Tonight as part of the 18th Music Masters series of events, Alan Light will present a keynote lecture at Case Western Reserve University's Ford Auditorium that will look at the triumphs and challenges of the Rolling Stones' longevity. Light is the former Editor-in-Chief of Spin and Vibe magazines, a frequent contributor to The New York Times and Rolling Stone, and the author of The Holy or the Broken: Leonard Cohen and Jeff Buckley and the Unlikely Ascent of “Hallelujah.” This event is free and reservations are not required. Seats are available on a first-come, first-served basis. The event will be live streamed here.
Although Ed Sullivan vowed never again to have the Rolling Stones on his show after their first appearance in 1964 – the same year the impressionable group of twenty somethings first landed on American shores, making a pilgrimage of sorts to Chess Records in Chicago – the popular TV host knew a ratings boom when he saw and heard it. Putting aside his resentment for the "unkempt" appearance of the Stones and the raucous audiences they attracted, Sullivan would welcome the Stones on his program five more times in the Sixties, where they'd perform 17 of their ...
In 1975, Ronnie Wood replaced Mick Taylor as guitarist for the Rolling Stones. It was another turning point for the band: “Ronnie was damn good glue for the band. He was a breath of fresh air,” said Richards. He and Richards went back to the band’s default rhythmic style, playing together to create the sound of a single intricate guitar. This compositional style had not been played consistently since Brian Jones’ tenure in the band. Wood helped to revitalize the band’s music and spirit, and it proved to be exactly what the Stones needed.
“’Beast of Burden’ is a good example of the two of us twinkling felicitously together,” said Richards. Wood’s slide guitar and pedal steel work made a big impact when recording and also on stage, and the chemistry between Wood and Richards can be heard when listening to Rolling Stones songs such as "It's Only Rock and Roll," "Hey Negrita," "Miss You," "Far Away Eyes" and "Start Me Up."
These two Rolling Stones video clips go behind the scenes, highlighting the Rock and Roll Hall of Fame and Museum's latest major exhibit Rolling Stones: 50 Years of Satisfaction, on view through March ...
Today, Rolling Stones frontman and songwriter Mick Jagger celebrates his 70th birthday – and he has much to celebrate. Fresh off the successful "50 & Counting" tour and a triumphant return to Hyde Park, the Rolling Stones singular musical juggernaut has been delighting, beguiling, inciting and confounding fans and critics alike for more than five decades. The Rolling Stones discography includes 29 studio albums and 18 live albums, and Jagger has recorded five solo albums. There have been three dozen Top 10 Rolling Stones albums on the Billboard 200 chart, and the band has an estimated 66.5 million RIAA-certified US albums sold and sales awards. Hot Rocks alone has sold more than 12.5 million units according to the RIAA. The group's epic touring schedules and larger than life productions have helped make the Stones among the top grossing touring acts of all time. And Jagger isn't slowing down.
"I'm very proud to work with this group of musicians for 25 years," said Jagger in his 1989 Rock and Roll Hall of Fame Induction speech. Jagger was joined on stage by Rolling Stones guitarist Mick ...
This month, the Rolling Stones returned to Hyde Park for two concerts, 44 years after the group's 1969 performance at the landmark venue. Delivering a set on July 6 that echoed that fabled show with performances of such classics as "Sympathy for the Devil" and "(I Can't Get No) Satisfaction," Mick Jagger reportedly asked: "Anybody here that was here in 1969?"
On July 5, 1969, the Rolling Stones took to a stage at London's Hyde Park, dedicating the show to founding member Brian Jones who had died just two days earlier. The performance in front of more than half a million people marked the first appearance of guitarist Mick Taylor with the group.
Jagger quoted poet Percy Bysshe Shelley in tribute to their departed bandmate, and two large panels promoting 1968's Beggars Banquet that pictured Jones were placed on the stage. The panels were enlarged from the original gatefold sleeve of Beggars Banquet, with its medieval-menagerie scene of the band. The promo panels were first used during the album's infamous press launch – an event that quite literally left the Rolling Stones and the heads of Decca Records with pie on their faces.
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Recently, Hall of Fame Inductee and notorious shock rocker Alice Cooper visited the Rock and Roll Hall of Fame and Museum, where he toured the Museum's feature exhibit, Rolling Stones: 50 Years of Satisfaction. In this interview, Cooper shares what it was like discovering he'd been inducted into the Rock and Roll Hall of Fame, what that honor means, and his first memories of seeing and hearing the Rolling Stones, and how they were "cool" in a way the Beatles were not.
An exclusive behind-the-scenes look at the making of the Rock and Roll Hall of Fame and Museum's new exhibit highlighting 50 years of the Rolling Stones. The exhibit, Rolling Stones: 50 Years of Satisfaction, opens to the public on May 24, 2013, and will span three floors, more than 4,000 square feet and feature hundreds of items -- instruments, clothes, handwritten correspondence, art, photographs and more -- from the Rolling Stones' amazing history as the "World's Greatest Rock and Roll Band."
Watch the video below for a sneak peek at the Rock and Roll Hall of Fame and Museum's new Rolling Stones exhibit.
Today the Rolling Stones announced their 2013 tour schedule (see below). Between that Rolling Stones news and the work the Curatorial, Exhibitions and Collections staff have been doing to get ready for Rolling Stones: 50 Years of Satisfaction, a feature exhibit at the Rock and Roll Hall of Fame and Museum opening May 24, I've been immersed in the "world's greatest rock and roll band" for several months. Among other things, the Rock and Roll Hall of Fame exhibit will highlight the Rolling Stones touring during the last half century, years of concerts that have made them one of the best – if not the best – live rock and roll acts in history.
I was lucky to grow up in Detroit, Michigan, at a time when music was everywhere and radio was vibrant and meaningful. That city produced so many extraordinary musicians – Hank Ballard, Jackie Wilson, the MC5, the Stooges, Bob Seger, the entire Motown roster – it’s nearly impossible to comprehend. Detroit gave rise to some of the genre's best. It was there I became captivated by the Rolling Stones.
I was seven years old when Exile on Main St. was released in 1972. It wasn't until later in the decade that I first heard the album, though I was already a Rolling Stones fan by then. My earliest rock and roll mentors – friends and family, and musicians and writers that I admired – told me Exile was the Stones record to have, so I picked up a used, well-worn copy on vinyl. The dog-eared double LP jacket was ragged and looked like hell; long gone were the dozen postcards that came with the original packaging. However, the scratched wax delivered an electric sound.
Those sounds – like my battered copy's packaging – were gritty, rough, perfectly unpolished. The album was filled with bravado, the songs seemingly shambolic, unrehearsed and the playlist was sprawling, with more than a dozen tracks. The Stones tapped into America's eclectic songbook, borrowing lines from country, blues, soul, swamp and the heyday of the rock and roll era – and it all sounded genuine. The recording of Exile was shrouded in mystique, a model of rebellion amid tales of wild decadence and hedonism at Nellcôte, the French mansion-cum-studio rented by Keith Richards. Even the ...