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Remembering Bobby Rogers of the Miracles

Tuesday, March 12: 1:30 p.m.
Posted by Rock Hall
Bobby Rogers – 2/19/40 – 3/3/13

For someone who wasn’t a star in the Motown stable of artists, Bobby Rogers was a recognizable figure among fans and commanded the respect of his peers. Tall, strapping and bespectacled, Rogers was a founding member of the Miracles, who distinguished himself through his role as a foil to his better-known band mate, Smokey Robinson, and as a collaborator in the only group on Motown that wrote and produced the bulk of its own material.

Bobby Rogers and Smokey Robinson were fated to be friends and musical partners. They were born on the same day – February 19, 1940 – at the same hospital in Detroit, and grew up together singing. Their first musical group, the Five Chimes, formed in the basement of Rogers’ cousin Claudette’s home. With her, Pete Moore and Ronnie White, they became the Matadors. Eventually taking the name the Miracles, they were spotted at a local talent show by Berry Gordy Jr., then a fledgling songwriter with ...


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50 Years Later: The Legacy of Patsy Cline

Tuesday, March 5: 11:30 a.m.
Posted by Shelby Morrison
Patsy Cline "Walkin' After Midnight"/"A Poor Man's Roses" 1961 single, on exhibit at the Rock Hall

Best known for her bold, rich and unparalleled emotionally expressive voice, Patsy Cline is one of the most inspirational, influential and impactful female vocalists of the 20th century. As a country music industry pioneer, Cline helped to blaze a trail for women to become headline performers in the genre. As a pillar of talent, Cline often encouraged and helped to support a number of female artists in country music, including Loretta Lynn, Barbara Mandrell, Brenda Lee and Dottie West. Cline also befriended her male counterparts, including Roger Miller, Faron Young, Harlan Howard and Carl Perkins – possessing the rare ability to be “one of the boys.” Cline could belly-up to the bar and tell a raunchier joke than any man. Her moxie and spunky attitude garnered the respect of the “good ole’ boy” Nashville network and allowed her to take charge of her own career in a way that other women at the time simply couldn’t do. Cline never backed down when it came to the business – “No dough, no show” was often her mantra and according to friend and fellow perfomer West, “It was common knowledge around town that you didn’t mess with ‘The Cline!’” 


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Interview with 2009 Hall of Fame Inductee Bobby Womack

Monday, March 4: 2 p.m.
Posted by Rock Hall
Bobby Womack being interviewed at the Rock Hall, just weeks before his 69th birthday.

Born on March 4, 1944, Cleveland-native Bobby Womack grew into a soul and gospel legend whose contributions as a songwriter, singer and guitarist have kept him and his music relevant for decades. 

The son of a steelworker, Womack and his siblings got their start as a gospel group. On tour with the Soul Stirrers, the Womack brothers – Bobby, Cecil, Curtis, Harris and Friendly Jr. – were introduced to the Stirrer's lead singer, Sam Cooke. With a move from gospel to secular soul, Cooke asked the Womack brothers to join him in California, and 16-year-old Bobby Womack made the trip. 

Billed as the Valentinos, Bobby and his brothers cut two R&B classics: “Looking for a Love” (later covered by the J. Geils Band) and “It’s All Over Now.” The Rolling Stones’ cover of the latter song beat the Valentinos’ own version onto the charts, giving the Stones their second Top 40 hit in the States and first Number One hit ...


continue 0 Comments | Categories: Inductee, Black History Month, Event, Interview, Hall of Fame, Education, Foster Theatre

On Exhibit: Nirvana

Wednesday, February 20: 5 p.m.
Posted by Rock Hall
1992 Nirvana concert poster, on exhibit at the Rock and Roll Hall of Fame and Museum

Born on February 20, 1967, today would've been Kurt Cobain's 46th birthday. Emerging from the burgeoning grunge movement of the early 80s – an alternative sub genre that incorporated elements of indie, punk, hardcore and heavy metal – the Cobain-fronted Nirvana came together in 1987, releasing their debut Bleach in 1989, with bassist Krist Novoselic and drummer Chad Channing.

