Secret Sisters
• Additional guests will be announced soon.
Two-time Grammy Award winner Rodney Crowell will serve as musical director for the tribute concert. The house band will feature Grammy Award winning guitarist Albert Lee, who served as musical director for the Everly Brothers’ 1983 reunion concert.
Tickets to the October 25th tribute concert range from $30 - $100 and are available to Rock Hall members beginning at 10 a.m. on Wednesday, September 10 at www.playhousesquare.org. Tickets for the General Public will be available beginning at 11 a.m. on Friday, September 12 at the PlayhouseSquare box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of VIP ...
Preaching a gospel of tolerance set against a heady genre-blending groove, Rock and Roll Hall of Fame Inductees Sly and the Family Stone were the integrated multi-gender Pied Pipers of the Woodstock generation. The group's message – and inimitable synthesizing of rock, soul, R&B, funk and psychedelia into a danceable music – helped bring diverse audiences together, with their greatest triumph coming at the Woodstock Festival in 1969. During their unforgettable nighttime set, leader Sly Stone initiated a fevered call-and-response with the audience of 400,000–plus during an electrifying version of “I Want to Take You Higher.” Voters around the world ranked that moment as one of the greatest festival moments of all time, and it is included in the Rock Hall's feature exhibit, Common Ground: The Music Festival Experience.
The group connected with the rising counterculture by means of songs that addressed issues of personal pride and liberation in the context of driving, insistent and sunny-tempered music that fused rock and soul, creating a template for 70s funk. As proof that they were reaching a rainbow coalition among the young, Sly and the Family Stone dominated the late 60s charts with such essential singles as “Dance to ...
Released in June 1984, Born in the U.S.A. remains among the best-selling albums in rock and roll history, with seven Top 10 hits that sent 1999 Rock and Roll Hall of Fame Inductee Bruce Springsteen's rock stardom into the stratosphere. Its narrative tone had much in common with 1982's stark, somber and critically lauded Nebraska, with many of the songs that comprised Born in the U.S.A. beginning life in the same sessions that produced that album. The root influences of blues, American folk songs and the new cinematic style of directors such as Martin Scorsese and Terrence Malick brought a darker and more introspective view to the characters. “I’m on Fire,” for example, was a song of desire, compulsion and personal struggle that became a Top 10 hit in 1985, despite its intense subject matter.
However, Born in the U.S.A. also traded in more nostalgic storytelling and tongue-in-cheek humor on tracks like "Glory Days" and "Dancing in the Dark" – all of which proved especially resonant with audiences around the country. Thanks in no small part to 2014 Rock and Roll Hall of Fame Inductees the E Street Band, the arrangements were ...
Recently, I gave a presentation at the Rock and Roll Hall of Fame Library and Archives about my books on 1960s folk-rock. Most of it was centered around rare film clips, but I was also asked to talk a bit about the research I’ve done at the library over the past two weeks (thanks to a grant from the Gladys Krieble Delmas Foundation). This is for the expanded ebook edition of my two-volume work on 1960s folk-rock, Turn! Turn! Turn! (published as a print edition in 2002) and Eight Miles High (published as a print edition in 2003), which I’m combining into a single ebook, Jingle Jangle Morning: Folk-Rock in the 1960s.
It would take many hours and many pages to cover all of the material I’ve discovered at the library. So I used just a few images to illustrate how rare items could shed some light on folk-rock’s history, even after having written about it for 600 pages in the print editions. All of these are taken from ads that appeared between 1965 and 1967 in Cash Box, the biggest music trade magazine besides Billboard, but (unlike Billboard) very hard to find copies of these ...
Audio engineer, record producer, composer and musician Alan Parsons visited the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, during a tour stop that's taken him coast to coast in the United States. During his visit, Parsons donated two stage jackets to the Rock Hall's collection, and shared firsthand accounts of his remarkable career: from landing a job at Abbey Road at age 19, to working on the Beatles rooftop performance at Apple Studios in 1969; from his work on Pink Floyd's Dark Side of the Moon to his role in some of the Hollies' greatest hits; to his own music with the Alan Parsons Project and as a solo artist.
Rock and Roll Hall of Fame: You got a job at the fabled Abbey Road when you were quite young…
Alan Parsons: I already had a job with EMI, which is the part company of Abbey Road Studios, and I worked in a sort of associated department, which was called 'tape records.' We were making reel-to-reel quarter-inch albums on tape back then… actually making Beatles albums on quarter-inch tape. And, there was a link from that department to Abbey Road. I wrote to ...
In March 2014, the Rock and Roll Hall of Fame and Museum invited fans around the globe to vote for the greatest festival moments in the history of rock and roll. Thousands of votes were cast, and when the results were tallied, a Top 10 emerged. Here are those amazing festival moments, from Newport Folk to Woodstock, Monterey Pop to Lollapalooza; from Bob Dylan to Jimi Hendrix, Muddy Waters to Nine Inch Nails.
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, opens a new feature exhibit, Common Ground: The Music Festival Experience, on April 25, 2014.
With a hastily assembled band, Bob Dylan changed the course of popular music in three songs on Sunday, July 25, 1965. The folk bard and 1988 Rock and Roll Hall of Fame Inductee turned the Newport Folk Festival on its ear, plugging in and delivering amplified versions of "Maggie's Farm," "Like a Rolling Stone" and "It Takes a Lot to Laugh, It Takes a Train to Cry" – much to the chagrin of many in attendance.
Dylan's electrified Newport set in 1965 was a marked departure from his '63 show, where he played acoustic versions of "Blowin' in the Wind;" and '64 performances at the same festival, where he played acoustic versions of "With God on Our Side" and "Mr. Tambourine Man."
"Ladies and gentlemen, the person that's going to come up now has a limited amount of time ... His name is Bob Dylan," festival emcee Peter Yarrow announced. Taking the stage with a full band that included guitarist Mike Bloomfield and organist Al Kooper – both of whom had played on the recording of Dylan's recently released single "Like A Rolling Stone" – Dylan and company launched into a rollicking version of "Maggie's Farm," earning a barrage ...