From the outset, Martha Reeves’ voice possessed an earthy, direct quality that distinguished her from other female singers - such as sultry Mary Wells or demure Diana Ross - at Motown. Her voice bore the righteous fervor of gospel and the flinty edginess of rhythm & blues, which, combined with Motown’s stylized pop-soul approach, made for a compelling package. Together with her backup singers, the Vandellas, Reeves recorded a classic run of singles in the mid-Sixties, most of them composed by the songwriting team of Brian Holland, Lamont Dozier and Eddie Holland. The Vandellas’ hit streak included what may be ...
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