The song was there amid the highs and lows of the top 40, tucked among "Kung Fu Fighting," "Me and Mrs. Jones," "Maggie May," and countless other 70s one-offs, novelties and classics. The Staple Singers’ "I’ll Take You There" was in the air, like oxygen. Years after I first heard it in my parents’ kitchen on a transistor radio, it always seemed to be part of my life – I would find myself humming the bass line while waiting for an elevator or muttering "Ain’t no smiling faces" as I walked down a downtown Chicago street at rush hour. A few decades later, after hearing the song dozens if not hundreds of times, it dawned on me: There are only about five lines of verse in the entire song, spanning more than 4 minutes. The rest is just a magic act between the band (the Muscle Shoals rhythm section) and Mavis Staples, backed by her family.
In interviewing the people in the studio when "I’ll Take You There" was recorded, they all still sound in awe of what happened that day.
"The ‘I’ll Take You There’ session rates as high as any we ever did," guitarist Jimmie ...
In March 2014, the Rock and Roll Hall of Fame and Museum invited fans around the globe to vote for the greatest festival moments in the history of rock and roll. Thousands of votes were cast, and when the results were tallied, a Top 10 emerged. Here are those amazing festival moments, from Newport Folk to Woodstock, Monterey Pop to Lollapalooza; from Bob Dylan to Jimi Hendrix, Muddy Waters to Nine Inch Nails.
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, opens a new feature exhibit, Common Ground: The Music Festival Experience, on April 25, 2014.
With a hastily assembled band, Bob Dylan changed the course of popular music in three songs on Sunday, July 25, 1965. The folk bard and 1988 Rock and Roll Hall of Fame Inductee turned the Newport Folk Festival on its ear, plugging in and delivering amplified versions of "Maggie's Farm," "Like a Rolling Stone" and "It Takes a Lot to Laugh, It Takes a Train to Cry" – much to the chagrin of many in attendance.
Dylan's electrified Newport set in 1965 was a marked departure from his '63 show, where he played acoustic versions of "Blowin' in the Wind;" and '64 performances at the same festival, where he played acoustic versions of "With God on Our Side" and "Mr. Tambourine Man."
"Ladies and gentlemen, the person that's going to come up now has a limited amount of time ... His name is Bob Dylan," festival emcee Peter Yarrow announced. Taking the stage with a full band that included guitarist Mike Bloomfield and organist Al Kooper – both of whom had played on the recording of Dylan's recently released single "Like A Rolling Stone" – Dylan and company launched into a rollicking version of "Maggie's Farm," earning a barrage ...
Daryl Hall and John Oates created an original mix of soul and rock that made them the most successful pop duo in history. As songwriters, singers and producers, they embraced the pop mainstream, bringing passion and creativity back to the 3-minute single. Over the course of their career, they have recorded six Number One hits and put 34 songs in the Billboard Top 100.
Deeply rooted in lush Philly soul, Hall and Oates mixed smooth vocal harmonies and the romantic vulnerability of soul with edgy hard rock and new wave riffs to create some of the finest pop music of the 1980s. They teamed up in the early 1970s in Philadelphia, and landed a deal with Atlantic. On their first three albums, they searched for the right style for their talents as they experimented with soul, folk and hard rock.
After their subsequent string of hits in the 1970s, including "She's Gone"and "Rich Girl", they were energized by new wave and dance music. The result was an incredible run of original songs that topped the pop and R&B charts throughout the 1980s. Combining the best of both rock and R&B, Hall and Oates set the stage ...
