Photo from the Philadelphia Inquirer collection at the Rock & Roll Hall of Fame's Library & Archives
“I don’t believe you. You’re a liar.”
“Play f*cking loud.”
This was the simple yet striking dialogue between a fan and Bob Dylan 50 years ago (May 17, 1966) at the Manchester Free Trade Hall, and in my opinion this is the single greatest moment captured on tape at a rock concert.
The voice of the betrayed fan is a like a shot in the dark, accusing Dylan of turning his back his protest-song-singing past, which in retrospect barely lasted four years. However, it was a transition that the folk community that accepted and propelled Dylan was unwilling to recognize.
When I was a new Dylan fan in the mid-1990s, this concert was the bootleg to acquire. At that time there was still a debate over where the show actually took place – in Manchester or at the Royal Albert Hall in London. I ended up buying a compilation of tracks from the May 1966 tour of England, and I didn’t hear the full concert until it was released by Columbia as the 4th volume of Dylan’s Bootleg Series ...
As detailed in Clinton Heylin's biography Behind the Shades, musician Tony Glover visited Bob Dylan's New York apartment in early October 1963 and stumbled across the lyrics to a new song, "The Times They Are A-Changin'." When Glover expressed reservations about the line "Come senators, congressmen, please heed the call," Dylan countered, "Well, you know, it seems to be what the people want to hear."
Dylan had recorded a publishing demo the previous month and recorded the song officially on October 24. Though the Times They Are A-Changin' album wasn't released until mid-January 1964, Dylan performed the song in concert throughout the fall of 1963.
His ambivalence about the song colors his divergent recollections. Discussing "The Times They Are A-Changin'" in the notes for the mid-Eighties Biograph retrospective, Dylan stated, "This was definitely a song with a purpose. I knew exactly what I wanted to say and for whom I wanted to say it to.... I wanted to write a big song, some kind of theme song, ya know, with short concise verses that piled up on each other in a hypnotic way....I had to play this song the same night that President Kennedy died. It ...
A fan has left a rose at the entrance of 2400 Fulton Street in San Francisco, where Jefferson Airplane once lived, in acknowledgment of Paul Kantner's death. / photo by Richie Unterberger
I felt like a part of my San Francisco died when I heard the news of Paul Kantner’s passing. For fans like myself who so profoundly identify with certain music and musicians, it feels like we are losing part of ourselves each time one of our heroes passes away.
I discovered Rock and Roll Hall of Fame Inductees Jefferson Airplane when I was a senior in high school and a classmate shared a boxset of their music – Jefferson Airplane Loves You. As a teenager, it was perhaps my first taste of psychedelia and the counterculture. I went on to study the history of the Summer of Love as an American Studies major in college. When I was 22, my parents took me to San Francisco, and I actually wore flowers in my hair.
Several years later I found myself with a job at UC Berkeley, and I made regular pilgrimages across the bay to see Richie Unterberger give presentations on rare rock films at the Haight-Ashbury branch ...
The Rock and Roll Hall of Fame has joined forces with Sing Out! Magazine – a folk music publication started in 1950 by a group of progressive artists including Rock Hall Inductees Pete Seeger, Woody Guthrie and more – bringing new rarely seen materials to the Hall of Fame’s Library and Archives.
The collection includes singular folk music, rare photographs and unique periodicals. The portion being preserved in the Library and Archives highlights women and minorities, as well as the political and social sides of folk, blues, gospel, rock and alternative genres.
Some of these treasures of the Sing Out! collection will feature in Louder Than Words: Rock, Power & Politics exhibit, but here's a first look at five rare photos now at the Rock Hall's Library and Archives – and the stories behind each.
Five Rare Photos From Sing Out! Magazine Collection:
1. 1988 Rock and Roll Hall of Fame Inductee Woody Guthrie with a copy of his service award from the U.S. Department of Interior Conservation, alongside his second wife Marjorie and son Arlo at the Brooklyn Hospital in 1966. Guthrie got the award following the release of his album, The Columbia River Collection, which promotes the construction ...
