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U2 Conference Comes to Cleveland

Tuesday, September 11: 3 p.m.
Posted by Rock Hall
The Rock Hall will help present the 2013 international U2 conference in Cleveland from April 26-27

The U2 Conference will hold its second meeting for an international gathering of scholars, critics, teachers, and fans in collaboration with the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, April 26-27, 2013. The keynote speaker is Ann Powers, popular music critic for National Public Radio. The inaugural 2009 meeting drew a multi-disciplinary group from seven countries and featured more than 40 formal presentations, three films, and a weekend of networking opportunities. It also produced the edited collection of essays Exploring U2: Is This Rock ‘n’ Roll? (Scarecrow Press, 2011).

The 2013 conference theme is "U2:TRANS-," indicating an interest in U2 as going across, over, and beyond boundaries in rock and roll and working toward making moments of passing through or crossing over possible for fans as well as for the band itself. Conference organizers have posted a Call for Presentations and more details at www.U2conference.com


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Growing the Northeast Ohio Popular Music Archives

Friday, August 31: 11 a.m.
Posted by Jennie Thomas
Master tapes of Cleveland punk legends the Dead Boys are part of the NEOPMA

Earlier this month, myself, the Grateful Dead archivist Nicholas Meriwether (who contributed to the Rock Hall's Grateful Dead: the Long, Strange Trip exhibit and wrote about the Dead's "best performance") and nine other archivists from a wide array of archival institutions presented at the Society of American Archivists’ annual meeting in San Diego.

Founded in 1936, the Society of American Archivists is North America's oldest and largest national archival professional association. SAA's mission is to serve the educational and informational needs of more than 5,500 individual and institutional members and to provide leadership to ensure the identification, preservation and use of records of historical value.

Archivists from The Pennsylvania State University; McDonald’s Corporation; Harley Davidson Motor Company; University of Alabama Rare Books and Special Collections; The Coca-Cola Company; ONE National Gay and Lesbian Archives; Microsoft Corporation; American Heritage Center at the University of Wyoming; the U.S. Army Heritage and Education Center; the Grateful Dead Archive at the University of California, Santa Cruz; and the Rock and Roll Hall of Fame and Museum Library and Archives, gathered to each give a 5-minute talk about archival advocacy in their institutions and dialogue with each ...


continue Categories: Library and Archives

Jane Scott Collection Arrives at the Rock Hall Library and Archives

Thursday, August 9: 5 p.m.
Posted by Jennie Thomas
Beginning to sort the Jane Scott papers at the Rock Hall Library and Archives

Recently, the Library and Archives acquired the collection of Cleveland’s own Jane Scott, which includes items accumulated over the course of Scott’s long career as the first rock critic at a daily newspaper: interview notebooks, autographs, personal and promotional photographs, handbills, tour books, concert programs, sheet music, scrapbooks, posters, set lists, press passes, buttons, books, magazines, newspapers, fanzines, LPs, 45s, audiocassettes, CDs, videocassettes, DVDs, correspondence, artist press kits and newspaper clippings.

Packing up all the materials from her apartment and moving them to the Library and Archives took nearly five hours, with the guidance of Scott’s estate attorney and myself, and the assistance of four professionals from local Wood-Lee International Art Handler. The estate attorney had much of the material sorted by type of material in advance of our visit, which made the entire enterprise go more smoothly.

Often when archivists are asked to do this type of work, there are few bodies to assist and even less organization, so it was refreshing to come into this environment where not only had some level of organization been accomplished for us — filing cabinets emptied into cartons and a closet full of clippings and other documents sorted and ...


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Summer in the City: Interview with Mr. Gnome

Tuesday, July 31: 11 a.m.
Posted by Rock Hall
Cleveland's Mr. Gnome will perform live at the Rock and Roll Hall of Fame and Museum

Inspired by a taste for the surreal, Cleveland’s Mr. Gnome has been creating a singular amalgam of gritty, space-psychedelia since 2005, gaining them an ever-growing cult following across North America and Europe, as well as praise from the likes of Rolling Stone, Paste, Spin, Bust and more. Singer/guitarist Nicole Barille and drummer/pianist Sam Meister bring an unfiltered approach to their craft, allowing for emotional and sonic variance. With a nod to the off-kiltered, the constantly touring duo are supporting their third full-length album, Madness In Miniature, which was recorded at Josh Homme’s (Queens of the Stone Age/Them Crooked Vultures) Pink Duck Studios in Los Angeles. While the previous two albums offered mere glimpses, the new album is an all-encompassing gaze into two delicate yet roaring, hypnotic and beautifully disconcerting minds that come together to make sense as one. Here, the Rock Hall catches up with Barille and Meister, in advance of their live free concert at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, on August 1, 2012, as part of the Summer in the City concert series

Rock Hall: What was the first record/CD you ever bought and ...


