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Who's Next: 2012 inductee Glyn Johns Shares the Incredible Story of The Who's 1971 album

Thursday, November 13: 8 a.m.
Posted by Rock Hall

To preview 2012 Rock and Roll Hall of Fame Inductee Glyn Johns' interview at the Rock Hall Library and Archives on Saturday, November 15 at 4 pm, we have an excerpt from Johns' new book, SOUND MAN: A Life Recording Hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, the Faces... (On sale November 13, 2014, Blue Rider Press).

Who's Next

The previous year, 1970, the Stones had started recording at Mick Jagger’s house out in the country, near Newbury. By this time, the Stones Truck was fully operational and we used the huge entrance hall of the Victorian pile that was Stargroves to record several tracks that were eventually used on Sticky Fingers. I had mentioned to Pete Townshend in conversation that these sessions had gone really well, so he suggested that we go there to start recording Who’s Next.

We began on the first day with “Won’t Get Fooled Again.” Not a bad way to start. With Pete’s permission, I edited the synthesizer track from his original demo, as it was a little too long, and played it in to the band in the studio. They performed live to it with ...


continue Categories: Inductee, Library and Archives, Event

5 Songs That Define the Sounds of the 1990s

Tuesday, November 11: 3:59 p.m.

Prodigy Firestarter music video singer 90s music

Rock and Roll Hall of Fame Inductees Tom Dowd, Berry Gordy Jr., Les Paul, Sam Phillips and Phil Spector represent a 1950s and 1960s "recordist canon," pioneers of maverick recording methodologies responsible for shaping the sound of classic rock and roll. Their work not only forms the underpinning of rock music’s sonic characteristics, but also represents an oft-imitated body of audible stylistic, genre and aesthetic recording principles. Some of their radical, experimental and at times rebellious production techniques – Paul’s "Sound on Sound," Spector’s "Wall of Sound"and Phillips’ "Slap Echo" for example, have informed a continuum of established rock production standards.

However, the 1990s also marked a significant turning point in pop and rock sound recording. At a time when computer-based digital audio workstations (an electronic tool for recording, editing and producing audio files) were fast becoming the norm, many sound recordists of the era either rejected this new direction outright or blended technological and processual precursors into unconventional and individualized working practice. Such reinventions of technological and processual modes of production mirror those of the 1950s and 1960s ‘"recordist canon."

Here are 5 songs that helped define the sounds of the 1990s, and the producers who ...


continue Categories: Inductee, History of Punk, History of Rock and Roll, Event, Education, Exclusive Interviews

Glen Matlock (Sex Pistols) and Sylvain Sylvain (New York Dolls) talk History of Punk

Saturday, March 22: 11:43 a.m.
Posted by Rock Hall

On a stop at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, during their Punk Goes Acoustic tour, Glen Matlock (Sex Pistols) and Sylvain Sylvain (New York Dolls) talk the history of the Sex Pistols, recording the punk rock classic anthem "Anarchy in the UK," "being the first" punk band and more.

Explore the history of punk rock at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio!

 


continue Categories: Inductee, History of Punk, History of Rock and Roll, Event, Hall of Fame, Exhibit, Exclusive Interviews

Jerry Fuller and the Amazing True Story of Ricky Nelson's "Travelin' Man"

Friday, November 22: 9 a.m.
Posted by Rock Hall
American singer, songwriter and record producer Jerry Fuller wrote "Travelin' Man"

In 1960s Los Angeles, California, an elite group of studio session musicians came together and played on hits for the Beach Boys, the ByrdsRicky Nelson, Elvis Presley, Simon and GarfunkelPhil Spector's "Wall of Sound," Frank Sinatra, Nancy Sinatra, Sonny and Cher, Jan & Dean, the Monkees, Gary Lewis and the Playboys, 5th Dimension, Tijuana Brass and Johnny Rivers among others. From "Be My Baby" to "California Girls;" "Strangers in the Night" and "Mrs. Robinson;" "You've Lost that Lovin' Feelin'" and "Up, Up and Away;""Viva Las Vegas" to "Mr. Tambourine Man," the group dubbed "The Wrecking Crew" played on some of rock and roll's most-beloved songs. “The musicians really are the unsung heroes of all these hit records,” noted Nancy Sinatra. And now the world will know their story – if all goes to plan.

