What does it take to preserve rock and roll history? Jun Francisco knows.
Since 1999, Francisco has been the Director of Collections Management at the Rock & Roll Hall of Fame in Cleveland. Born half way around the globe in the Philippines, he grew up listening to rock and roll fed to him by a radio station called “the Rock of Manila." His role allows him to be a fan and an in-demand expert.
He received his MA in Museum Studies from the University of Arkansas in Little Rock and a BA in History from Missouri Southern State University. He has worked at museums in Arkansas, Missouri, Michigan, New York and Ohio, and has served on the Boards of the Association of Midwest Museums, Arkansas Museums Association and Michigan Museums Association. He is a past chair of the Asian Pacific Professional Interest Committee of the American Alliance of Museums. He also loves the Clash.
Having just managed collections for the Rock Hall's new 2016 Hall of Fame Inductee exhibit – including a trip to Cheap Trick guitarist Rick Nielsen's house – Francisco had a few minutes to tell us about his adventures.
As the Rock Hall's director of collections, what ...
Metallica looking very metal in 1986 / photo by Ross Halfin / via metallica.com
As a child of the 80s, my first intro to Metallica came via MTV's Headbangers Ball, specifically the video for ...And Justice for All's epic metal anthem "One." Shot mostly in black-and-white, with scenes and dialogue from Johnny Got His Gun interspersed with the group thrashing in an abandoned warehouse, the video was intense, creepy, brutal – and all the other superlatives that inspired shock and awe in my impressionable young mind. I was hooked with full-on Beavis & Butt-head excitement. Like any enterprising adolesccent metalhead, I was soon fully immersed in Metallica's first three albums: Kill 'Em All, Ride the Lightning and Master of Puppets. To the chagrin of my parents and their eardrums, the latter became my favorite. On the 30th anniversary of its release, listening to Master again took me headbanging down memory lane.
Master of Puppets not only pushed the limits of the metal genre in terms of sheer musicianship and creative force, but also redefined the paths to success and critical acclaim.
Metallica's meteoric ascent began in earnest with the release of 1983's Kill 'Em All, introducing the band ...
A fan has left a rose at the entrance of 2400 Fulton Street in San Francisco, where Jefferson Airplane once lived, in acknowledgment of Paul Kantner's death. / photo by Richie Unterberger
I felt like a part of my San Francisco died when I heard the news of Paul Kantner’s passing. For fans like myself who so profoundly identify with certain music and musicians, it feels like we are losing part of ourselves each time one of our heroes passes away.
I discovered Rock and Roll Hall of Fame Inductees Jefferson Airplane when I was a senior in high school and a classmate shared a boxset of their music – Jefferson Airplane Loves You. As a teenager, it was perhaps my first taste of psychedelia and the counterculture. I went on to study the history of the Summer of Love as an American Studies major in college. When I was 22, my parents took me to San Francisco, and I actually wore flowers in my hair.
Several years later I found myself with a job at UC Berkeley, and I made regular pilgrimages across the bay to see Richie Unterberger give presentations on rare rock films at the Haight-Ashbury branch ...
Compassion, peace and a celebratory atmosphere have loyally followed the Grateful Dead for five decades, yet the reformed group's November 13, 2015 concert began on a somber note.
After taking the stage with his Dead & Company bandmates, grabbing his guitar and briefly warming his fingers, Bob Weir started the show with a eulogy: “So to begin, we have some bad news from Paris. And really I think the best thing we can do, all of us are doing, is remember, celebrate the lives of the 60 or so Parisian concertgoers who died today at the hands of religious extremists, who if they had their way, would outlaw music in all the world." He implored Deadheads to celebrate the lives of those who lost their lives in the Paris attacks "and the joy that they found in music.”
For the hours leading up to the Dead & Company tour stop at Columbus, Ohio’s Nationwide Arena, social media feeds and news reports were filled with the news unfolding across the globe; and with tragedy occurring at a concert, I could not help feel grief, slight paranoia and empathy.
Following Weir’s dedication, he and the band (John Mayer on guitar and ...
