Over the course of a short career that only lasted a little more than five years, the Doors had a tremendous impact on rock and roll. They were a truly unique group, with a singer, Jim Morrison, who was a genuine poet with an almost mythical persona. Unlike most bands at the time, the Doors did not have a bass player. Ray Manzarek played the bass lines on his keyboards. John Densmore was a solid, steady drummer. And Robby Krieger was an elegant guitarist with a distinctive style unlike the blues-based guitar leanings favored by most his six-string peers. 20 years after being inducted into the Rock and Roll Hall of Fame in 1993, Robby Krieger sits down for an exclusive interview with the Rock Hall, reflecting on the passing of friend and bandmate Ray Manzarek, patching up differences with John Densmore, the Doors' greatest moments, where the Doors would've gone had Jim Morrison lived, Jimi Hendrix, the Rolling Stones, what he's listening to now and more.
Rock and Roll Hall of Fame: First, let’s talk about Ray Manzarek’s death…. Did you see that coming? Had he been sick for a while?
Robby Krieger: Not really ...
In this exclusive interview with the Rock and Roll Hall of Fame, author, musician and .38 Special founding member and guitarist Jeff Carlisi shares his thoughts on legendary guitarist and Hall of Fame inductee Jimi Hendrix, including seeing Jimi Hendrix live in 1968.
"I actually saw Jimi Hendrix, and I still have photographs, I was a school photographer. I guess it was 1968 in Jacksonville, Florida. I don't remember anything about it. I look at the pictures, and I don't even remember being there, but I remember I had to see this guy because I remember sitting next to my grandmother's radio in Boston, Massachusetts, waiting all night long to hear this song that my cousin told me about, "Purple Haze." He couldn't describe it to me. I said, 'What does it sound like?' I had been playing guitar for a while and he said 'it was like nothing you've ever heard.' Finally it comes on and it was like, 'Oh my God -- you're kidding me.'
"Hendrix was a brilliant guitar player in the sense that he didn't play guitar -- guitar was his paintbrush. It was an extension of his mind. You could ...
In this exclusive Rock and Roll Hall of Fame interview with Hall of Fame Inductee Graham Nash, the musician talks about his experience getting high with Jimi Hendrix at a Frank Zappa and the Mothers of Invention concert, looking for Rolling Stones member Brian Jones.
"Jimi Hendrix and I once went to the Royal Albert Hall to see Frank Zappa and The Mothers of Invention. During the intermission, we spotted Brian Jones up in one of the boxes, and we wanted to go and get high with Brian. So, we got up from our seats, and we started to move along the seats and a spotlight found us. Now, quite frankly we were both on acid, so this bright light hitting us in the face when we thought that we were invisible was quite shocking to us, but we managed to make it all the way to Brian, to the box that Brian was in, and we managed to get higher than we were."
The Rolling Stones: Charlie is My Darling – Ireland 1965 opens on Friday, November 8, 2013, in the Museum's Foster Theater, featuring 20 minutes of highlights. The screening coincides with the Rock Hall's feature exhibit Rolling Stones: 50 Years of Satisfaction, on view through March 2014. Admission to the Rock and Roll Hall of Fame and Museum includes entry into the film.
Recently discovered, never-before-seen-footage was woven into an intimate, behind-the-scenes diary of life on the road with young Mick Jagger, Brian Jones, Keith Richards, Charlie Watts and Bill Wyman in The Rolling Stones: Charlie is My Darling – Ireland 1965. First released in 2012, the film was directed by Mick Gochanour and restored by producer Robin Klein, the Grammy Award–winning team that brought the classic The Rolling Stones Rock & Roll Circus to the screen. Charlie is my Darling’s dramatic and stunning concert footage – including electrifying performances of “(I Can’t Get No) Satisfaction,” “The Last Time” and “Time Is On My Side” – shows the band developing its musical style by blending blues, R&B and rock and roll riffs. Photographed by pioneering filmmaker Peter Whitehead and produced by Rolling Stones manager and producer Andrew Loog Oldham, Charlie ...
