Between 1979 and 1986, the 2-Tone label released 28 singles – 20 of which charted in the U.K. – including hits by the Specials, the Selecter, Madness, the Bodysnatchers and the Beat (known as the English Beat outside of the U.K.). Although only the English Beat –and to a lesser extent, Madness – ever had much success outside of the U.K., the 2-Tone movement combined infectious dance music and progressive ideals to confront the status quo. 2-Tone laid the groundwork for the success of such American artists as the Mighty Mighty Bosstones, the Toasters, Fishbone, Smash Mouth, Sublime, Reel Big Fish, the Pietasters and the multi-platinum selling No Doubt.
2-Tone was a group of black and white kids from Coventry, Birmingham and London, England – white punk ...
Since her debut album in 1993, songwriter, vocalist and multi-instrumentalist Meshell Ndegeocello has been creating music on her own terms, simultaneously challenging and engaging listeners by deftly drawing from an eclectic songbook and delivering powerful reflections on race, love, sex, betrayal, power and religion. Her nine albums illustrate a creative versatility and singular aesthetic that has embraced everything from rock to hip hop, R&B to new wave, funk to punk, reggae to jazz. Her work has been met with critical accolades and fan acclaim, and her proficiency on the bass has brought her signature warm, fat, melodic groove not only to her own performances, but also to those of the Rolling Stones, Madonna, Alanis Morrisette, James Blood Ulmer, the Blind Boys of Alabama, Tony Allen, John Medeski, Billy Preston and Chaka Khan. Ndegeocello best characterizes her particular brand of playing: "Genres are for commercial purposes and music is a continuum like everything else. My style is explorative, searching, personal, and ...
Born on February 6, 1945, Bob Marley was reggae's foremost practitioner and emissary, embodying its spirit and spreading its gospel to all corners of the globe. His extraordinary body of work embraces the stylistic spectrum of modern Jamaican music – from ska to rock steady to reggae – while carrying the music to another level as a social force with universal appeal. Few others changed the musical and cultural landscape as profoundly as he did. "He wanted everything at the same time and was everything at the same time: prophet, soul rebel, Rasta man, herbs man, wild man, a natural mystic man, ladies' man, island man, family man, Rita's man, soccer man, showman, shaman, human – Jamaican!" said U2 frontman Bono during his 1994 induction of Marley into the Rock and Roll Hall of Fame.
There’s no question that reggae is legitimately part of the larger culture of rock and roll, partaking of its full heritage of social forces and stylistic influences. In Marley’s own words, “Reggae music, soul music, rock music – every song is a sign.” His lyrics mixed religious mysticism with calls for political uprising, and Marley delivered them in a passionate, declamatory voice.
Marley was a ...