The Rock and Roll Hall of Fame + Museum


punk :: Blog

Billie Joe Armstrong and Norah Jones Pay Tribute to the Everly Brothers on "Foreverly"

Tuesday, November 19: 5 p.m.
Posted by Rock Hall
The Everly Brothers circa 1958

The Everly Brothers' sound borrowed from Appalachian folk, bluegrass and country to form a dreamy, innocent style of rock and roll. Over the decades – particuarly in the Fifties and Sixties – the Everlys’ close-harmony style influenced the likes of the Hollies, Simon and Garfunkel, the Byrds and the Beatles, with Paul McCartney noting “They were and still are the very best.” Inducted into the Rock and Roll Hall of Fame in its inaugural year, 1986, the Everly Brothers are featured in the Museum's Cities and Sounds exhibit, in the Rave On section. There, visitors to the Museum will find the outfits worn by the brothers on the cover of The Fabulous Style of the Everly Brothers, as well as a 1963 Gibson Everly Brothers model featuring a split pick guard surrounding the sound hole that was meant to represent the brothers’ familial resemblance.

Watch + Listen: Billie Joe Armstrong and Norah Jones "Silver Haired Daddy of Mine"

While best-known for such hits as "Cathy's Clown," "Bye Bye Love,""Wake Up Little Susie," and "All I Have to Do Is Dream," in 1958, Don and Phil Everly surprised fans when they shifted tack, paying homage to their Tennessee roots. On Songs ...


continue Categories: Inside the Rock and Roll Hall of Fame, Exhibit, History of Rock and Roll, The Beatles, Inductee, Hall of Fame

Never Mind the Bollocks, Here's Why Archives Matter

Friday, November 1: 1:34 p.m.
Posted by Rock Hall
Inside the Rock Hall's Library and Archives

Recently, music journalist Ann Powers wrote a piece for NPR titled "Holding Music History in Your Hands: Why Archives Matter." In it, Powers notes that she's planning "to head next to the Rock and Roll Hall of Fame Library in Cleveland, which has served thousands of visitors – students, scholars and plenty of just-fans – since opening last year." In advance of her visit, she connected with Rock Hall Library and Archives director Andy Leach, who shared a story of one young visitor connecting with the Sex Pistols, in a new way.

"A couple of weeks ago, our head archivist told me a story about a teenage boy who came in with his family," Leach explained. "They were all looking at books and periodicals and watching videos, and the kid asked whether we had his favorite album, the Sex Pistols' Never Mind the Bollocks, on vinyl. He'd never actually seen a vinyl copy until then, and he was very excited. He very reverentially played the record in our Archives Reading Room while he pored over the album cover. He listened to the entire first side before it was time for his family to leave, at which point he begrudgingly rejoined ...


continue Categories: History of Punk, Library and Archives

The Roots and Definition of Rock and Roll

Friday, October 18: 11:15 a.m.
Posted by Rock Hall
Tracing the roots of and defining rock and roll music at the Museum.

How do you define rock and roll?

Each year, with the announcement of the next class of nominees for induction into the Rock and Roll Hall of Fame, a debate swirls as to what music is considered "rock and roll." The announcement of the 2014 Rock and Roll Hall of Fame Nominees – the Paul Butterfield Blues Band, Chic, Deep Purple, Peter Gabriel, Hall and Oates, Kiss, LL Cool J, the Meters, Nirvana, N.W.A., the Replacements, Linda Ronstadt, Cat Stevens, Link Wray, Yes and the Zombies – brought with it passionate discussions as to not only who should be inducted, but also how the Rock and Roll Hall of Fame and Museum and people all over the world interpret and define rock and roll. 

Visitors to the Museum in Cleveland will find a large type-and-graphics treatment featured in the Main Exhibit Hall, just before the Roots of Rock exhibit. It marks the unofficial start to a tour of the Rock and Roll Hall of Fame and Museum, and explains the roots of rock and roll, and how the Rock and Roll Hall of Fame recognizes rock and roll today. It reads as follows:

Rock and roll is a form of ...


continue Categories: Inside the Rock and Roll Hall of Fame, History of Punk, History of Rock and Roll, History of the Blues, Inductee, Hall of Fame, Exhibit

Interview with Curt and Cris Kirkwood of The Meat Puppets: Influences, Live, Playing with Nirvana, 20th anniversary of In Utero

Friday, October 4: 3:30 p.m.
Posted by Rock Hall
Meat Puppets / Photo by Jaime Butler

For more than three decades, brothers Cris and Curt Kirkwood have been at the helm of the Meat Puppets. They got their start as a punk act in the Eighties, signing with Greg Ginn of Black Flag's SST Records and releasing a series of albums that quickly distinguished them from their punk and hardcore peers. While those and subsequent recordings – such as Meat Puppets II and Up On the Sun – delivered on the Puppets' knack for brash punk blasts, they also found the group cultivating a singular sound that embraced folk, country, psychedelia and blues-rock elements without skipping a beat. By the close of the Eighties, the Meat Puppets had found a cult following, thanks in part to popularity on college radio and the American underground scene.

After moving to major label London in the Nineties, the Meat Puppets were named as the opening act on Nirvana's In Utero tour beginning in 1993. That November, at the request of Kurt Cobain, Cris and Curt Kirkwood appeared on the taping of Nirvana's MTV Unplugged, performing three Meat Puppets' songs. By the summer of 1994, the Meat Puppets single "Backwater" (from Too High to Die) had become a hit ...


continue Categories: Hall of Fame, Inductee, History of Rock and Roll, Exclusive Interviews

What do Andy Warhol, John Lennon, Syd Barrett and Mad Magazine have in Common?

Wednesday, October 2: 3 p.m.
Posted by Amanda Pecsenye
A collector like no other: Julio Mario Santo Domingo, Jr.