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Songs That Shaped Rock and Roll: "Sonic Reducer"

Wednesday, July 11: 1 p.m.
Posted by Rock Hall
The Dead Boys' "Sonic Reducer" is one of the Songs That Shaped Rock and Roll

Straight outta Cleveland, the Dead Boys probably were never meant to climb the long and treacherous path to rock stardom. They were too aggressive, too uncontrollable and too willing to do almost anything – no matter how foolhardy or repellent – to engage an audience. Guitarist Gene O'Connor aka Cheetah Chrome had been part of the influential but unrecorded band Rocket from the Tombs. When he and singer Stiv Bators formed the Dead Boys in 1976, they incorporated several of RFTT's best songs into their repertoire, including "Sonic Reducer," with O'Connor's rapid-fire eighth-note guitar riff bolted to the ingenious lyrics of RFTT frontman David Thomas (later of experimental rockers Pere Ubu). In 1977, the song was released as a single with b side "Down in Flames" and also included on the Dead Boys' debut album, Young, Loud and Snotty. After two albums and a couple of chaotic tours, the Dead Boys broke up in 1979. But "Sonic Reducer" became an American punk-rock standard that continues to resonate with new audiences: It was covered by 2012 Hall of Fame Inductees Guns n' Roses and sampled by 2012 Hall of Fame Inductees the Beastie Boys on"Open Letter to ...


continue Categories: Exhibit, Songs That Shaped Rock and Roll

Summer in the City: Interview with Cloud Nothings' Dylan Baldi

Tuesday, July 3: 2 p.m.
Posted by Rock Hall
Cloud Nothings perform live at the Rock Hall on July 11, 2012 / photo by Noah Kalina

Cloud Nothings have gone from making lo-fi indie rock in a parent’s basement in 2009 to releasing an EP, a handful of singles, a compilation album and two studio albums of new material, as well as touring North America and Europe, where their live performances showcase songs full of energy and precision. In 2010, the band recorded in Baltimore’s famed Copycat Building (home to the original Wham City and many of the city’s best musicians). The resulting self-titled album released in 2011 featured group founder Dylan Baldi playing all of the instruments. The band released the critically acclaimed Attack on Memory, which was engineered by Steve Albini, in early 2012 and performed at SXSW in March. Cloud Nothings have been featured in Rolling Stone, Spin and the New York Times.

Here, the Rock Hall catches up with Cloud Nothings founder Dylan Baldi in an exclusive interview. Cloud Nothings headline the first Summer in the City concert at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, on July 11. RSVP for this free concert here and use #summer2rock to connect with the Rock Hall on Twitter.

Rock Hall: What was the first record ...


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Concert Radar: Bootsy Collins

Tuesday, April 3: 12:20 p.m.
Posted by Terry Stewart
Bootsy Collins

This weekend, on Friday, April 6, don't miss a uniquely funky opportunity as 1997 Hall of Fame Inductee Bootsy Collins plays an intimate show at one of Cleveland's great music venues, the Beachland Ballroom. This is the first of many musical performances during the Rock Hall's 11 days of events surrounding this year's Rock and Roll Hall of Fame Inductions Ceremony on Saturday, April 14. 

The charismatic Collins – easily identified by his singular fashion sense: star-shaped glasses, colorful suits and top hats, and  glittery "space bass" – was inducted into the Rock and Roll Hall of Fame as a member of Parliament-Funkadelic, alongside his mentor George Clinton (who'll headline the Free Concert for Cleveland with Kid Cudi and Kids These Days at the Q.)

Over the years, the bassist, singer, songwriter and Cincinnati, Ohio, native has released more than a dozen albums, including 2011's Tha Funk Capital Of The World, a deeply grooving history of funk as only Collins and his collaborators could curate. The musicians joining Collins at the Beachland Ballroom include P-Funk alumni and fellow Hall of Famers drummer extraordinaire Frankie "Kash" Waddy and Bernie Worrell, long recognized as a keyboard wizard ...


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Finding The Pied Piper of Cleveland

Monday, March 19: 4:30 p.m.
Posted by Chris Kennedy
Bill Haley and Elvis Presley

On Thursday, October 20, 1955, at approximately 1:45 pm, 20-year-old Elvis Presley’s rebel yell of “Wellll, I heard the news, there’s good rockin’ tonight!” smacked off the auditorium walls of Brooklyn (Ohio) High School, as cameras from Universal – International Pictures filmed, in color, the flashpoint of the birth of rock and roll.

This unseen footage, know today as The Pied Piper of Cleveland, remains the lost, Holy Grail of rock and roll. But not necessarily because of Presley’s performance, one of his first out of the South, which by most eyewitness accounts wasn’t so spectacularly mind-blowing, or by the appearances of the other, more established acts on the bill. The Pied Piper of Cleveland retains its mystery and allure simply because it has eluded capture for so many years, and because its producer and star, Cleveland top jock Bill Randle, made sure never to answer questions about the film's fate candidly, never letting its tantalizing specter fade from the rock and roll consciousness. 

For the last eight years, I've dedicated a considerable amount of time peering through nearly 60 years of Randle's smoke and mirrors, attempting to discern exactly what transpired ...


continue Categories: Inductee, Exhibit, Exclusive Interviews, Event
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