A commanding stage presence is an essential element of the rock and roll spectacle. Beyond captivating audiences with their music, artists from Abba to ZZ Top have projected their quirks, singular identities and personas via unique stage costumes. Some artists' costume choices are icons to themselves – think Michael Jackson’s gilded glove or Elvis Presley’s bejeweled jumpsuit. The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, is home to many of these iconic costumes and ground-breaking designs. Here are some of our favorites, which you can see when visiting the Rock and Roll Hall of Fame and Museum!
David Bowie's Suit, 1972 / Design by Freddie Burretti
David Bowie’s breakthrough came with The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), a thoroughly modern album that promulgated the notion of rock star as space alien. Bowie melded rock with theater, creating the provocative character and alter ego “Ziggy Stardust." Bowie wore his lightning-bolt emblazoned suit onstage during his tour to support the album.
The Supremes' Dresses, 1969 / Design by Bob Mackie
The Supremes rose from the poverty of ...
Peter Asher’s legendary music career began in 1964 with the formation of Peter & Gordon. In 1968, Asher became head of A&R for the Beatles newly formed record company, Apple Records. Three years later, Asher decided to literally head in a different direction and moved to the U.S., where he founded Peter Asher Management. Peter Asher Management became one of the most successful artist management companies in America, handling artists such as Joni Mitchell, Randy Newman, James Taylor, Linda Ronstadt and Carole King. Asher has produced 12 Grammy Award-winning recordings, and in 1977 and 1989 was honored individually with the Grammy Award for “Producer of the Year.” Playing select dates now, Asher stopped by the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, to talk about his recent projects, keeping current, and being among the first people to ever hear the Beatles "I Want to Hold Your Hand" when Paul McCartney was staying at his house.
Rock and Roll Hall of Fame: Tell us about the dates you're playing now...
Peter Asher: It's not really a tour it's just occasional dates. I have so much fun doing it. To be honest, I ...
The Everly Brothers' sound borrowed from Appalachian folk, bluegrass and country to form a dreamy, innocent style of rock and roll. Over the decades – particuarly in the Fifties and Sixties – the Everlys’ close-harmony style influenced the likes of the Hollies, Simon and Garfunkel, the Byrds and the Beatles, with Paul McCartney noting “They were and still are the very best.” Inducted into the Rock and Roll Hall of Fame in its inaugural year, 1986, the Everly Brothers are featured in the Museum's Cities and Sounds exhibit, in the Rave On section. There, visitors to the Museum will find the outfits worn by the brothers on the cover of The Fabulous Style of the Everly Brothers, as well as a 1963 Gibson Everly Brothers model featuring a split pick guard surrounding the sound hole that was meant to represent the brothers’ familial resemblance.
Watch + Listen: Billie Joe Armstrong and Norah Jones "Silver Haired Daddy of Mine"
While best-known for such hits as "Cathy's Clown," "Bye Bye Love,""Wake Up Little Susie," and "All I Have to Do Is Dream," in 1958, Don and Phil Everly surprised fans when they shifted tack, paying homage to their Tennessee roots. On Songs ...
It was star-studded night at the 56th annual Grammy Awards. With artists – new and old – coming together, and a handful of Rock and Roll Hall of Fame Inductees taking to the stage. The night included rememberances of Hall of Fame Inductees Lou Reed and Phil Everly, as well as 2014 Rock and Roll Hall of Fame Inductee Dave Grohl taking honors for best rock song for “Cut Me Some Slack,” a collaboration from his Sound City soundtrack that features Paul McCartney, former Nirvana bandmate and fellow 2014 Inductee Krist Novoselic and Pat Smear. From Paul McCartney and Ringo Starr to Madonna to Stevie Wonder, there were numerous Inductees getting into the live act at the Grammy Awards.
Dozens of couples, representing all demographics: gay, straight, interracial, young and old said “I do” during Macklemore & Ryan Lewis’ performance of “Same Love” featuring Mary Lambert and Rock Hall Inductee and seven-time Grammy Award–winner Madonna. Lewis, the group’s producer, told The New York Times, the wedding “will be in our minds the ultimate statement of equality, that all the couples are entitled to the same exact thing.”
The Beatles first arrived in America on February 7, 1964, at New York's Kennedy Airport. Two days later, on February 9, the Beatles appeared on The Ed Sullivan Show broadcast from New York City, reaching an audience of more than 70 million people. The Fab Four would perform again on Ed Sullivan on February 16, in Miami. Those landmark performances are well documented, but one performance on February 12, 1964 has an element of great mystery: missing Beatles concert footage that would be of interest to any Beatles fan!
The Beatles made their Carnegie Hall debut on February 12, 1964. The show was typical of the nascent days of Beatlemania – screaming fans, confused adults, rock and roll. But behind the Beatles, sitting on the Carnegie Hall stage sat a group of individuals, including a woman with a film camera. Who is that woman and what did she capture from that momentous performance? And where is that footage?
With the help from our friends at the Carnegie Hall Archives, we are enlisting Beatles fans from all over the world to assist Carnegie Hall’s ...
The members of the Beatles fell under the spell of rock and roll early on. When the new sound first broke in 1955 and 1956, it caught the attention of Ringo Starr, John Lennon, Paul McCartney and George Harrison. The lads bought rock and roll records and went to movies where they could see rock and roll stars perform.
As a band, the Beatles are often regarded as being second-generation rock and rollers, but as kids and as players, they were very much inspired by rock's first generation. They fell in love with rock's “big bang” moment; artists like Little Richard, Chuck Berry, Fats Domino, the Everly Brothers, Buddy Holly and other artists that would be key to their sound and genesis as a band. As the formative Beatles coalesced, they covered songs by the artists they liked, adding early rock and roll cuts to the set lists as they honed their group dynamic.
Sometimes the Beatles are said to have saved rock and roll. However, at the time the group landed stateside in 1964, Motown had already been cranking out hits ...
"This is how we saw most of the world when it got big for the Beatles," says Rock and Roll Hall of Fame Inductee Ringo Starr of his PHOTOGRAPH tome from Genesis Publications. "You'll find several of the shots in this book are from my point of view, looking out of a car window. That's just how it was. You had to get to the gig, and then get away from the gig to wherever you were going next."
PHOTOGRAPH gives rock fans a first-hand look into Starr's life behind – and away from – the drum kit. With more than 250 rare and unseen photographs from Starr's personal collection, PHOTOGRAPH compiles mementos and memories from his childhood, the Beatles and beyond. "I love pictures put together, showing different times of your life," says Starr. "At the time, I never thought that there would be a whole book of my photographs."
Sunday, February 9, 1964 was the day that changed music and pop culture forever. The Ed Sullivan Show was one of the most popular television programs in the United States and at 8pm Eastern Standard Time, the Beatles made their live debut on American national television before an estimated 73 million people. This single television appearance mesmerized an entire generation. How many future musicians’ dreams began that day? How many kids were inspired to form bands and be like the Beatles? Virtually every famous American rock musician would say later: “When I saw the Beatles on Ed Sullivan it changed my life.”
It was on that Sunday night that the Beatles conquered America and Beatlemania had taken hold of the nation. Their music, mop-top hairstyles, matching suits and "Beatle" boots all helped create the image that we all know and love, but it was their instruments that also made a huge impression on everyone watching. Paul McCartney’s Hofner 500/1 bass, John Lennon’s 325 Rickenbacker guitar, George Harrison’s Gretsch Country Gentleman and Ringo Starr’s Ludwig drum set, all became extensions of each of their personalities.
This instrumental lineup was a major part of America’s first ...