Below you’ll find a list – presented in no particular order – of my favorite rock and roll holiday songs. This was not an easy list to whittle down to a Top 20, so I encourage you to share the holiday songs that resonate most with you.
Happy Holidays and Happy New Year! Come to Cleveland and visit us at the Rock and Roll Hall of Fame and Museum!
Over four decades, Motörhead frontman Ian "Lemmy" Kilmister has registered an immeasurable impact on music history. He remains the living embodiment of the rock and roll lifestyle. Kilmister was born in England and got hooked on rock and roll at a young age. After playing guitar in many bands as a teenager, he moved to London in 1967 and worked as a roadie for the Jimi Hendrix Experience. In 1971, he joined the band Hawkwind and switched to bass guitar, recording several classic albums including Space Ritual and Hall of the Mountain Grill. In 1975, he formed the groundbreaking metal band, Motörhead. They played with speed and volume unheard before in rock and roll. On albums like Bomber from 1979, and 1980's Ace of Spades, they established a model for what became thrash metal. Still, Kilmister has always kept classic first-generation rock and roll at the heart of his sound. In his work with rockabilly band the Head ...
The work of visual artist, singer-songwriter, guitarist and Oklahoma-native JD McPherson channels his eclectic interests and creative gusto in a singular musical collage that takes a reverence for the past and wraps it in a decidedly forward-thinking motif. The art teacher turned rocker writes songs that reference 40s R&B and the sounds of 50s American rock and roll, pulling from the aesthetic of such record labels as Specialty, Vee-Jay and Del-Fi. Having played in a punk outfit and embracing a penchant for hip-hop, McPherson's retro melange bridges the divide among ostensibly disparate artists, from Ruth Brown to the Wu-Tang Clan, Elvis Presley to the Smiths, Jackie Wilson to Stiff Little Fingers. In 2010, McPherson released his solo debut, Signs & Signifiers, produced by Jimmy Sutton. Originally released on indie imprint Hi-Style Records, the album was re-released to a wider audience on Rounder Records in 2012. "Although I grew up wanting to be a visual artist, I'll tell you what ...
Born in Staten Island, David Johansen logged some of his earliest stage experiences while singing in rock and roll dance bands during his high school years, yet his first exposure to the music of Chuck Berry – the Rock Hall's 2012 American Music Masters honoree – came at an early age. "My older brother had a lot of great records, so I guess I was about six when I first heard him," recalled Johansen by email days before the Chuck Berry tribute concert where he'll be performing. "It sounded to me the way things were supposed to be: fun and swinging."
Johansen moved to the East Village after graduating high school, performing with Charles Ludlum's Ridiculous Theater as a spear carrier before joining the fledgling New York Dolls. The Dolls cut two iconic rock and roll records, New York Dolls and Too Much, Too Soon, before disbanding in the mid-seventies. Johansen went on to record six highly acclaimed albums and ...
“To me, Chuck Berry always was the epitome of rhythm and blues playing, rock and roll playing. It was beautiful, effortless, and his timing was perfection. He is rhythm supreme.” – Keith Richards
The very first Rock and Roll Hall of Fame induction ceremony got under way on January 23, 1986, in New York City, with Keith Richards of the Rolling Stones ripping off his tuxedo jacket, revealing a flashy leopard-print jacket underneath, in true rock and roll style. That inaugural evening, Richards – Chuck Berry’s biggest fan – inducted his long-time idol, noting, “…this is the gentleman who started it all!” The ceremony itself was a melting pot of all that created rock and roll – country, gospel, the blues, rockabilly and rhythm & blues – with several of the initial inductees on stage, including Jerry Lee Lewis, Phil Everly of the Everly Brothers, who stood beside Lewis’ piano bopping and clapping his hands, and Chuck Berry.
With a who's who of rock and ...
The concert held on October 16, 1986, to celebrate Chuck Berry's 60th birthday and later released as the rock documentary Hail! Hail! Rock 'n' Roll, directed by Taylor Hackford, featured a spellbinding lineup of musicians, including Eric Clapton, Etta James, original Berry keys man and blues-piano virtuoso Johnnie Johnson, sax extraordinaire Bobby Keys and Julian Lennon. It was a powerful show of reverence for rock and roll's poet laureate, a tribute as could only be orchestrated by the film's musical director and Berry fan: Keith Richards.
In his 2010 autobiography, Life, Richards shared a letter from April 1962 to his aunt Patty that recounts his introduction to Mick Jagger, writing: "You know I was keen on Chuck Berry and I thought I was the only fan for miles but one mornin' on Dartford Stn. … I was holding one of Chuck's records when a guy I knew at primary school 7-11 yrs [sic] y'know came up to ...
Rock, Rock, Rock!, the 1956 black-and-white film starring Cleveland disc jockey and "the King of Rock 'n' Roll" Alan Freed as himself, told the story of a teenage girl trying to gather the money she needs to buy a gown for an upcoming dance. A number of performances – including those by Hall of Fame inductees Chuck Berry, LaVern Baker, the Flamingos, Frankie Lymon and the Teengers and the Moonglows – move the picture along and provide its rock and roll soundtrack.
In the clip below, Freed introduces the Rock and Roll Hall of Fame and Museum's 2012 American Music Masters honoree Chuck Berry, who delivers his signature moves over "You Can't Catch Me."
Award-winning documentary filmmaker Joe Lauro will present a compilation film of rare clips of Chuck Berry through out his career as part of the American Music Masters conference on Saturday, October 27 at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. The film ...
September 7, 2012 would have been Buddy Holly's 76th birthday. Inducted into the Rock and Roll Hall of Fame in 1986, Holly recorded a catalog of songs – "Rave On," "Peggy Sue," "That'll Be the Day," "Oh Boy!" and "Maybe Baby," among them – that are rock and roll standards. He was born Charles Hardin Holley (later amended to "Holly") on September 7, 1936, in Lubbock, Texas, and learned to play guitar, piano and fiddle at an early age. Holly was an innovator who wrote his own material and was among the first to exploit such advanced studio techniques as double-tracking at Norman Petty’s recording studio in Clovis, New Mexico. He pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. In February 1955, Holly opened a show at the Lubbock Youth Center for Elvis Presley, an event that hastened his conversion from country and western to rock and roll. ("We owe it all to Elvis,” he ...