"It’s wonderful to be here in Cleveland, and Lou would've loved this," said Laurie Anderson, 2015 Rock and Roll Hall of Fame Inductee Lou Reed's widow. "The Rock and Roll Hall of Fame is the place where the names of great musicians become completely magic words – Buddy Holly, Little Richard, the Coasters. And now, Lou Reed is one of those magic words."
Anderson's speech followed an extraordinarily moving induction by Lou Reed's friend and fellow Hall of Fame Inductee Patti Smith. "His consciousness infiltrated and illuminated our cultural voice," she said. "Lou was a poet, able to fold his poetry within his music in the most poignant and plainspoken manner.
"True poets must often stand alone. As a poet, he must be counted as a solitary artist. And so, Lou, thank you for brutally and benevolently injecting your poetry into music."
The speeches were complemented by two powerful tribute performances: Karen O and Nick Zinner of the Yeah Yeah Yeahs did a brilliant version of "Vicious," the opening track on Reed's classic ...
"Everything you guys do is punk rock in the sense that you’ve never gone the easy route, the obvious route, the safe route," said Fall Out Boy's Pete Wentz inducting Green Day. "You’ve never repeated yourselves, you’ve never done anything to please the suits… Like Queen, the Who or the Clash, the best bands go on to defy and define the labels they get saddled with…the best bands are legend on record and onstage.
"This is a band that’s so in tune with their audience that they let a random kid onstage and play in the band, in arenas" added Wentz. "They literally fulfill that improbable daydream every kid has playing onstage with their favorite band."
A confessed diehard fan, Fall Out Boy singer and guitarist Patrick Stump said: "Billie Joe’s signature snarl and strong, sarcastic lyrics, that eternally youthful voice, those bright, open chord structures. The way a silhouette of him playing guitar would be as recognizable a posture to any punk rock kid as Michael Jordan's mid-air dunk is to sports fans."
After accepting their Inductee honors, the guys from Green Day – Tré Cool, Mike Dirnt and Billie Joe Armstrong ...
"At first, having this honor to induct Joan Jett into the legendary Rock and Roll Hall of Fame was overwhelming," said Miley Cyrus. "There was so much that I could say and she just had a life in music that is rare. She's had a career that's decades long. She's been the first to do many things and not just as a woman, but just as a badass babe on the planet."
Not long into the 2015 Rock and Roll Hall of Fame Induction Ceremony in Cleveland, Ohio, Joan Jett & the Blackhearts – Joan Jett, Kenny Laguna, Dougie Needles, Thommy Price and Gary Ryan – were joined on stage by 2014 Hall of Fame Inductee Dave Grohl, of Foo Fighters fame.
"Rock and roll, I think, is my entire life," said Jett from the Induction stage. "I come from a place where rock and roll means something more than music, more than fashion, more than a good pose. It's a subculture of integrity, rebellion, alienation and the glue that set several generations free of societal and self-suppression.''
As both a member of The Velvet Underground and a solo artist, 2015 Rock and Roll Hall of Fame Inductee Lou Reed transformed music forever with his uncompromised and daring artistic vision that has influenced artists for decades, from David Bowie to U2 to Arcade Fire. Here are my picks for Lou Reed essential tracks.
“Walk on the Wild Side”
Off 1972's Transformer (produced by David Bowie and Mick Ronson), “Walk on the Wild Side” was Reed’s first hit after the Velvet Underground broke up and remains his most well know tune till this day. The lyrics of the song told the story of people Reed knew from the Andy Warhol/Factory days, while the iconic bass line has been sampled numerous times in everything from hip-hop to electronica.
“Satellite of Love”
This song was originally demoed by the Velvet Underground in 1970 as a possible track for the Loaded album but was eventually rejected. The lyrics are sung from the point of view of a man who is watching a space launch on TV and simultaneously reflecting on his unfaithful girlfriend. The end of the song features a fantastic vocal arrangement performed by Reed and David Bowie ...
