Although she was already queen of the clubs, Madonna didn't swim in the mainstream until "Like A Virgin," the 1984 title track from her second album, became her first million-selling single. Produced by Chic's Nile Rodgers in a bouncy, vaguely retro girl-group mode, the song established one of Madonna's most enduring personas: the good bad girl capable of being "touched for the very first time."
Though Madonna was 26, this witty send-up of innocence and experience made the former cult star a teen idol: the song's video featured Madonna flouncing around Venice in bustier, lace, multiple crosses and a wedding dress that inspired her first legions of wannabes. Along with its equally chirpy follow-up, "Material Girl," "Like A Virgin" might not present Madonna at her vocal best. It did, however, mark her early on as an exceptionally shrewd performer who created and manipulated controversy, changed her image to suit the moment, and prospered through a combination of talent and will.
Madonna, a 2008 Rock and Roll Hall of Fame inductee, is among the many artists from rock and roll history featured in the Rock and Roll Hall of Fame and Museum's Ahmet Ertegun Main Exhibition ...
"Bye Bye Love" galvanized not one but three creative teams. Don and Phil Everly were floundering prior to this first hit single. "Bye Bye Love" was also the biggest hit to date for husband-and- wife songwriters Boudleaux and Felice Bryant. Last but not least, the pairing of the Bryants with the Everlys yielded a string of rock and roll pearls. The record's enormous success-Top Five on Billboard's country, pop, and R&B charts-followed a series of hurdles. Cadence, the Everlys' label, had rejected them once before but was giving the brothers a second chance. The Bryants' tune had been rejected by numerous artists before the Everlys got hold of it. Perhaps Don Everly's own guitar introduction made a difference; the brothers' close vocal harmonies were certainly new to a non-country audience. Not even a cover version by Webb Pierce-at that time the kiss of death for a country song's original recording-could slow the Everlys' million sales, as "Bye Bye Love" leapt across musical borderlines. The brothers went from tent shows to The Ed Sullivan Show; the era's top vocal duo was off and running.
The Everlys' third hit was their first ballad single. If their ...
Daryl Hall and John Oates created an original mix of soul and rock that made them the most successful pop duo in history. As songwriters, singers and producers, they embraced the pop mainstream, bringing passion and creativity back to the 3-minute single. Over the course of their career, they have recorded six Number One hits and put 34 songs in the Billboard Top 100.
Deeply rooted in lush Philly soul, Hall and Oates mixed smooth vocal harmonies and the romantic vulnerability of soul with edgy hard rock and new wave riffs to create some of the finest pop music of the 1980s. They teamed up in the early 1970s in Philadelphia, and landed a deal with Atlantic. On their first three albums, they searched for the right style for their talents as they experimented with soul, folk and hard rock.
After their subsequent string of hits in the 1970s, including "She's Gone"and "Rich Girl", they were energized by new wave and dance music. The result was an incredible run of original songs that topped the pop and R&B charts throughout the 1980s. Combining the best of both rock and R&B, Hall and Oates set the stage ...
Much change was afoot in mid 90s Great Britain. The political winds shifted from Thatcher to Blair and Brit Pop became the soundtrack to a reinvigorated sense of identity. On the heels of their debut album, Definitely Maybe, Oasis’ performance at Glastonbury affixed the band as the new musical center-point for a movement and helped kick-start new generation of U.K talent.
The Rock and Roll Hall of Fame and Museum will open its latest featured exhibit, Common Ground: The Music Festival Experience on Friday, April 25, 2014. The exhibition will be an engaging look at the music festival as more than just an outdoor concert, but as a community experience. Whether it‘s forging human bonds, building a sense of community, providing broad exposure for musical artists or as one of the most important economic engines of the music industry, the story of the music festival is inextricably linked with music’s powerful cultural impact around the globe. Visit Common Ground: The Music Festival Experience to immerse yourself in this story.
