Testifying on the healing quality of the blues genre he embodied, Rock and Roll Hall of Fame Inductee B.B. King once remarked: “I’m trying to get people to see that we are our brother’s keeper. Red, white, black, brown or yellow, rich or poor, we all have the blues.”
On May 14, 2015, the world of music lost a true icon with the passing of King. Among the blues genre’s most recognizable and influential artists, his half-century of success owes much to his hard work as a touring musician who consistently logged between 200 and 300 shows a year. "B.B. King created a new kind of blues, and was a lifelong ambassador for the music," said Rock Hall VP of education Dr. Lauren Onkey. "He played constantly, all over the world, and taught generation after generation the power of the blues. His singing, single note solos and commanding vocal style made you feel every emotion in his songs."
Through it all, he remained faithful to the blues while keeping abreast of contemporary trends and deftly incorporating other favored forms - jazz and pop, for instance - into his musical overview. He managed to change with the changing ...
In among the most anticipated moments of the 2015 Rock and Roll Hall of Fame Induction Ceremony, Sir Paul McCartney – a two-time Rock and Roll Hall of Fame Inductee – took to the stage to induct his friend and Beatle bandmate Ringo Starr into the Hall of Fame.
Speaking of first meeting Starr in the Hamburg days, McCartney said: "And Ringo was like a professional musician. We were just like, slamming around and doing stuff, but he had a beard — that's professional. He had the suit. Very professional. And he would sit at the bar drinking bourbon and seven. We'd never seen anyone like this. This was like, a grown-up musician.
"Eventually [The Beatles] got on The Ed Sullivan Show, and we got really famous. It was just so beautiful. As all the other drummers say, he just is something so special. When he's playing behind you – you see these other bands, they're looking around at the drummer, like, is he going to speed up, is he going to slow down? You don't have to look with Ringo."
After a quick embrace with McCartney, Ringo Starr took the mic, accepting his award and regaling the crowd ...
"Everything you guys do is punk rock in the sense that you’ve never gone the easy route, the obvious route, the safe route," said Fall Out Boy's Pete Wentz inducting Green Day. "You’ve never repeated yourselves, you’ve never done anything to please the suits… Like Queen, the Who or the Clash, the best bands go on to defy and define the labels they get saddled with…the best bands are legend on record and onstage.
"This is a band that’s so in tune with their audience that they let a random kid onstage and play in the band, in arenas" added Wentz. "They literally fulfill that improbable daydream every kid has playing onstage with their favorite band."
A confessed diehard fan, Fall Out Boy singer and guitarist Patrick Stump said: "Billie Joe’s signature snarl and strong, sarcastic lyrics, that eternally youthful voice, those bright, open chord structures. The way a silhouette of him playing guitar would be as recognizable a posture to any punk rock kid as Michael Jordan's mid-air dunk is to sports fans."
After accepting their Inductee honors, the guys from Green Day – Tré Cool, Mike Dirnt and Billie Joe Armstrong ...
The studio and live LPs released during the last seven years of 2015 Rock and Roll Hall of Fame Inductee Stevie Ray Vaughan's life ensured his place in Stratocaster immortality and influenced the next generation of blues guitarists. With Double Trouble bandmates Tommy Shannon on bass, Chris Layton on drums and Reese Wynans on keyboards, the Texas-born blues-rock powerhouse forged a sound that influenced and inspired countless players around the globe.
“Love Struck Baby”
The first song on the debut album from Stevie Ray Vaughan & Double Trouble, Texas Flood, released on June 13, 1983 – it was also the first single from the album. But don’t be fooled if it sounds too good to be a new band; Stevie Ray formed the band in 1978, and the final lineup had come together in 1980 consisting of SRV, Tommy Shannon (bass), and Chris Layton (drums).
“Pride and Joy”
This song is a great example of a Texas Shuffle (in which the guitar plays a triplet pattern over the quadruple meter of the band). Listen to how in the opening Stevie Ray plays all the off beats with an upstroke on the guitar to emphasize them. It makes for a great ...
