Among the first artists ever inducted into the Rock and Roll Hall of Fame in 1986, Chuck Berry is often referred to as the "Father of Rock and Roll" – a well deserved title, according to Rock and Roll Hall of Fame and Museum curatorial director Howard Kramer. In this clip, Kramer shares the handwritten lyrics to two of Chuck Berry's famous recordings: "Carol" and "School Day (Ring! Ring! Goes the Bell)." The Rock Hall will celebrate Chuck Berry's 86th birthday on October 18 with two special exhibits: a Chuck Berry Spotlight Exhibit at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, and a special Chuck Berry exhibit at the Rock Hall's Library and Archives. Berry is the 2012 American Music Masters honoree, and his life and work will be celebrated with a weeklong series of events beginning on October 22, 2012 and culminating in a Chuck Berry–tribute concert on October 27, 2012.
The Rock and Roll Hall of Fame and Museum and Case Western Reserve University will honor rock and roll pioneer Chuck Berry during the 17th annual American Music Masters® (AMM) series this October. Roll Over Beethoven: The Life and Music of Chuck Berry, a weeklong celebration beginning October 22 and culminating with a special tribute concert on October 27, will tell the story of one of the first musicians to be inducted into the Rock and Roll Hall of Fame in 1986. As part of the celebration, the Rock and Roll Hall of Fame and Museum’s Library and Archives has created a spotlight exhibit illustrating both essential and lesser known details about Berry’s life and career through materials such as concert posters, photographs, books, and audio and video of live performances – from his start with Johnnie “B. Goode” Johnson in the Sir John Trio in 1952 to his resurgence in the 1970s.
The exhibit contains 14 items from the Museum’s permanent collections, including sheet music to his 1955 hit song “Maybellene” that helped ignite the rock and roll revolution; a promotional photograph for “School Day (Ring! Ring! Goes the Bell)” from his first album After School ...
A leading music photographer, Robert Alford has had his work featured in Creem, Rolling Stone and People magazines and on television, album covers and liner notes. The extensive list of musicians he has photographed reads like a "who's who" of popular music, from AC/DC to ZZ Top. In this interview, Alford shares the story of his trip to Mexico with ZZ Top singer and guitarist Billy Gibbons, and the misadventures they shared along the way all to get the perfect photo. Robert Alford's photos are the subject of Just Can't Get Enough, an exhibit at the Rock and Roll Hall of Fame and Museum in Cleveland,Ohio.
Rock and Roll Hall of Fame and Museum curatorial director Howard Kramer shares the story behind the Grateful Dead's performances at the Great Pyramid of Giza in 1978, including the dress vocalist Donna Jean Godchaux wore during one of the Grateful Dead's performances during the group's three-night engagement and the artwork created by Kerry to commemorate the occasion. Both items are featured in Grateful Dead: the Long, Strange Trip, on exhibit at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, through 2012.
In 2012, Grateful Dead drummer Mickey Hart sat for an interview at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, where he was on hand to perform and help open the Grateful Dead: the Long, Strange Trip exhibit. In this clip, Hart shares the story of when he first saw the Grateful Dead perform, before he was a member, and how an invitation from founding drummer Bill Kreutzmann to come by a practice session eventually led to Hart's first live performance with the band at the Straight Theater in San Francisco. "I had never heard their music," says Hart. "And then we started playing and hours later it stopped ... And Jerry [Garcia] said, 'We could take this around the world. This is the Grateful Dead.'"
From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen opened at the National Constitution Center in Philadelphia this past weekend. The Rock Hall curated the exhibit, and it was the major temporary exhibit at the Rock and Roll Hall of Fame and Museum from April 2009 to February 2011.
The Springsteen exhibit was not originally intended to travel, but after representatives from the Constitution Center came to Cleveland to see it, they thought it would be a great fit for their museum. We had several discussions with them, and we worked with Springsteen’s management to see whether moving it was a possibility. In the end, we all agreed that it made sense to take the exhibit to the Constitution Center. After all, Springsteen’s roots go back to the Jersey Shore, an area not that far from Philadelphia. Moreover, Springsteen is a truly American musician and songwriter, someone who has given voice to the restlessness, hopes and dreams of ordinary Americans. Millions of listeners have found their experience of the American dream reflected in his songs about the lonely, the lost, the unemployed, immigrants and military veterans. The City of Brotherly Love was ...
Recently, the Rock and Roll Hall of Fame and Museum unveiled a new Spotlight Exhibit devoted to the Band. Located in the Museum’s main gallery, the exhibit features an extremely rare electric guitar/mandolin that was manufactured by Gibson back in 1961. Band guitarist Robbie Robertson played the instrument when the group performed “The Weight” at the Last Waltz. The exhibit also includes a mandolin that was played by Levon Helm, the original handwritten lyric manuscript to “The Night They Drove Old Dixie Down,” the original artwork for the cover of the group’s Cahoots album, Martin Scorsese’s shooting script for The Last Waltz and a jacket that Robertson wore onstage during a 1971 New Year’s Eve concert in New York City. That concert was recorded and released on the album Rock of Ages. Robbie Robertson got to check the exhibit out when he made a visit to the Museum on January 17.
Watch Robertson playing the 1961 Gibson electric guitar/mandolin in The Last Waltz:
Many know that rock and roll was christened in Cleveland, Ohio, when DJ Alan Freed coined the phrase to describe the up-tempo R&B music he was beaming out on his popular radio show. Freed opened the doors for countless artists, and for years was the de facto king of rock and roll. But fewer know about the cadre of revolutionary Cleveland disc jockeys who shared the airwaves with Freed. Among them was Tommy Edwards.
Edwards, who owned a prominent record store, pressed records and was a disc jockey at WERE 1300 AM, was instrumental in bringing Elvis Presley to Cleveland in 1955 for his first performance north of the Mason-Dixon line. Pat Boone headlined the concert, and the supporting bill included Bill Haley and the Comets, the Four Lads, Priscilla Wright and a largely unknown Presley. It was there that Edwards snapped the famous photograph of Presley with Haley, one of the few times the two met. The show was not held in a grand concert hall or big-ticket venue, but in a suburb of Cleveland at Brooklyn High School. The now mythical performance is rumored to have been captured in vivid Technicolor, and dubbed The Pied Piper ...