In 1975, New Jersey native Bruce Springsteen was hailed as the new Dylan, the next great rock poet, the music's last prophet of social relevance. His picture graced the covers of Time and Newsweek (the same week, no less).By the time his third album, Born To Run, was released, Springsteen had added another archetype to the rock and roll pantheon: blue-collar hero, working-man's star. Born To Run's title track consolidated 25 years of rock and roll history into a universal tale of proletarian angst rendered larger than life by Spector-esque production.
Springsteen's protagonist does little more than motor down New Jersey's Highway 9 to flee small town drudgery. But to hear him tell it, he's headed down the road to glory. As the centerpiece of the hours-long sets that mark Springsteen's career, "Born To Run" provided uplift and catharsis, with the singer and foil/sax player Clarence Clemons engaging in joyous musical and physical interplay (captured in a live film clip that ranks with rock's most exhilarating concert footage).
On the surface, "Born To Run" may be little more than a song about cars and girls. Dig deeper, however, and rock ...
On August 15, 1965, the Beatles performed before a crowd of more than 55,000 ecstatic fans in New York City’s Shea Stadium. That’s a lot of screaming.
The legendary performance was the first ever in a major U.S. stadium, and is known as perhaps the most famous Beatles’ concert – well, maybe that infamously cut short rooftop gig ranks higher.
The 1964 Ludwig drum kit played by Ringo Starr during that Shea Stadium gig was also used on six Beatles’ albums, as well as during their last official concert appearance in San Francisco’s Candlestick Park in 1966. Can you think of a more iconic drum set?
John Lennon’s 1964 Rickenbacker electric guitar used during the performance was one of two guitars made especially for Lennon while visiting America for the first time in 1964, and used on the Beatles second-ever Ed Sullivan appearance. It soon became his primary instrument, and still has the set list from Shea Stadium taped to the side.
Hard to believe that 2015 marks the 50th anniversary of that Beatles’ milestone – and that Beatlemania would still be alive and well! Both the Ringo Starr Ludwig drumkit and the John Lennon Rickenbacker ...
Rolling Stones’ guitarist Keith Richards recently opened up about the genre he calls “the original music form in the world.”
“I recognize power when I see it,” Richards told Esquire magazine in an interview published in August 2015. “There's something incredibly powerful about the blues — the raw blues. There isn't a piece of popular music probably that you've heard that hasn't in some weird way been influenced by the blues.”
Richards also shared that he’s been lucky enough to meet and perform with all of his blues-based heroes. “All of these guys that I used to listen to – the amazing thing is that even at my age, I'm living in a place where I know all of my heroes, warts and all, and still love 'em,” said Richards. “Chuck Berry, Jerry Lee Lewis — man, if that is not 'Mr. Rock 'n' Roll,' I don't know who is. Little Richard; I love those cats.” Chuck Berry, Jerry Lee Lewis and Little Richard were all part of the Rock and Roll Hall of Fame's first class in 1986.
“It’s very difficult for me to talk about Chuck Berry, because I lifted every lick ...
During a recent tour stop in Cleveland, Ohio, we caught up with 2014 Hall of Fame Inductee, much-lauded solo artist, E Street Band guitarist and incredible storyteller Nils Lofgren who shared how he first became interested in playing the guitar, a faithful night seeing both the Who and Jimi Hendrix in concert, the influence of Keith Richards and the Rolling Stones, the Beatles; and the "god awful" music he and Bruce Springsteen made while backing Chuck Berry in Cleveland at the Rock Hall's opening concert.
Rock and Roll Hall of Fame: Your first instrument as a child was the classical accordion. How did that come about?
Nils Lofgren: Well, I spent eight years on the South Side of Chicago, where I was born. When I was five, every kid played accordion. I asked to take lessons, and I did. After the waltzes and polkas, you move in to classical or jazz. My teacher sent me in to classical accordion. It was an enormous musical study and backdrop, and, as a young teenager, I fell in love with the Beatles and Stones. Through them, I discovered the British invasion, the American counterpart of great rock bands in the 60s; Stax ...