In 1975, rock and roll caught a glimpse of what lay ahead when Patti Smith—a bohemian New York poet and punk-rock artiste—released her debut album, Horses. Its inspired garage-band amateurism flew in the face of increasingly slick rock production values. Smith’s lyrics were street poetry that nodded toward Beat Generation and French symbolist poets, as well as literate rockers like Jim Morrison and Lou Reed. Horses arrived at a time when rock and roll needed a jolt from its unadventurous rut and upwardly mobile arena-rock pretensions. John Cale’s arty, unretouched production gave the album the feeling of a raw musical chiaroscuro. ...
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