As both a member of The Velvet Underground and a solo artist, 2015 Rock and Roll Hall of Fame Inductee Lou Reed transformed music forever with his uncompromised and daring artistic vision that has influenced artists for decades, from David Bowie to U2 to Arcade Fire. Here are my picks for Lou Reed essential tracks.
“Walk on the Wild Side”
Off 1972's Transformer (produced by David Bowie and Mick Ronson), “Walk on the Wild Side” was Reed’s first hit after the Velvet Underground broke up and remains his most well know tune till this day. The lyrics of the song told the story of people Reed knew from the Andy Warhol/Factory days, while the iconic bass line has been sampled numerous times in everything from hip-hop to electronica.
“Satellite of Love”
This song was originally demoed by the Velvet Underground in 1970 as a possible track for the Loaded album but was eventually rejected. The lyrics are sung from the point of view of a man who is watching a space launch on TV and simultaneously reflecting on his unfaithful girlfriend. The end of the song features a fantastic vocal arrangement performed by Reed and David Bowie ...
2015 Rock and Roll Hall of Fame Inductee The Paul Butterfield Blues Band took the world by storm at the 1965 Newport Folk Festival, expertly combining American rock and roll and the blues with Butterfield’s inspired harmonica and Mike Bloomfield’s explosive lead guitar. Their self-titled album released in 1965 and its follow-up, East-West in 1966, kicked open a door that brought a defining new edge to rock and roll. Here are my picks for essential Paul Butterfield Blues Band listening.
“Born in Chicago”
This is the opening song on their first album and immediately establishes the group as a part of long history of electric Chicago blues (in the tracks of Muddy Waters and Howlin’ Wolf). The song was written by friend and collaborator Nick Gravenites who would go on to pen many classic psychedelic blues tunes in the years to come.
“Our Love is Drifting”
A slow blues burner written by the band’s two guitarists Bloomfield and Bishop. While the solos are enough to knock your socks off don’t ignore the great melodic call and response between the vocal and the guitar in the verses.
While “Work Song” was originally written and recorded ...
The Rock and Roll Hall of Fame celebrates gospel music every day at the Museum as one of the essential musical roots of rock and roll. Three gospel performers who have had a profound influence on popular music have been inducted into the Hall of Fame: Mahalia Jackson (pictured above), whose fervent contralto was one of the great voices of the 20th century; The Soul Stirrers, who brought gospel out of local churches to a national audience, setting the pace for gospel and pop vocal groups; and The Staple Singers, who landed gospel on the pop charts with songs that advanced the Civil Rights movement.
Gospel echoes throughout the history of rock and roll. We hear it in the early vocal groups like The Drifters and this year’s inductees The “5” Royales (who started out in North Carolina singing gospel as the Royal Sons Quartet); the Motown sounds of the Temptations, and Martha Reeves and the Vandellas; the soul music of legends like Ray Charles, Sam Cooke, Darlene Love, Aretha Franklin, Al Green and Wilson Pickett; and in the message and spirit of The Isley Brothers and Earth Wind & Fire in the 70s; as well as the extraordinary music ...
The sheer emotional impact of Jimi Hendrix’s Woodstock rendition of “The Star-Spangled Banner” sparked my fascination. His squealing guitar effects depicting the incoming descent of bombs that were soon “bursting in air,” grabbed me, especially as intensified on film when Hendrix “lip synched” the resulting cries and screams. His performance makes the abstract so very human. For me Hendrix’s Woodstock anthem of August 18, 1969, remains atop the list of the most powerful performances of Francis Scott Key’s song ever created.
The Woodstock anthem gets even more interesting when compared with the other 40 or so surviving recordings of Hendrix performing the song. They reveal Hendrix’s artistic as well as political evolution and define the critical and patriotic extremes of his expression to place Woodstock firmly in the middle as a combination of both. Here's a look at five incredible Hendrix versions of "The Star Spangled Banner.' Want more Hendrix? Catch Mark Clague going deep on all-things Hendrix at the Rock Hall's Library and Archives on Wednesday, March 25, 2015!
Hendrix first references the anthem melody a year ...