Watch + Listen: American singer, songwriter and record producer Jerry Fuller tells the story of how he wrote "Travelin' Man" for Sam Cooke, recorded it with Glen Campbell, and how the demo went in the garbage before finding its way to Ricky Nelson. (From The Wrecking Crew: The Untold Story of Rock & Roll Heroes)

Among the musicians in the "Crew" was guitarist Tommy ...


continue Categories: Elvis Presley, Inductee, History of Rock and Roll, Hall of Fame, Exclusive Interviews

Songs That Shaped Rock and Roll: "Work With Me Annie"

Monday, November 18: 4:30 p.m.
Posted by Rock Hall
Hank Ballard and the Midnighters

Born on November 18, 1927 (some sources note 1936), Hank Ballard wasn't the first to write smutty songs, but he was one of the more determinedly single-minded to exploit what he called the "raunch groove." His "Get It" was about, well, getting it. The title was startling coming after "The Shrine of St. Cecillia," the previous release by the Royals (as Ballard and the Midnighters were known prior to being labelmates with a "5" Royales). Its success, however, pointed the way. Ballard hit his stride with "Work With Me Annie," which is not about working. Reportedly toned down from its first draft, "Annie" still didn't leave much to the imagination: “Annie, please don’t cheat/ Give me all my meat / Oooo-weee / So good to me /Work with me, Annie / Let’s get it while the getting is good.” Needless to say, it went to the top of the R&B record charts in early 1954 despite being banned by the FCC. In a 1987 interview, Ballard recalled: "But [controversy] made the record hot. All that carryin’ on. 'What is this record about?' 'You can’t hear it on the radio – banned!' I tell you, in the Boston area ...


continue Categories: Hall of Fame, Inductee, Today in Rock, Songs That Shaped Rock and Roll

Rolling Stone's First Issue: "A Rolling Stone Gathers No Moss"

Saturday, November 9: 9:01 a.m.
Posted by Alexandra Fagan
John Lennon as Private Gripeweed on the cover of Rolling Stone's first-ever issue.

You're probably wondering what we are trying to do. It's hard to say: sort of a magazine and sort of a newspaper. The name of it is Rolling Stone, which comes from an old saying: "A Rolling Stone gathers no moss." Muddy Waters used the name for a song he wrote; The Rolling Stones took their name from Muddy's song, and "Like A Rolling Stone" was the title of Bob Dylan's first rock and roll record.

We have begun a new publication reflecting what we see are the changes in rock and roll and the changes related to rock and roll. Because the trade papers have become so inaccurate and irrelevant, and because the fan magazines are an anachronism, fashioned in the mold of myth and nonsense, we hope that we have something here for the artists and the industry, and every person who "believes in the magic that can set you free."

Rolling Stone is not just about music, but also about the things and attitudes that the music embraces. We've been working quite hard on it and we hope you can dig it. To describe it any further would be difficult without sounding ...


continue Categories: Inside the Rock and Roll Hall of Fame, Exhibit, Today in Rock, The Grateful Dead, Rolling Stones, Inductee, Hall of Fame, History of Rock and Roll

The Roots and Definition of Rock and Roll

Friday, October 18: 11:15 a.m.
Posted by Rock Hall
Tracing the roots of and defining rock and roll music at the Museum.

How do you define rock and roll?

Each year, with the announcement of the next class of nominees for induction into the Rock and Roll Hall of Fame, a debate swirls as to what music is considered "rock and roll." The announcement of the 2014 Rock and Roll Hall of Fame Nominees – the Paul Butterfield Blues Band, Chic, Deep Purple, Peter Gabriel, Hall and Oates, Kiss, LL Cool J, the Meters, Nirvana, N.W.A., the Replacements, Linda Ronstadt, Cat Stevens, Link Wray, Yes and the Zombies – brought with it passionate discussions as to not only who should be inducted, but also how the Rock and Roll Hall of Fame and Museum and people all over the world interpret and define rock and roll. 

Visitors to the Museum in Cleveland will find a large type-and-graphics treatment featured in the Main Exhibit Hall, just before the Roots of Rock exhibit. It marks the unofficial start to a tour of the Rock and Roll Hall of Fame and Museum, and explains the roots of rock and roll, and how the Rock and Roll Hall of Fame recognizes rock and roll today. It reads as follows:

Rock and roll is a form of ...


continue Categories: Inside the Rock and Roll Hall of Fame, History of Punk, History of Rock and Roll, History of the Blues, Inductee, Hall of Fame, Exhibit

Stories from the Birth of Rock and Roll with Sun Records’ The Miller Sisters

Monday, October 7: 5 p.m.
Posted by Hank Davis
The Miller Sisters: (l-r) Millie and Jo reunited after decades.

When Colin Escott, Martin Hawkins and I produced the three Bear Family Sun box sets that came out earlier this year, we were dealing with music history – and some pretty special history at that. For us, little was more important than Memphis music in the mid 1950s: the birth of rock & roll with Elvis Presley, Jerry Lee Lewis, Johnny Cash, BB King, Howlin’ Wolf, and a host of seminal artists who cut their teeth at Sun Records.

We were faced with selecting the 250-plus tracks for each box set,choosing the photos and writing the liner notes. We were delving deep into rock and roll history, but there were also some opportunities to deal in the present tense. We could use the gala release event at the Rock and Roll Hall of Fame and Museum to bring out of the shadows some of the less famous artists who were actually there when Sam Phillips was busy making music history in his tiny storefront studio on Union Avenue in Memphis.

There weren’t many chances. Most of the artists who had recorded for Sun during its Golden era were gone. But not all. The Miller Sisters recorded about a dozen titles ...


continue Categories: Elvis Presley, Hall of Fame, History of Rock and Roll
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