The members of the Beatles fell under the spell of rock and roll early on. When the new sound first broke in 1955 and 1956, it caught the attention of Ringo Starr, John Lennon, Paul McCartney and George Harrison. The lads bought rock and roll records and went to movies where they could see rock and roll stars perform.
As a band, the Beatles are often regarded as being second-generation rock and rollers, but as kids and as players, they were very much inspired by rock's first generation. They fell in love with rock's “big bang” moment; artists like Little Richard, Chuck Berry, Fats Domino, the Everly Brothers, Buddy Holly and other artists that would be key to their sound and genesis as a band. As the formative Beatles coalesced, they covered songs by the artists they liked, adding early rock and roll cuts to the set lists as they honed their group dynamic.
Sometimes the Beatles are said to have saved rock and roll. However, at the time the group landed stateside in 1964, Motown had already been cranking out hits ...
By December 1963, England had enjoyed nearly a year of Beatlemania. The Fab Four – George Harrison, John Lennon, Paul McCartney and Ringo Starr – had sold millions of records for EMI's Parlophone imprint. The group’s first single, “Love Me Do”/”P.S. I Love You,” briefly dented the U.K. Top 20 in October 1962, but their next 45, “Please Please Me,” formally ignited Beatlemania in their homeland, reaching the Number Two spot. It was followed in 1963 by three consecutive chart-topping British singles: “From Me to You” “She Loves You” and “I Want to Hold Your Hand.” They conquered the U.K., even inducing a classical music critic from the Sunday Times to declare them “the greatest composers since Beethoven.” Moreover, they were the greatest rockers since the composer of “Roll Over Beethoven” – Chuck Berry. Still, success in America remained elusive for manager Brian Epstein and his young charges, as Capitol – EMI's American label – refused to release the Beatles' first four British singles, one label executive noting, "We don't think the Beatles will do anything in this market." Everything would change with "I Want to Hold Your Hand."
The Beatles first arrived in America on February 7, 1964, at New York's Kennedy Airport. Two days later, on February 9, the Beatles appeared on The Ed Sullivan Show broadcast from New York City, reaching an audience of more than 70 million people. The Fab Four would perform again on Ed Sullivan on February 16, in Miami. Those landmark performances are well documented, but one performance on February 12, 1964 has an element of great mystery: missing Beatles concert footage that would be of interest to any Beatles fan!
The Beatles made their Carnegie Hall debut on February 12, 1964. The show was typical of the nascent days of Beatlemania – screaming fans, confused adults, rock and roll. But behind the Beatles, sitting on the Carnegie Hall stage sat a group of individuals, including a woman with a film camera. Who is that woman and what did she capture from that momentous performance? And where is that footage?
With the help from our friends at the Carnegie Hall Archives, we are enlisting Beatles fans from all over the world to assist Carnegie Hall’s ...
It was star-studded night at the 56th annual Grammy Awards. With artists – new and old – coming together, and a handful of Rock and Roll Hall of Fame Inductees taking to the stage. The night included rememberances of Hall of Fame Inductees Lou Reed and Phil Everly, as well as 2014 Rock and Roll Hall of Fame Inductee Dave Grohl taking honors for best rock song for “Cut Me Some Slack,” a collaboration from his Sound City soundtrack that features Paul McCartney, former Nirvana bandmate and fellow 2014 Inductee Krist Novoselic and Pat Smear. From Paul McCartney and Ringo Starr to Madonna to Stevie Wonder, there were numerous Inductees getting into the live act at the Grammy Awards.
Dozens of couples, representing all demographics: gay, straight, interracial, young and old said “I do” during Macklemore & Ryan Lewis’ performance of “Same Love” featuring Mary Lambert and Rock Hall Inductee and seven-time Grammy Award–winner Madonna. Lewis, the group’s producer, told The New York Times, the wedding “will be in our minds the ultimate statement of equality, that all the couples are entitled to the same exact thing.”