Brothers Leonard and Phil Chess were responsible for creating the preeminent blues label of the fifties and sixties. Polish immigrants who settled in Chicago, the brothers formed Aristocrat Records in 1947 before launching their eponymous label two years later. They assembled an unparalleled roster of blues, R&B and rock and roll artists, including Chuck Berry, Bo Diddley, Willie Dixon, Etta James, Muddy Waters and Howlin' Wolf. While Phil focused on jazz, Leonard honed in on roots music, making Chess the greatest repository of blues music by the late Fifties. It was under Leonard's tutelage that Muddy Waters’ electric blues fomented a revolution that led directly to rock and roll in the person of Chuck Berry.
The reach of the label's music extended far across the Atlantic, where a band of impressionable twentysomethings billing themselves as the Rolling Stones sought to emulate the hard-driving R&B sounds they heard on songs like Waters' "I Can't Be Satisfied," Big ...
The concert held on October 16, 1986, to celebrate Chuck Berry's 60th birthday and later released as the rock documentary Hail! Hail! Rock 'n' Roll, directed by Taylor Hackford, featured a spellbinding lineup of musicians, including Eric Clapton, Etta James, original Berry keys man and blues-piano virtuoso Johnnie Johnson, sax extraordinaire Bobby Keys and Julian Lennon. It was a powerful show of reverence for rock and roll's poet laureate, a tribute as could only be orchestrated by the film's musical director and Berry fan: Keith Richards.
In his 2010 autobiography, Life, Richards shared a letter from April 1962 to his aunt Patty that recounts his introduction to Mick Jagger, writing: "You know I was keen on Chuck Berry and I thought I was the only fan for miles but one mornin' on Dartford Stn. … I was holding one of Chuck's records when a guy I knew at primary school 7-11 yrs [sic] y'know came up to ...
Rock, Rock, Rock!, the 1956 black-and-white film starring Cleveland disc jockey and "the King of Rock 'n' Roll" Alan Freed as himself, told the story of a teenage girl trying to gather the money she needs to buy a gown for an upcoming dance. A number of performances – including those by Hall of Fame inductees Chuck Berry, LaVern Baker, the Flamingos, Frankie Lymon and the Teengers and the Moonglows – move the picture along and provide its rock and roll soundtrack.
In the clip below, Freed introduces the Rock and Roll Hall of Fame and Museum's 2012 American Music Masters honoree Chuck Berry, who delivers his signature moves over "You Can't Catch Me."
Award-winning documentary filmmaker Joe Lauro will present a compilation film of rare clips of Chuck Berry through out his career as part of the American Music Masters conference on Saturday, October 27 at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. The film ...
"Imagine" became one of the enduring anthems of John Lennon's post-Beatles work. In an interview days before his death, he made a case for the brotherhood of man and woman: "That should be credited as a Lennon/Ono song. A lot of it – the lyric and the concept –came from Yoko, but in those days I was a bit more selfish, a bit more macho, and I sort of omitted to mention her contribution, but it was right out of Grapefruit, her book; there's a whole pile of pieces about imagine this and imagine that, and I have given her credit now long overdue." Ono downplayed her involvement, claiming the period was ripe for mutual inspiration. Lennon responded, "Yeah, but if it had been Bowie, I would have put 'Lennon/Bowie' if it had been a male, you know... but when we did it, I just put 'Lennon' because, you know, she's just the wife and, you ...
"Boy, am I honored to be mentioned in the same breath as the Talking Heads," noted 2012 Rock and Roll Hall of Fame inductee and Red Hot Chili Peppers frontman Anthony Kiedis after taking the podium to induct the Talking Heads into the Rock and Roll Hall of Fame in 2002.
"I remember the exact place that I was, the exact moment that it happened, that I heard the Talking Heads for the first time," recalled Kiedis. "That's an incredible indication of what a beautiful influence they would have on my life, because there's not too many things I could say that about. I was in the living room of Donde Bastone, I was 15, it was 1977, and the song that he put on was 'Psycho Killer,' and I absolutely freaked out. I made him play that song over and over and over again because it was like nothing else I'd ever heard, and it made me ...
In the fall of 1995, Smashing Pumpkins, the Chicago-based alternative band who cracked the Billboard 200 Top 10 in August 1993 with Siamese Dream, released the anticipated studio follow up, Mellon Collie and the Infinite Sadness. The sprawling 26-song double album Corgan then referred to as The Wall for Generation X highlighted the lead songwriter's penchant for abstract lyricism and expansive, evocative instrumental arrangements that owed much to the psychedelic rockers who came decades before him.
At the 1996 Hall of Fame induction ceremony, a twentysomething Corgan inducted Pink Floyd, with David Gilmour, Nick Mason and the late Richard Wright on hand to accept their awards. "The first album I heard was Dark Side of the Moon, which as we all know is probably one of the best albums of all time," said Corgan, a self-professed "fan" of the band. "I first heard this album in The Wall era, which to me, at my tender age of 14, was too ...
“No, I didn't attend his funeral. I dedicated a song to him from the stage of the Rock & Roll Hall of Fame – I wanted his name to be heard on TV and to the crowds watching the show. I wanted to play "Sweet Jane" for him one last time.” – Lou Reed, quoted in The Austin Chronicle, 2000
On September 2, 1995, Lou Reed performed “Sweet Jane” onstage at Cleveland Municipal Stadium, in front of a crowd of more than 63,000 and millions more around the world watching the concert broadcast on HBO. The occasion was the Concert for the Hall of Fame, celebrating the opening of the Rock and Roll Hall of Fame and Museum. Reed’s fellow guitarist and Velvet Underground bandmate, Sterling Morrison, had passed away from non-Hodgkin's lymphoma just three days before. Reed’s performance, dedicated to Morrison, gently reminded the world of Velvet Underground’s impact, and Morrison’s unique contributions to the band ...
On January 12, 1995, the Rock and Roll Hall of Fame held its 10th annual induction ceremony in New York City. Among the inductees that year, along with Janis Joplin, Frank Zappa and others, was Neil Young, who was inducted into the Rock and Roll Hall of Fame by Pearl Jam lead singer, Eddie Vedder. Young’s performances that night included the epic “Act of Love” from his album Mirror Ball, which would be released in June 1995. After performing “Act of Love” with members of his touring band, Young was joined onstage by Pearl Jam to perform "F*!#in' Up,” from his 1990 album Ragged Glory. It was especially fitting that Young, who has been called “the Godfather of Grunge,” would invite the Seattle band to perform with him at his induction.
Pearl Jam and Neil Young had been collaborating since 1992, when the grunge band and “the Godfather” played separately at a Bob Dylan tribute at Madison Square Garden ...