Now in its 26th year, the SXSW Music and Media Conference has grown into the must-attend networking event for the 21st century music industry. Showcasing nearly 2,000 musical acts from around the globe at over 80 stages in downtown Austin, SXSW registrants have a first-look at tomorrow's stars.
Conference registrants also partake in a full agenda of provocative, informative panel discussions and celebrity interviews featuring hundreds of speakers of international stature. Once again, the Rock Hall submitted a panel idea for the SXSW Music Festival (March 13-18, 2012). Our music panel idea – New Digs: A Rock and Roll Library and Archives – has been submitted to the Panel Picker, but now needs your vote to move forward!
New Digs: A Rock and Roll Library and Archives panel description: The Rock and Roll Hall of Fame and Museum's new Library and Archives will be the world's most comprehensive repository of written and audiovisual materials relating to the history of rock and roll. The Library and Archives collects, preserves, and will provide access to these resources in order to educate people about rock and roll, its roots, and its impact on society. In early 2012, the Library and Archives ...
For the second year in a row, the Rock and Roll Hall of Fame and Museum moderated a panel at the SXSW Music Festival in Austin, TX.
On March 18, the Rock Hall's panel, A Woman's Work: Changing the Music Industry, traced the history, challenges and changing roles of women working in the music industry. The panel examined the business relationships of booking agents, managers, record label executives and publicists with female artists and the resulting influence of their successes, as well as the future of gender roles in the music industry.
Click here to view photos from the SXSW panel!
I am in the basement of the Rock and Roll Hall of Fame, staring at the sacred object that is John Cippollina’s amplifier, a Bride-of-Frankenstein creation that shotgun-marries the solid stateliness of Standell with the classique tube overload of Fender, topped by two monstrous horns to ensure the treble frequencies pierce any solar plexus within range.
Of course, I would love to hear this magnificent beast, especially when brought to life by the electric magnetic energy of John’s custom Gibson SG which sits awaiting next to its amplifier; but of course, that is impossible, given Cippollina’s unfortunately early demise. Yet I am as close to it as I might be on any night at the Avalon Ballroom in 1966; and I vicariously partake of its magic, inspiration, and thingness, seeing within it the shadow of its creator.
Over the past couple of months, with the imminent opening of the long awaited Hall of Fame Library, that will provide an archive of this hybrid musical mutation we call rock and roll, of which I have been a longtime vocal proponent and hunter/gatherer, I have been asked whether such enshrinement is good for the unruly immediacy that characterizes ...