Few bands short of the Beatles inspired more kids to play the guitar and drums than KISS. With their signature makeup, explosive stage show and anthems like “Rock And Roll All Nite” and “Detroit Rock City,” they are the very personification of rock stars. Original members Peter Criss, Ace Frehley, Paul Stanley and Gene Simmons came together in New York in 1972. While their first two records did not generate many sales, they quickly gained a national following for their bombastic, pyro-filled stage show. Their 1975 live album Alive! captured that energy and reached Number Nine on the charts, quickly making them one of the most popular bands of the 1970s – scoring countless hit singles, sold-out tours and appearing everywhere from comic books to lunch boxes to their very own TV movie. In 1977, KISS received a People’s Choice Award for the song “Beth.” Ace Frehley and Peter Criss left the band in the early 1980s to pursue solo careers, while KISS regrouped with a different lineup of musicians. Another major change was the group’s decision to take off their makeup for 1983’s Lick It Up. They continued to be a popular live draw, but in 1996 ...
Linda Ronstadt dominated popular music in the 1970s with a voice of tremendous range and power. She was one of the most important voices in the creation of country rock, in part because she understood how to sing traditional country songs like “Silver Threads And Golden Needles.” She regularly crossed over to the country charts in the ’70s, a rarity for rock singers. Working with producer Peter Asher, Ronstadt crafted a repertoire of songs that roamed throughout rock history that she interpreted with beautiful, precise phrasing. Ronstadt was especially good at singing early rock and roll; she had a long string of hits that revived interest in rock’s pioneers: Roy Orbison’s “Blue Bayou,” the Everly Brothers' “When Will I Be Loved” and Buddy Holly’s “That’ll Be The Day” among them. She was equally comfortable with Motown music and the beginning of new wave. Her finest work was the run of four consecutive platinum albums in the mid 70s: Heart Like A Wheel (1974), Prisoner In Disguise (1975), Hasten Down The Wind (1976) and Simple Dreams (1977). In the 1980s, she expanded her musical vocabulary by recording songs from the classic American songbook (What’s New, Lush ...
In honor of the 69th birthday of Rock and Roll Hall of Fame Inductee Eric Clapton, the Rock Hall’s Library and Archives is pleased to feature Clapton’s beautiful new limited edition book Six-String Stories: The Crossroads Guitars in its main reading room.
“One by one these guitars were the chapters of my life,” says Clapton about the book. Personally signed by Clapton himself, the 376-page volume documents his entire career through the tools of his trade: his guitars. Six-String Stories is told through Clapton's own words, with background information for each instrument and archival photography spanning five decades.
“As an avid rock or blues fan I would look at all the pictures in this book,” says Clapton. Nearly 300 pieces from Clapton's collection, sold across three Crossroads auctions, are brought together here for the very first time. Six-String Stories presents a “family tree,” making connections between Clapton's instruments and amps, and placing them in the chronology of his career.
“These guitars have been really good tools,” says Clapton. “They're not just museum pieces. They all have a soul, and they all come alive.” Every piece has been photographed, showing the beauty of the design ...
Although it originated in Ireland, the tune and melody of "Londonderry Air" is known worldwide, its flowing cadence inextricably linked to Irish heritage. When English lawyer and songwriter Frederic Weatherly was introduced to the tune in 1913, he recast lyrics he'd previously penned to match the "Londonderry" melody, giving rise to "Danny Boy,"arguably the most celebrated version of the song.
For more than a century, the stirring folk ballad has been adapted by a diverse cast of performers, including various Rock and Roll Hall of Fame Inductees. Here, we look at versions of "Danny Boy" by Sam Cooke, Johnny Cash, Jackie Wilson, Roy Orbison, Elvis Presley, Jerry Lee Lewis and Eric Clapton.
Cooke cut a beautifully soul-infused version of "Danny Boy" for his 1958 self-titled debut album, adding a charismatic lilt to the arrangement.
Cash recorded a hauntingly solemn version of "Danny Boy" for his 1965 Columbia Records release Orange Blossom Special, an album that included various folk and country standards as interpreted by the incomparable Man in Black.
Wilson, who could effortlessly transition from rock to blues to soul, transformed "Danny Boy" – reportedly one of his mother's favorite songs – in ...