2015 Rock and Roll Hall of Fame Inductee Joan Jett and the Blackhearts created a potent mix of hard rock, glam, punk, metal and garage rock that sounds fresh and relevant in any era. The group's biggest hit, “I Love Rock ‘N’ Roll” (Number One in 1982) is a rock classic – a pure and simple a statement about the music’s power. The honesty and power of their records make you believe that rock and roll can change the world. Here are my picks for essential songs that do just that.
“Do You Wanna Touch Me (Oh Yeah)”
This song is a cover of glam rocker Gary Glitter’s 1973 hit, delivered with the authoritative punch as only Joan Jett and the Blackhearts can.
“I Love Rock ‘N Roll”
Joan Jett's version of this Arrows song was ranked Number 89 in the "100 Greatest Guitar Songs" by Rolling Stone magazine, and was Joan Jett and the Blackhearts first Number One.
“Crimson and Clover”
This reworking of the Tommy James and the Shondells classic reached Number Seven, wonderfully capturing the Jett and company's ability to do tender and tough will equal aplomb.
“I Love You Love Me Love ...
Building on the trail blazed by the Clash, the Sex Pistols and the Ramones, 2015 Rock and Roll Hall of Fame Inductees Green Day are the perennial punk adolescents, true to the ethos of every basement and garage-rock band that preceded them. Here are my picks for essential Green Day listening.
Pitchfork said of this early Green Day outing: “It's raw stuff, but even at this point Green Day's records were at least halfway decently recorded, unlike most of their peers' tin-can-and-twine set-ups.” This 1990 recording – although technically rough around the edges – showcases the group's knack for revved-up melodies.
“2000 Light Years Away”
“2000 Light Years Away” kicks off the 1992 album Kerplunk, Green Day’s last album on the indie Lookout! Records and the group’s first with drummer Tré Cool. The explosive blast of punk energy comes with a fantastic sing-along chorus and lyrics about genuine adolescent longing.
“Longview” was Green Day’s breakout hit, the first single released from their 1994 major label debut Dookie. PopMatters said: "This song didn’t become an instant classic of its genre merely because Armstrong said the word "masturbation" on the radio — it's all ...
In 1970, Lou Reed quit the Velvet Underground at the end of a nine-week performance residency at the famous rock club Max’s Kansas City (in New York City), leaving the VU album Loaded recorded but unmixed; and leaving the VU to continue on with none of its original members.
Two years later, Reed released his self-titled, first solo album on RCA records. The album was mostly made up of songs he had written for – and in some cases even performed live with – the Velvet Underground. While the release generated a lot of buzz, it turned out to be a critical and commercial flop. There are some strong songs, but even listening to it today it feels… well, lost. It doesn’t have the bite of the early VU songs like “Heroin,” nor the pop sensibilities of songs like “Sweet Jane.” So with the album as disappointment to everyone including Reed, what to do next?
Reed, for his part, was enamored with ...
The 2015 Rock and Roll Hall of Fame Inductee exhibit opens April 11, 2015, and will feature amazing stories and incredible pieces from this year's class: The Paul Butterfield Blues Band, the "5" Royales, Green Day, Joan Jett and the Blackhearts, Lou Reed, Ringo Starr, Stevie Ray Vaughan and Double Trouble, and Bill Withers.
Here are eight of our favorite items in the new exhibit, from a mirrored-star shirt designed by Slash's Mom to an infamously muddy outfit that was at the center of a near-riot at Woodstock '94.
1. Bill Withers' Main Guitar
Bill Withers was in many ways an anomaly in the music business. In the “Black Power” era of funk and flash, as he put it, “[In] 1970, 1971 or something, you know, I’m this black guy coming out sitting on a chair with an acoustic guitar.” His songwriting and performance style was understated, subtle, simply and straightforwardly constructed, and both articulate and honest. Withers' Martin acoustic guitar model D-35 was his main instrument, used to write and record with, and on stage for live performances.
2. Billie Joe Armstrong of Green Day's Woodstock '94 Outfit
Woodstock '94 in Saugerites, New York, was ...