After the Beatles achieved success, they could afford the kind of instruments they had only dreamed about as struggling musicians. Although Gretsch guitars were primarily associated with George Harrison, John Lennon acquired this particular guitar in 1966. He used it during the recording of "Paperback Writer" in April of that year.
In this video, Rock and Roll Hall of Fame and Museum curatorial director Howard Kramer discusses the guitar and the unique circumstances that brought it to the Rock Hall, where it is on display as part of the Museum's Beatles exhibit.
WATCH: Spotlight Exhibit: John Lennon's 1963 Gretsch 6120
The arrival of the Beatles triggered a musical revolution in the Sixties. Emerging from Liverpool, England, the Fab Four's sound took root in Europe, with songs like "Love Me Do" and "Please Please Me" touching an audience who were looking for something to take them from the doldrums into which rock and roll had fallen. "In England, during those very early days, just while the Beatles were recording their first songs, it was a real wasteland – England had nothing to really offer as far as pop music was concerned," said the Rolling Stones' Mick Jagger when he inducted the Beatles into the Rock and Roll Hall of Fame in 1988. "At that point, the Stones were playing in these little clubs in London, doing Chuck Berry songs and blues and things, and we loved doing that. And we were a pretty scruffy lot, and we thought we were totally unique – animals – I mean there was no one like us. And ...
A very different Beatles had emerged by the genesis of "Strawberry Fields Forever." The Fab Four – George Harrison, John Lennon, Paul McCartney and Ringo Starr – had traded much of the mop–topped gaiety and matching-suit panache for a more bohemian consciousness. They were no longer married to the stage, but rather exploring the boundaries of studio recording, indulging creative whims as producer George Martin helped realize the band's ambitious visions. Such musical acumen came to fruition with "Strawberry Fields Forever," a song born of fantast Lennon. "Of all the Beatles recordings, 'Strawberry Fields Forever' is known for being among the most complicated and difficult to record," noted writer Mark Lewisohn in The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes, 1962-1970.
Despite esoteric lyrics about a childhood haunt of Lennon's (No one I think is in my tree, I mean it must be high or low / That is you can't you know tune in but it ...
The Rock and Roll Hall of Fame and Museum is very fortunate to have what is most likely the finest, most extensive Beatles exhibit anywhere in the world. That exhibit is the result of relationships we have built over the years. I have been the chief curator at the Rock and Roll Hall of Fame and Museum in Cleveland since 1994, before the Museum opened, and one of the first people I contacted when I got the job was Yoko Ono.
Prior to joining the Museum, I was a writer and editor at Rolling Stone magazine, where I had interviewed Yoko. In addition, Jann Wenner, the editor and publisher of Rolling Stone and one of the founders of the Hall of Fame, was friends with Yoko and John Lennon. Having made those connections, I first arranged to meet Yoko at her apartment at the Dakota in New York City in 1994. Much to my surprise, she had an enormous amount of ...
The music world lost one of its finest artists over the weekend. Clarence “The Big Man” Clemons died on Saturday at a hospital in Palm Beach, Florida. His death was caused by complications from a stroke he had suffered on June 12th at his home in Florida. Best-known as the saxophonist in Bruce Springsteen’s E Street Band, Clemons was a great musician and a dramatic stage performer. In addition to being a member of the E Street Band, Clemons played with numerous other artists, including Aretha Franklin, Ringo Starr, Jackson Browne and, most recently, Lady Gaga.
Clemons was born on January 11, 1942, in Norfolk, Virginia. He began playing sax as a child, after his father gave him an alto saxophone for Christmas. His father made him practice in a room at his fish store, annoying Clarence, who wanted to be out playing with the other kids. Then, when he was a teenager, he got turned onto the music of King Curtis and other R&B musicians and he switched to tenor sax. He got a music and football scholarship to Maryland State College. In the mid-Sixties, he was going to try out for the Cleveland Browns, but an ...