The next few weeks include three don't-miss concerts:
2001 Hall of Fame inductee Paul Simon will be at the University of Akron's EJ Thomas Hall on Wednesday, November 23. Simon's latest album, So Beautiful Or So What, is his first album since Surprise in 2006, and has earned expansive critical acclaim. The album continues a tradition of delivering original songs that reflect the veteran songwriter's eclectic influences. Note that Cleveland's own award-winning world percussionist and drummer, Jamey Haddad, will be on stage in his long running role as percussionist in Simon's band, helping negotiate the varied rhythms found on So Beautiful – and beyond – for a live audience.
Paul Simon - "Getting Ready For Christmas Day" (from So Beautiful Or So What)
Falling close on the heels of Simon's show is an incredible funk lineup at PlayhouseSquare's State Theatre on Saturday, November 26: The Mary Jane Girls featuring Val Young, "Mister Cool" Morris Day and the Time ("Girl," "Jungle Love") and Cameo, whose 1986 album Word Up! produced two certified funk hits in the title track and ...
We were saddened to learn about the passing of the “Creole Beethoven,” Wardell Quezergue, yesterday in New Orleans. Quezergue, 81, was one of the giants of New Orleans music – one of those folks who is responsible for so many great, funky records that define the city’s distinctive rhythm and blues. He arranged countless classics: Professor Longhair’s “Big Chief,” The Dixie Cups’ “Iko Iko,” King Floyd’s “Groove Me,” Jean Knight’s “Mr. Big Stuff,” and Dorothy Moore’s “Misty Blue,” to name just a few. In 1992, he did the arrangements for Dr. John’s “little history of New Orleans music,” Goin’ Back to New Orleans. He also co-wrote “It Ain’t My Fault,” a staple of New Orleans’ brass bands. In 2000, he released the extraordinary A Creole Mass, a “prayer of Thanksgiving” that he began writing while stationed in Korea. He had been pulled from the front line to work as an arranger for the army band. His replacement was killed in action. He finally completed the work, a masterpiece for orchestra, chorus, brass band and vocals.
Rock and Roll Hall of Fame and Museum Education Director Jason Hanley and I had the honor of meeting ...
On July 30, I hosted a Hall of Fame Series interview with George Clinton, founder and leading light behind Parliament and Funkadelic, who treated a sold-out audience in the Museum's Foster Theater to stories and insights he's gathered during his singular career.
One of the most creative individuals in music, Clinton was very generous in talking about his youth in New Jersey, his move to Detroit and the long gestation of Parliament and the birth of Funkadelic.
Clinton likened his role in Parliament-Funkadelic to that of a jazz bandleader working with different musicians from session to session, though recording under a single moniker. For decades, Clinton has been an innovative maestro, the visionary leading a rotating cast of musicians that is the Parliament-Funkadelic family.
Each time The Rock and Roll Hall of Fame and Museum has an Inductee share his or her story as part of the live Hall of Fame Series, there are moments that really take the event to another level – and this event was no exception. The conversation got deep when we were joined on stage by several members of the group, including Lige Curry, Michael “Clip” Payne, and inductees “Billy Bass” Nelson and Michael ...