In April 1990, Nirvana began work on its second album. With drummer Chad Channing leaving the band, Cobain and Novoselic recorded tracks with Mudhoney drummer Dan Peters and later Dale Crover of the Melvins, both friends from the Seattle music scene. Eight songs were recorded for the group's demo: "Immodium" (later renamed "Breed"), "Dive" (later released as the B-side to "Sliver"), "In Bloom," "Pay to Play" (eventually renamed "Stay Away" and given a new set of lyrics), "Sappy," "Lithium," "Here She Comes Now" (released on Velvet Underground Tribute Album: Heaven and Hell Volume 1) and "Polly." The band added two tracks ...


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Songs That Shaped Rock and Roll: "The Tracks of My Tears"

Tuesday, February 19: 2 p.m.
Posted by Rock Hall
1987 Hall of Fame Inductee Smokey Robinson

Born on February 19, 1940,  Smokey Robinson is among the most enduring songwriters of the 1960s. He also produced great records, notably by his own group, 2012 Hall of Fame Inductees the Miracles, and by the Temptations, Mary Wells and Marvin Gaye. Finally, Robinson was a great performer, the longest-lasting aspect of his career. But performing was Robinson's least predictable talent. He couldn't really be called a soul singer. Jackie Wilson influenced every first-generation male Motown singer, but even at the Miracles' most raucous, Robinson was no belter like Wilson. His singing bore traces of doo-wop and 1950s R&B, but no gospel. He was the most controlled of the great soulsters, at his best as an unruffled ballad singer – Motown's answer to Bing Crosby, or at least Billy Eckstine. "The Tracks Of My Tears" may be Robinson's greatest record. Without disparaging his beautifully disciplined voice, its power comes from elements in the arrangement:  huge drums, a ...


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Rock and Roll Goes Classical

Tuesday, January 29: 10 a.m.
Posted by Kathryn Metz
A student channels Elvis Presley at 2013 "Teachers Rock" event that examined rock and other genres

Miami University of Ohio’s Dr. Ricardo Averbach believes that even seemingly disparate musical styles can come together in powerful ways. As the conductor of the University Symphony Orchestra, Oxford Chamber Orchestra, and annual opera production, Dr. Averbach also collaborates regularly with Miami’s world music ensemble director. Fusing classical music and world music poses its own challenges, but musicians are often even more reticent to mix classical and rock and roll, despite a long tradition of marrying the two. One need only listen to any Phil Spector, Gamble and Huff or Arif Mardin–produced songs for examples. In fact, the Rock Hall's education department currently offers a class called “Ambassador to the Orchestra: The Arranger in Rock and Roll,” where students listen to and examine the music of Maxwell, Dusty Springfield, Metallica and the Beatles to explore the intersection of classical and rock and roll. The Rock Hall had partnered with classical music organizations before, including Red {an orchestra}, Contemporary Youth Orchestra and Cleveland Orchestra, so when Dr. Averbach and CODA’s President Dr. Anthony Holland of Skidmore College approached us with the idea of a collaboration, we were excited about the opportunity. 

This month, the Rock and ...


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Gallery Talk: Janis Joplin's 1965 Porsche 356C Cabriolet

Saturday, January 19: 9 a.m.
Posted by Howard Kramer
Janis Joplin and her band Big Brother on the front left fender of her 1965 Porsche

Born January 19, 1943, Janis Joplin brought her powerful, bluesy voice from Texas to San Francisco’s psychedelic scene, where she went from drifter to superstar. She has been called “the greatest white urban blues and soul singer of her generation.” 

In this clip, Rock and Roll Hall of Fame and Museum curatorial director Howard Kramer shares the full story behind 1995 Hall of Fame inductee Janis Joplin's famously psychedelic 1965 Porsche 356C Cabriolet. The car is among the featured artifacts at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio.


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Video: Interview with Rosie Flores

Friday, January 4: 10 a.m.
Posted by Rock Hall
Award-winning "Girl of the Century," "Working Girl with Guitar" Rosie Flores interviewed backstage

While in Cleveland to perform at the Rock and Roll Hall of Fame and Museum's 17th annual American Music Masters tribute to Chuck Berry, Rosie Flores talked backstage about her first introduction to the guitar and the artists who've influenced her as a guitarist and songwriter. Flores, a fixture in the Austin, Texas music scene who helped reintroduce rockabilly pioneers Wanda Jackson and Janis Martin on her aptly titled 1995 album Rockabilly Filly and released Working Girls Guitar in 2012, shares how various Rock Hall inductees – from Chuck Berry to Jeff Beck – and other artists influenced her playing and songwriting.


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