The fans voted, and we listened: the Rolling Stones album to be highlighted during tonight's special listening party in the Museum's Foster Theater will be the group's 1971 classic recording Sticky Fingers. After asking fans to decide what Rolling Stones album the Rock Hall should highlight, the votes were tallied and Sticky Fingers rose to the top. Tonight, visitors can listen to the entire album through the Museum's state-of-the-art Foster Theater sound system and take part in an in-depth look at the record led by the Rock Hall's education department. Tune in to the live stream at 8 pm EST here! The Rock Hall will honor the Rolling Stones as the 2013 Music Masters during the week of October 21.
Released in 1971, Sticky Fingers captured the sound of the Rolling Stones' inimitable, insouciant style. The album was released less than a year after the group launched its own record label – aptly named Rolling Stones Records – for which they signed a distribution deal with Atlantic Records. The initial releases on the new label were Sticky Fingers and its raunchy, rocking first single, “Brown Sugar.” Musically, the album showcased the band's versatility, from the country lament of "Wild Horses" to the sweeping and tender "Moonlight Mile" to the gritty blues of "I Got the Blues" to the flowing jam of "Can't You Hear me Knocking." Lyrically, Jagger and company painted a lurid portrait and seedy narrative rife with overt – and only slightly less subtle – references to drugs and the accompanying trials, peppering it all with frank discussions of race, sex and violence.
In advance of tonight's Sticky Fingers listening event at the Rock Hall, here are:
2. The album’s artwork – the cover (which featured a working zipper), back cover and inner design – was conceived by famed artist Andy Warhol.
3. Former manager Alan Klein has dual copyright ownership with the Rolling Stones of "Brown Sugar" and "Wild Horses."
4. Sticky Fingers was written and recorded over a two-year span in three distinct locations: Muscle Shoals Studios in Alabama; Stargroves (Mick Jagger’s home and country estate during the 1970s) in East Woodhay, Hampshire, England; and Olympic Sound Studios in London. The recording at Muscle Shoals was largely clandestine as the band members did not have the proper visas to be recording in the United States.
5. The album did not receive favorable reviews by some very high profile critics upon its release, including Rolling Stone critic Jon Landau who wrote: "If Sticky Fingers suffers from any one thing it's its own self-defeating calculating nature. Its moments of openness and feeling are too few: its moments where I know I should be enjoying it but am not, too great."
6. Sticky Fingers is the first album to feature Mick Taylor as an official member of the Rolling Stones, and his influence can be heard on such tracks as “Can’t You Hear Me Knocking,” "Sway" and “Moonlight Mile.”
7. In Spain, the original album art for the cover was censored and replaced with a "can of fingers" cover, and "Sister Morphine" was replaced by a live version of Chuck Berry's "Let It Rock."
8. The sprawling coda of “Can’t You Hear Me Knocking” was not rehearsed by the band and was recorded as it was first performed.
9. “Sister Morphine” and “Wild Horses” were released before Sticky Fingers by other artists – the former by Marianne Faithfull, the latter by the Flying Burrito Brothers.
10. The famous Rolling Stones tongue made its debut on Sticky Fingers. British designer John Pasche came up with the famous red “tongue” logo that remains an inseparable element of the Stones iconography to this day.