Little Anthony & the Imperials
- Sammy Strain
- Tracy Lord
- Jerome Anthony Gourdine
- Ernest Wright Jr.
- Clarence Collins
In a New York music scene flooded with talent, Little Anthony and the Imperials were the cream of the crop.
Little Anthony and the Imperials were so talented that their voices transcended the trends, landing them hits in multiple decades and genres. Their trademark imploring vocals and confident command of the stage charmed audiences everywhere.
Little Anthony and the Imperials were one of the finest vocal groups to emerge from the talent-rich New York scene.
Moreover, they enjoyed unusual longevity for an act of that type, having hits in both the doo-wop Fifties and the soul-music Sixties. They outlasted their peers by virtue of “Little Anthony” Gourdine’s powerful, beseeching vocals and the consummate professionalism of the Imperials, who mastered a broad range of material and knew how to work a stage.
It all started in Brooklyn, where Gourdine and friends grew up in the throes of the vocal-group craze. His first groups were called the Duponts (after the chemical company) and the Chesters. The latter group was signed to music-biz impresario George Gouldner’s End Records. In need of a name more regal than the Chesters, the label rechristened them the Imperials. It was Alan Freed, an influential New York disc jockey and concert promoter, who christened Gourdine “Little Anthony,” for the youthful quality in his voice. Both Freed and fellow deejay/promoter Murray Kaufman (a.k.a. “Murray the K”) liked Little Anthony and the Imperials and helped launch their career with airplay and concert bookings.
“Tears on My Pillow,” their first single as the Imperials, was released on End Records. This classic vocal-group ballad was one of the biggest hits of 1958, reaching Number Two on the R&B chart and Number Four on the pop chart. Little Anthony and the Imperials were suddenly stars. The story might have ended there, with “Tears On My Pillow” fondly recalled as a vocal-group classic from one of the many one-hit wonders from that era. In fact, some of their follow up singles did flop, strong as they were. But the group rebounded with an up-tempo number, “Shimmy, Shimmy, Ko-Ko Bop,” that capitalized on a dance craze.
Little Anthony and the Imperials enjoyed even greater success in the Sixties with a string of chart singles on the DCP label. Their renaissance followed a two-year hiatus during which Little Anthony pursued acting while the Imperials worked the “borsht belt” circuit of resorts in the Catskills. The time off served to season both parties, and they reunited stronger than ever. Against fierce competition from the British Invasion and Motown, Little Anthony and the Imperials had back-to-back Top Ten hits with “Goin’ Out of My Head” (Number Six) and “Hurt So Bad” (Number Ten). Both were dramatic pop-soul epics about romantic loss that were keyed by Little Anthony’s fevered, confessional delivery and a strong vocal arrangement. Each song has been heavily covered by other artists, as well. The Lettermen returned “Goin’ Out of My Head” to the Top Ten in 1968 and Linda Ronstadt did the same with her revival of “Hurt So Bad” in 1980.
The story didn’t end there. Little Anthony and the Imperials became the first group from the contemporary realm to play New York’s prestigious Copacabana nightclub, predating the Temptations and Supremes into this more “adult” room. The group also continued their hitmaking ways, charting ten more singles between the mid-Sixties and mid-Seventies, including “Take Me Back” and “I Miss You So.” In 1974 they reached Number Twenty-Five on the R&B chart with “I’m Falling in Love With You.” It was their final hit of any consequence. All totaled, Little Anthony and the Imperials placed twenty singles on the pop or R&B charts in three different decades—a formidable record of achievement for this durable vocal group.
In 1969 Ernest Wright left the Imperials and was replaced by Bobby Wade. In the early Seventies, Sammy Strain left to join the O’Jays and was replaced by Harold “Hal” Jenkins, who served both as vocalist and musical director. Little Anthony himself exited in 1975 for a solo career. The remaining trio of Collins, Wade and Jenkins kept the Imperials going through 1979, getting steady work in the Las Vegas lounges and on cruise ships. Little Anthony and the Imperials reunited in 1992 to make a well-received appearance on an oldies bill at Madison Square Garden. Shortly thereafter, they performed on the fortieth anniversary special for American Bandstand. Deciding to make the reunion permanent, Little Anthony and the Imperials have remained active on the touring circuit. The current lineup includes Gourdine, Collins, Wright and Harold Jenkins.
They received the Pioneer Award from the Rhythm and Blues Foundation and have been inducted into the Vocal Group Hall of Fame. In 2008 Little Anthony and the Imperials released You’ll Never Know, an album of new songs and re-recorded oldies to celebrate their fiftieth anniversary as a group.
Inductees: Clarence Collins (born March 17, 1942), Anthony Gourdine (born January 8, 1941), Tracy Lord, Sammy Strain (born December 9, 1941), Ernest Wright Jr. (born August 24, 1941)