On October 17, 2015, the Rock and Roll Hall of Fame in Cleveland opens its latest exhibit, Graham Nash: Touching the Flame. Pieces from Nash's heroes and inspirations – the Beatles, the Everly Brothers, Elvis Presley, the Beach Boys, Buddy Holly and Duane Allman – and treasures from his time with the Hollies and Crosby, Stills and Nash come to life as the two-time Rock and Roll Hall of Fame Inductee reflects on the visceral and profound impact of the music and world events on him and those around him.
In this interview, Graham Nash shares the story of how he left the Hollies and followed his heart to form CSN.
Rock and Roll Hall of Fame: What were your feelings were about The Hollies and how you had changed over the years? What informed your decision to leave?
Graham Nash:One of them was that I didn't feel that they trusted my need for direction. Every Hollie single that we had made, apart from the first couple made it to the top 10, and that's where we were used to being. We'd bring out a single, it would go into the top 10, that's what we ...
In 1995, Hall of Fame Inductee Johnny Cash’s youngest daughter Tara gave her famous father a book – Dad, Share Your Life With Me by Kathleen Lashier – containing 365 questions. One year later, on her birthday, he returned the book to her with answers to all the questions.
"This book helps to really paint a picture of what life was like for my Dad, what his interests were, his family traditions, his feelings about so many things... this book is one of my personal treasures, and it gives me great pleasure to share it with his fans," explains Tara. "I was very proud of my father for not only what he accomplished, but who he was as a person and father."
Those questions and answers form the basis of Recollections, a new book based on the original Tara sent her father, though reformatted with personal notes and photos – a unique story in Cash's own handwriting.
"The main reason I wanted to share this book, is to let my father's fans see a more playful, fun and candid side of him," says Tara.
"I also wanted to give the public an inside look into another facet of my father ...
The California music scene took off during World War II when it became the home of some of the most prominent western swing bands, including Bob Wills and his Texas Playboys and Spade Cooley and his Orchestra. They played primarily to an Okie audience — men and women who had migrated from the southern plains to work in the wartime production plants in places like Los Angeles and San Diego.
A large number of those wartime workers were women, dancing to the music of Bob Wills and Spade Cooley. So how did female musicians really stake a claim in this scene? Enter Rose Maddox.
Rose Maddox, the lead singer of the Maddox Brothers and Rose, developed a unique singing style — a belting voice that could be heard in the raucous roadhouses and dancehalls of California. Her resonating chest voice clearly projected over the din of dancing, drinking and socializing. Patrons had to take notice.
The Maddoxes were part of the Okie migration, leaving the depressed South for California in the 1930s. They worked as farmhands in the Central Valley until they formed the band The Maddox Brothers and Rose in the late 1930s. They came to the forefront of California’s ...
In a recording career that lasted only 15 years, but left a lasting legacy, 2015 Rock and Roll Hall of Fame Inductee Bill Withers mastered the vocabularies of the acoustic singer-songwriter, R&B, disco and even mainstream jazz, while maintaining a distinctive personality as a composer and vocalist. Here are my picks for essential Bill Withers songs.
“Ain’t No Sunshine”
A breakthrough hit from Just As I Am (produced by Hall of Fame Inductee Booker T. Jones), “Ain’t No Sunshine” set the framework for the Bill Withers sound with its sparse arrangement, direct, no-frills lyric and in the pocket groove. It was also a bona fide hit, reaching Number Three on the Billboard 100 in 1971.
“I was one of those kids who was smaller than all the girls. I stuttered. I had asthma. So I had some issues," recalled Bill Withers. "My grandmother was that one person who would always say that I was going to be OK. … When you're a weaker kid, whoever champions you becomes very important to you." This song is a tribute to those healing hands.
“Who Is He (and What is He to You?)”
Just the right undertone ...