Testifying on the healing quality of the blues genre he embodied, Rock and Roll Hall of Fame Inductee B.B. King once remarked: “I’m trying to get people to see that we are our brother’s keeper. Red, white, black, brown or yellow, rich or poor, we all have the blues.”
On May 14, 2015, the world of music lost a true icon with the passing of King. Among the blues genre’s most recognizable and influential artists, his half-century of success owes much to his hard work as a touring musician who consistently logged between 200 and 300 shows a year. "B.B. King created a new kind of blues, and was a lifelong ambassador for the music," said Rock Hall VP of education Dr. Lauren Onkey. "He played constantly, all over the world, and taught generation after generation the power of the blues. His singing, single note solos and commanding vocal style made you feel every emotion in his songs."
Through it all, he remained faithful to the blues while keeping abreast of contemporary trends and deftly incorporating other favored forms - jazz and pop, for instance - into his musical overview. He managed to change with the changing ...
"Stevie Ray Vaughan is the ultimate guitar hero," proclaimed John Mayer as he inducted Stevie Ray Vaughan and Double Trouble into the Rock and Roll Hall of Fame. "[His playing] was as otherworldly as Hendrix, but where Hendrix was coming down from outer space, Stevie came up from below the ground. …Some flowers come up through the ground in full bloom. He was the ultimate guitar hero, and heroes live forever."
“He was a great guitar player,” Vaughan said, accepting the Hall of Fame honor on behalf of brother Stevie. “He could play beautiful, he could play mean and he could play fun. He could drag you along. …But what you heard with Stevie was his enthusiasm for everything. That’s why people love his music. …He loved playing guitar more than anybody I know.”
A who's who of axe slingers took the stage with the original members of Double Trouble to deliver blistering versions of two Stevie Ray Vaughan tracks: "Pride and Joy" and "Texas Flood;" and Jimmie Vaughan's tribute to his brother "Six Strings Down." The set kicked off with "Pride and Joy," as John Mayer, Gary Clark Jr., Doyle Bramhall and Jimmie Vaughan traded licks ...
Over the course of two decades – from 1945 to 1965 – 2015 Rock and Roll Hall of Fame Inductee the "5" Royales created a remarkable body of work that laid the foundation for a host of music that followed in its wake. With pivotal recordings and performing techniques that helped define a variety of styles under the rock and roll umbrella, the group is responsible for some of rock's first true standards. Here are my picks for essential listening.
“Bedside of a Neighbor” (1952)
The very first record by the “5” Royales was a variation of the Thomas Dorsey tune “(Standing By the) Bedside of a Neighbor.” It was recorded in August of 1951 and released on Apollo Records in January of 1952 under the name The Royal Sons Quintet. They put in a great vocal performance with the lead sung by John Tanner, but don’t miss the gospel piano played by the group’s friend Royal Abbit.
“Baby Don’t Do It” (1952)
While their contract with Apollo was to record gospel music, the group quickly began recording secular music as well; at first under the name the Royals, and then by the time of this hit song ...
The studio and live LPs released during the last seven years of 2015 Rock and Roll Hall of Fame Inductee Stevie Ray Vaughan's life ensured his place in Stratocaster immortality and influenced the next generation of blues guitarists. With Double Trouble bandmates Tommy Shannon on bass, Chris Layton on drums and Reese Wynans on keyboards, the Texas-born blues-rock powerhouse forged a sound that influenced and inspired countless players around the globe.
“Love Struck Baby”
The first song on the debut album from Stevie Ray Vaughan & Double Trouble, Texas Flood, released on June 13, 1983 – it was also the first single from the album. But don’t be fooled if it sounds too good to be a new band; Stevie Ray formed the band in 1978, and the final lineup had come together in 1980 consisting of SRV, Tommy Shannon (bass), and Chris Layton (drums).
“Pride and Joy”
This song is a great example of a Texas Shuffle (in which the guitar plays a triplet pattern over the quadruple meter of the band). Listen to how in the opening Stevie Ray plays all the off beats with an upstroke on the guitar to emphasize them. It makes for a great ...