A commanding stage presence is an essential element of the rock and roll spectacle. Beyond captivating audiences with their music, artists from Abba to ZZ Top have projected their quirks, singular identities and personas via unique stage costumes. Some artists' costume choices are icons to themselves – think Michael Jackson’s gilded glove or Elvis Presley’s bejeweled jumpsuit. The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, is home to many of these iconic costumes and ground-breaking designs. Here are some of our favorites, which you can see when visiting the Rock and Roll Hall of Fame and Museum!
David Bowie's Suit, 1972 / Design by Freddie Burretti
David Bowie’s breakthrough came with The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), a thoroughly modern album that promulgated the notion of rock star as space alien. Bowie melded rock with theater, creating the provocative character and alter ego “Ziggy Stardust." Bowie wore his lightning-bolt emblazoned suit onstage during his tour to support the album.
The Supremes' Dresses, 1969 / Design by Bob Mackie
The Supremes rose from the poverty of ...
On October 26, 2013, the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, as part of its annual Music Masters program honored the music of the Rolling Stones at a special tribute concert. In this clip, the Rock Hall goes backstage for exclusive interviews with guitarist Earl Slick ("Everything about Keith [Richards] – musically, fashion-wise, his attitude – it just rang a bell with me right from day one… and it still does today."), singer Lee Fields ("Mick Jagger is the most unique singer I've ever seen. He brings so much life to what he sings."), guitarist and Drive-by Truckers co-founder Patterson Hood ("Many of my lifelong idols are up there."), guitarist and Soul Asylum founding member Dave Pirner ("All through my life, I've been a Rolling Stones fan.") and Hall of Fame Inductee Chuck D. of Public Enemy ("It's about being true: The Rolling Stones have always been true and paid homage to where they came from. I mean, they named their group after a Muddy Waters' Record [which] is a bold statement.") to discover what the Rolling Stones' music has meant to them, why they're paying tribute to the Stones, including Mick Jagger ...
On October 26, 2013, in Cleveland, Ohio, musician and producer Steve Jordan lead an all-star band during a tribute concert honoring the music of the Rolling Stones. The event is part of the Rock and Roll Hall of Fame and Museum's 18th Annual Music Masters series. Also in the band are Hall of Fame Inductees Chuck D. of Public Enemy and Ian McLagan of the Small Faces/Faces, as well as Sugar Blue, Merry Clayton, Sarah Dash, Lee Fields, Bernard Fowler, Patterson Hood, Cyril Jordan, Bobby Keys, Trevor Lawrence, Nils Lofgren, Steve Madaio, Dave Pirner, Earl Slick, Waddy Wachtel, Willie Weeks and Chris Wilson.
In this interview, Steve Jordan and saxophonist Bobby Keys talk about putting together the Rolling Stones tribute concert, what it's like recording and performing with the Rolling Stones, favorite Rolling Stones' songs and more.
For as long as there's been an entertainment industry, an “insider’s scoop” has been a reliable way to gain media attention. Over the years, however, many of those rare glimpses, unique perspectives and behind-the-scenes stories have been lost – or perhaps they were never shared. As we discover almost daily at the Rock and Roll Hall of Fame and Museum's Library and Archives, many such stories are hidden within the boxes of an archives, waiting to be discovered by researchers. Art Collins has one such story.
Collins began his career at the age of 22 in the Atlantic Records promotion department, and two years later, in 1977, he joined Rolling Stones Records as the Stones’ tour manager. For the Rolling Stones’ 1978 U.S. tour, Collins traveled with the band from show to show, and he took notes about each stop on a yellow legal pad. These notes were later condensed into a report for the in-house Atlantic Records bulletin. Both versions can be found in Collins’ files, but, for a researcher, the handwritten draft tends to be the more valuable of the two, because it may contain extra information that does not make it into the final ...