On October 9, 2013, the Rock and Roll Hall of Fame and Museum will unveil its latest exhibit: Collecting the Counterculture: Julio Mario Santo Domingo, Jr. in the Museum’s Patty, Jay and Kizzie Baker Gallery. It's an exhibit that all started two years ago, in Geneva, Switzerland.

My job as the registrar  at the Rock and Roll Hall of Fame and Museum has afforded me many opportunities to travel.  One of those trips brought me to Geneva, where in November 2011 I assisted Rock Hall curators Craig Inciardi and Howard Kramer as they pored over the unique and vast collection of the late Julio Mario Santo Domingo, Jr.  

When my colleagues and I arrived at the sprawling, discreet office space housing the Santo Domingo collection, I was immediately impressed and overwhelmed – there seemed to be treasures everywhere. The complex of rooms was filled with big rolls of movie and band posters, pinball machines, miscellaneous pop culture artifacts, floor-to-ceiling shelves of music and art books, and an expansive array of counterculture and drug-related paraphernalia and literature. As an Andy Warhol buff, I was particularly pleased to see one of Warhol’s small art prints, propped against a reading chair ...


continue Categories: Inside the Rock and Roll Hall of Fame, Inductee, Rolling Stones, History of Rock and Roll, Exhibit

Interview with Bethany Cosentino of Best Coast

Monday, September 16: 5 p.m.
Posted by Rock Hall
Bethany Cosentino of Best Coast

Best Coast's 2013 tour dates recently included a stop at the Grog Shop in Cleveland. After the concert, during a rare moment of free time, band members Bethany Cosentino and Bobb Bruno visited the Rock and Roll Hall of Fame and Museum, where they were struck by such artifacts as the handwritten lyrics to the Beach Boys' classic song "God Only Knows." 

Based in Los Angeles, Best Coast formed in 2009 around the duo of Cosentino and Bruno, quickly releasing a host of 7" and EP recordings. In 2010, the group's single "When I'm With You" proved a breakout hit and was followed that July by Best Coast's debut album, Crazy For You. All the material showcased Cosentino and Bruno's lo-fi aesthetic and pop-hook sensibility, with references to the surf rock and girl groups of the Sixties the band admired.

With extensive touring and popular music videos – including 2011's "Our Deal" directed by Drew Barrymore – the band's star continued to rise. The band's sophomore effort, The Only Place, was released in 2012.

In this interview with Bethany Cosentino of Best Coast, the singer and songwriter talks about her influences – from Blink 182 ...


continue Categories: Inside the Rock and Roll Hall of Fame, Hall of Fame, Inductee, Exhibit, Exclusive Interviews

Interview with Coliseum Singer and Guitarist Ryan Patterson

Monday, August 12: 3 p.m.
Posted by Rock Hall
Coliseum band (l-r): Kayhan Vaziri (bass), Carter Wilson (drums), Ryan Patterson (vocals/guitar)

After a decade of delivering their own riff-heavy brand of metallic rock harkening back to the punk, hardcore and post-hardcore sounds of their predecessors, Coliseum – vocalist and guitarist Ryan Patterson, bassist Kayhan Vaziri and drummer Carter Wilson – will perform live at the Rock and Roll Hall of Fame's Summer in the City concert on August 14, 2013. 

The group recently released their fourth full-length, Sister Faith, a 13-track blast of galvanized melodies at the collision point between punk and noise-rock. "Though punk rock may have been the template (and paradigms do shift), songwriting and emotional content have become Coliseum's focus," noted John Baizley of metal contemporaries Baroness. "And to that end, they have gracefully transitioned from the unrelenting anger, rage and rawness of youth to a more thought-provoking, yet no-less-powerful or insightful sound that is entirely their own."

The Rock Hall caught up with Ryan Patterson of Coliseum to talk rock and roll – everyone from Tom Petty, Run DMC, Les Paul and Bad Brains to the Beatles, the Who, Sex Pistols and Public Enemy.

Rock and Roll Hall of Fame: What artists did you listen to when you were growing up and what about them appealed to you ...


continue Categories: Inductee, Exhibit, Exclusive Interviews, Event

Members of Rise Against, the MC5, Rage Against the Machine and Gaslight Anthem Cover Bruce Springsteen's "The Ghost of Tom Joad"

Wednesday, August 7: 1 p.m.
Posted by Rock Hall
RATM guitarist Tom Morello with Lead Belly's guitar at the Rock and Roll Hall of Fame and Museum

Released in November 1995, The Ghost of Tom Joad by Bruce Springsteen was a far cry from the celebratory rock and roll marathons of Born in the USA, sharing more in common with the sheer production and pointed commentary of his masterpiece, Nebraska. A largely acoustic album of spectral songs about marginalized characters struggling to survive in an increasingly troubled America, The Ghost of Tom Joad – and its gripping title track – recently found a new rock and roll audience. 

Nearly 17 years after its release, in September 2012, the Chicago punk quartet Rise Against breathed new life into the powerful narratives and blunt political commentary of Springsteen's "Joad" at the Honda Center in Anaheim, California. Joined on stage by Gaslight Anthem frontman Brian Fallon, the MC5's Wayne Kramer and Rage Against the Machine guitarist Tom Morello, the members of Rise Against delivered a bold recasting of "The Ghost of Tom Joad." The song will appear on the forthcoming Rise Against rarities compilation, Long Forgotten Songs: B-Sides & Covers 2000-2013 (scheduled release date is September 10, 2013). 

"I remember watching the Rock and Roll Hall of Fame's 25th-anniversary special where Tom Morello played this song with Springsteen himself and ...


continue Categories: Inductee, Exhibit, Exclusive Interviews
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