2015 Rock and Roll Hall of Fame Inductee Joan Jett and the Blackhearts created a potent mix of hard rock, glam, punk, metal and garage rock that sounds fresh and relevant in any era. The group's biggest hit, “I Love Rock ‘N’ Roll” (Number One in 1982) is a rock classic – a pure and simple a statement about the music’s power. The honesty and power of their records make you believe that rock and roll can change the world. Here are my picks for essential songs that do just that.
“Do You Wanna Touch Me (Oh Yeah)”
This song is a cover of glam rocker Gary Glitter’s 1973 hit, delivered with the authoritative punch as only Joan Jett and the Blackhearts can.
“I Love Rock ‘N Roll”
Joan Jett's version of this Arrows song was ranked Number 89 in the "100 Greatest Guitar Songs" by Rolling Stone magazine, and was Joan Jett and the Blackhearts first Number One.
“Crimson and Clover”
This reworking of the Tommy James and the Shondells classic reached Number Seven, wonderfully capturing the Jett and company's ability to do tender and tough will equal aplomb.
“I Love You Love Me Love ...
2015 Rock and Roll Hall of Fame Inductee The Paul Butterfield Blues Band took the world by storm at the 1965 Newport Folk Festival, expertly combining American rock and roll and the blues with Butterfield’s inspired harmonica and Mike Bloomfield’s explosive lead guitar. Their self-titled album released in 1965 and its follow-up, East-West in 1966, kicked open a door that brought a defining new edge to rock and roll. Here are my picks for essential Paul Butterfield Blues Band listening.
“Born in Chicago”
This is the opening song on their first album and immediately establishes the group as a part of long history of electric Chicago blues (in the tracks of Muddy Waters and Howlin’ Wolf). The song was written by friend and collaborator Nick Gravenites who would go on to pen many classic psychedelic blues tunes in the years to come.
“Our Love is Drifting”
A slow blues burner written by the band’s two guitarists Bloomfield and Bishop. While the solos are enough to knock your socks off don’t ignore the great melodic call and response between the vocal and the guitar in the verses.
While “Work Song” was originally written and recorded ...
As part of the Rock Hall's Celebration Day, the Museum will screen the Bill Withers documentary, Still Bill, at 5pm ET. In this post, the film's co-director (along with Damani Baker) Alex Vlack, shares how he found Bill Withers, his hero, and transformed the experience into a movie.
Everyone who's ever turned on the radio, walked into a restaurant, been in a bar, lived in this country for more than a few days knows Bill Withers' biggest songs. But most people don't know his name, and most people don't know most of his music.
I didn't really discover it until college, when my friend Jon Fine turned me on to Still Bill, Withers' second record. We listened to it on cassette over and over and over. I'd grown up on blues and jazz and rock, and thought I was pretty well-versed – when you're 18 years old, you can think of yourself as a lot of things! – so how could an album like this have slipped past me? It was, simply, the best album I'd ever heard. Fine and I started a band, and one of the first things we did was ...
“Ain’t No Sunshine”
The song that set the framework for the Bill Withers sound with its sparse arrangement, direct, no-frills lyric and in-the-pocket groove.
“I was one of those kids who was smaller than all the girls. I stuttered. I had asthma. So I had some issues," recalled Bill Withers. "My grandmother was that one person who would always say that I was going to be OK. … When you're a weaker kid, whoever champions you becomes very important to you."
“Who Is He(and What is He to You?)”
Just the right undertone of menace and an unrelenting repeated funky riff drives this testament of a jealous lover home.
“Lean on Me”
Bill Withers’ first Number One hit took us to church. "It's a rural song that translates across demographic lines,” Withers recalled. “My experience was, there were people who were that way. They would help you out. Even in the rural South, there were people who would help you out even across racial lines. Somebody who would probably stand in a mob that might lynch you if you pissed them off, would help you out in another way."
“I Can’t Write ...