In the pantheon of rock and roll's greatest guitarists, there is a cadre of fabled axemen who consistently bubble to the top, including such Hall of Fame Inductees as Jeff Beck, Chuck Berry, Eric Clapton, Jimi Hendrix, Robert Johnson, BB King and Jimmy Page – all artists represented at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. And no discussion of six-string masters would be complete without Eddie Van Halen, the innovative firebrand that turned the world of guitar playing on its ear in the late 70s and early 1980s. "I was so used to doing old blues licks with the first three fingers," Van Halen once explained to a reporter. "When I started using my pinky and finding more spread things, that's when I started getting my own style." That style went on to influence millions of budding shredders. Here are five tracks that contributed to that influence:
Guitar Solo, from Live Without a Net (1986)
Van Halen went out with something to prove during the live tour for the 5150 album. With new singer Sammy Hagar, the band had to show fans and critics alike that it could keep rocking without Diamond Dave ...
Discover more amazing Clash stories in the Rock Hall's punk rock exhibit and plan your visit today.
Below is an excerpt from Stealing All Transmissions: A Secret History of the Clash by Randal Doane.
With her Pentax camera in hand, Pennie Smith stepped onto the left wing of the stage of the Palladium, just behind the curtain, and waited for The Clash to return for their encore. It was September 21, 1979, the second of a two-night stint for The Clash in New York City. WNEW-FM, the album-oriented rock station that had recently found felicity in punk and new wave, supplied a live simulcast for the tri-state region. On the opposite stage wing, Richard Neer, the on-air host, gushed: “If you’ve never seen The Clash it’s an experience, I’ll tell you that. I was out front for a bit and it’s so loud. I’m used to loud music but it is loud to the point of real distortion, and the people are just totally enveloped in the music. . . . They’re dancing, they’re jumping up and down and they are just totally into it!” Back onstage, The Clash offered the audience a respite from ...
Released in the Spring of 1971, Marvin Gaye's What's Going On was a transformative recording for Gaye and his Motown label. The nearly operatic concept album mused deeply on such issues as Vietnam, drugs, the decline of northern cities, the economy and the environment, all over a free-flowing musical backdrop that drew on jazz, pop and classical forms. Gaye referred to the album as a “gift from God,” and the album’s spiritual dimension found overt expression in his liner notes: “We’ve got to find the Lord. Allow him to influence us. I mean, what other weapons have we to fight the forces of hatred and evil?” With his inimitable voice, he provided nuanced perspective that immediately resonated with audiences – and has so for generations.
"My phone would ring, and it’d Motown wanting me to start working and I’d say, ‘Have you seen the paper today? Have you read about these kids who were killed at Kent State?’ The murders at Kent State made me sick," explained Marvin ...
Recently, former Black Flag frontman, solo artist and writer Henry Rollins shared his top 10 underground songs of all time with Esquire magazine. So what does that have to do with Cleveland's rock history? Turns out, a lot.
Mid-70s Cleveland was the perfect breeding ground for a band like Pere Ubu. The city had seen better days, and amid the post-industrial bleakness, a group of young creative men formed Pere Ubu. "Ohio was one of the most fertile grounds for what could be called underground music. I could make this list only using bands from this state and do just fine," Rollins said. "David Thomas, Pere Ubu's vocalist and leader of the band to this day, has been making records under the Pere Ubu moniker as well as solo for decades. He is one of my favorite performers, and I see him whenever the opportunity presents itself. The band's early singles are now fairly pricey items... What is true of [the Pere Ubu track] 'Final Solution' is true of this initial batch of Ubu. It is visionary stuff from the schools of rock, what would be called punk, and art, all mixing with time, place, and restless ...
After countless hours researching, interviewing Rock and Roll Hall of Fame Inductee Paul Simon and collecting for Paul Simon: Words and Music, Rock and Roll Hall of Fame and Museum lead curator Craig Inciardi shares some of his favorite things in the new Paul Simon feature exhibit, which opened October 30, 2014.
1. Paul Simon's First Acoustic Guitar
All musicians get their start somewhere. On his 13th birthday, Paul Simon received his first guitar as a gift from his father Louis Simon, who was a musician. His father taught him a few chords and Simon quickly realized that many of the popular songs from the 1950s – the ones he was listening to – used the same chords and patterns. He and childhood friend Art Garfunkel began to write songs using those voicings. The first song they wrote using the Stadium brand acoustic guitar was called “The Girl for Me.”
2. Letter from Paul Simon to Art Garfunkel
Paul Simon wrote this letter dated August 13, 1957, when he was attending summer camp in Bellport, New York. Art Garfunkel was at different summer camp in New Jersey, and it was a pivotal moment in their young lives. They had been singing ...
Last night, two-time Rock and Roll Hall of Fame Inductee Paul McCartney appeared on The Tonight Show Starring Jimmy Fallon, where he talked about former Beatles bandmate Ringo Starr. This week Starr learned he was being inducted into the Rock and Roll Hall of Fame as part of the 2015 class.
In an interview with Rolling Stone magazine, Starr told the story of how McCartney called to break the big news. "He said he'd been talking to Dave Grohl and other people and they were stunned that I wasn't in the Rock and Roll Hall of Fame, and he needed something to do that night, and he's going to give me the award," said Starr of McCartney's phone call. "I didn't know that George [Harrison] and John [Lennon] were in it," Starr added. "I'm not keeping up with it all the time. We'll have a very nice evening and it'll be my pleasure to receive the award… And it means, finally, the four of us are in the Rock and Roll Hall of Fame even though we were the biggest pop group in the land."
Today, the Rock and Roll Hall of Fame is proud to announce the 2015 Hall of Fame Inductees. The Rock Hall's 2015 class includes the Paul Butterfield Blues Band, Green Day, Joan Jett & the Blackhearts, Lou Reed, Stevie Ray Vaughan & Double Trouble and Bill Withers, all in the performer category.
This year's class also recognizes the "5" Royales with the early influences award, and former Beatle and solo artist Ringo Starr enters the Hall of Fame – the last of the Fab Four to be inducted as a soloist, following John Lennon in 1994, Paul McCartney in 1999 and George Harrison in 2004.
“As we mark 30 years of Rock and Roll Hall of Fame Inductions, we’re proud to honor these artists,” said Rock and Roll Hall of Fame Foundation President Joel Peresman. "These Inductees epitomize rock and roll’s impact over the past 50 years and continuing through today."
Leading up to the April 18, 2015 ceremony, the Rock and Roll Hall of Fame will host a series of special events, including the grand opening of the major new 2015 Inductee exhibit, which will serve as an introduction to the Rock and Roll Hall of Fame visitor ...
Hall of Fame Inductee Ian McLagan was among the most prominent unifying threads that linked the Small Faces – a band of mod rockers who embraced soul and psychedelia in the 60s – to the Faces, a rollicking band of roots rockers who took the 70s by storm. A wickedly talented musician, McLagan's percussive playing, nuanced accompaniment and versatility behind the keys made him integral to shaping the Small Faces/Faces sound across two decades, and his influence continued long after the Faces disbanded in 1975.
On April 12, 2012, while in Cleveland for the Rock and Roll Hall of Fame Induction Ceremony, Ian McLagan was joined on stage by former Small Faces/Faces bandmates including guitarist Ronnie Wood and drummer Kenny Jones, while Simply Red singer Mick Hucknall stepped up on lead vocals, filling in for the late Steve Marriott and an ill Rod Stewart. The group ripped through three classics from the Small Faces/Faces oeuvre: "All or Nothing," "Ooh La La" and "Stay With Me."